As if history and nature had not provided wonders enough, through the ages humans themselves have contrived more marvels to deceive one another. Sometimes they have concocted evidence when none was available to prove pet theories; sometimes their intention has been to impress or defraud; sometimes they have acted merely for sport. ø Robert Silverberg tells the stories of a baker's dozen of these scientific hoaxers in a lively, good-humored book that ranges through time and across continents. Here are perpetual-motion machines and space rockets, men on the moon and serpents in the sea. The rogues? gallery is a varied one: Dr. Mesmer, who cast his hypnotic spell on eighteenth-century Paris; Charles Dawson, whose Piltdown Man challenged evolution; Dr. Cook, with his tale of ?discovering? the North Pole; and many others. ø These are fascinating stories and more than just entertainment. The author explains the scientific background against which the hoaxes appeared and the detective work that led to their exposure. The schemers teach us to be alert, to challenge the evidence, and to appreciate the healthy skepticism that characterizes the scientific method.

"RED SEA-RED SQUARE-RED THREAD is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows a very long history of a very short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, the book follows the extraordinarily many thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Søren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohème, and with Hogarth's modern moral pictures? The book explores narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?"--