It came in a plain brown wrapper, no return address - an audiocassette recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message: . Bad love. Bad love. Don't give me the bad love... For Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. Others soon follow: disquieting laughter echoing over a phone line that suddenly goes dead, a chilling trespass outside his home in the middle of the night, a sickening act of vandalism. He has becoine the target of a carefully orchestrated campaign of vague threats and intimidation rapidly building to a crescendo as harassment turns to terror, mischief to madness. Searching his memory for the phrase bad love, Alex recalls a symposium he attended over a decade ago commemorating the work of Dr. Andres de Bosch, the celebrated child psychologist who ran a clinic for troubled adolescents. With the help of his friend LAPD detective Milo Sturgis, Alex discovers a seemingly random series of violent deaths - a hit-and-run, a suicidal leap from a high rise, and a brutal mutilation-murder - that may somehow be related to de Bosch. As he delves deeper into the history of the clinic, the escalating pattern of violence becomes inescapably clear. And if Alex fails to decipher the twisted logic of the stalker's mind games, he will be the next to die. Taut, penetrating, terrifying, Bad Love is vintage Kellerman.

Paul Auster's great trilogy of 1985-1986 broke ground in its mix of serious fictional techniques and detective and mystery genres. Since that time it has become one of the most successful series of novels of the last decades, now republished in a beautiful cloth edition.

"Well-plotted, well-written, clear-eyed. I never saw the end coming. There's a hell of a one-two punch waiting for you." --Stephen King New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for. Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as "Prom Mom"--the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance--as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can't stay away from Joe. And Joe finds that it's increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they've been trying not to cross. And then Joe asks Amber to help him do the unthinkable . . . and she must decide if she is willing to let their toxic and dangerous past repeat itself.

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation--and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. "I'm sorry but the answer's no." Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

Bedridden after a freak accident, a novelist begins to question his own sanity as he moves through dreamlike memories of his own fictional characters.

Psychologist-detective Dr. Alex Delaware finds terror in the heart of paradise in this relentlessly sinister novel by America's premier writer of psychological suspense, the author of ten successive "New York Times "bestsellers. Three months in paradise, all expenses paid. It's an invitation Alex Delaware can't refuse. Dr. Woodrow Wilson Moreland, a revered scientist and philanthropist on the tiny Pacific island of Aruk, has invited Alex to his home to help him organize his papers for publication-- a light workload leaving Alex plenty of time to enjoy a romantic interlude with Robin Castagna. Quickly, however, secretive houseguests, frightening nocturnal visitors, and the elusive Dr. Moreland himself dim the pleasures of deep blue water and white sand. The cases Moreland chooses to share--a patient driven to madness by a cruel, unspeakable act; a man who succumbed forty years ago to radiation poisoning after a nuclear blast; a young woman, brutally murdered, whose mutilated body was found on the beach just six months before-- seem unconnected. And yet Alex can't help wondering what the good doctor is trying to tell him...and what Moreland's real reason for inviting him to Aruk is. As Alex probes--with a little long-distance help from his friend LAPD detective Milo Sturgis--he comes to believe the answer lies hidden somewhere on Moreland's vast estate. Yet when he finally discovers the truth, the revelation will be more shocking than he could have imagined. And it will come too late to stem the tide of violence that threatens guilty and innocent alike on the lovely lost island of Aruk. Once again, with his brilliant characterizations and rapid-fire pace, Jonathan Kellerman has redefined the boundaries of suspense, probing real-life horrors and innermost fears in a novel that transfixes from first page to last. Also available on BDD Audio Cassette.

Dr. Alex Delaware doesn’t see many private patients anymore, but the young woman called Lucy is an exception. So is her dream. Lucy Lowell is referred to Alex by Los Angeles police detective Milo Sturgis. A juror at the agonizing trial of a serial killer, Lucy survived the trauma only to be tormented by a recurring nightmare: a young child in the forest at night, watching a strange and furtive act. Now Lucy’s dream is starting to disrupt her waking life, and Alex is concerned. The power of the dream, its grip on Lucy’s emotions, suggests to him that it may be more than a nightmare. It may be the repressed childhood memory of something very real. Something like murder.

With scores of millions of books in print, translation into two dozen languages, and one of the most popular heroes in contemporary fiction to his name, #1 New York Times bestselling author Jonathan Kellerman is the unequivocal “master of the psychological thriller” (People). In his newest novel Kellerman delivers a tour de force–poignant, dark, and chilling–that illuminates a shadowy world where impulse rules. Tanya Bigelow was a solemn little girl when Dr. Alex Delaware successfully treated her obsessive-compulsive symptoms. Now, at nineteen, she still seems older than her years–but her problems go beyond hyper-maturity. Patty Bigelow, Tanya’s aunt and adoptive mother, has made a deathbed confession of murder and urged the young woman to seek Delaware’s help. The doctor recalls Patty as a selfless E.R. nurse struggling to raise a child on her own–a woman seemingly incapable of the “terrible thing” she has admitted. But for Tanya’s peace of mind, Delaware agrees to investigate, and he enlists LAPD detective Milo Sturgis in the search for the phantom victim of a crime that may never have occurred. Armed with only the vaguest details, psychologist and cop follow a trail twisting from L.A.’s sleaziest low-rent districts to its overblown mansions, retracing Patty and Tanya’s nomadic and increasingly puzzling life to the doorsteps of a sullen heroin addict; a randy real-estate broker; and a brilliant, enigmatic physics student. Suddenly a very real murder tears open a terrifying tunnel into the past, where secrets–and bodies–are buried. As the tension mounts, Delaware and Sturgis uncover a tangled history of desperation, vengeance, and death–a legacy of evil that refuses to die. Dramatic, action-packed, and filled with the psychological detail that only Jonathan Kellerman can provide, Obsession is a whodunit, a whydunit–and something unique: a did-it-even-happen? This is Kellerman at his heart-racing best. From the Hardcover edition.

Perennial bestseller and acknowledged master of the psychological thriller, Jonathan Kellerman has created his most riveting and memorable work to date in the Alex Delaware novel about a troubled and elusive young woman whose brutal murder forces the brilliant psychologist-detective to confront his own fallibility. Lauren Teague is a beautiful, defiant, borderline-delinquent teenager when her parents bring her to Alex Delaware's office. But for all Alex's skill and effort, Lauren resists--angrily, provocatively. Reluctantly, the psychologist chalks Lauren up as one of the inevitable failures of a challenging profession. But years later, when Alex encounters Lauren as a stag party's featured entertainment, both doctor and patient are sticken with shame. And the ultimate horror takes place when, soon after, Lauren's brutalized corpse is found dumped in an alley. Alex disregards the advice of his trusted friend, LAPD detective Milo Sturgis, and jeopardizes his relationship with longtime lover, Robin Castagna, in order to pursue Lauren's murderer. As he investigates his young patient's troubled past, Alex enters the shadowy worlds of fringe psychological experimentation and the sex industry, and then into mortal danger when lust and big money collide in Southern California. Jonathan Kellerman's L.A. is evil, seductive, erotic, and unforgiving, and "Flesh and Blood" is mind-opening in its drama of a driven man's personal quest, breathtaking in its ingenious plot, filled with unforgettable characters, and topped off by a terrifying climax. This is suspense fiction at its finest.

"For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice?s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother?s whereabouts. Desperate to find the truth, Jenna enlists two unlikely allies in her quest: Serenity Jones, a psychic who rose to fame finding missing persons, only to later doubt her gifts, and Virgil Stanhope, the jaded private detective who?d originally investigated Alice?s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they?ll have to face even harder answers." --Amazon.com.

A second-rate actor is found mutilated in a car trunk. Then a psychologist at a Los Angeles hospital for the criminally insane is murdered in a similar grisly fashion. Suddenly the incoherent ramblings of an inmate at the presumably secure institution begin to make chilling sense--they are, in fact, horrifying predictions. Yet how can a barely functional psychotic locked behind asylum walls possibly know such vivid details of crimes committed in the outside world? Drawn into a labyrinth of secrets, revenge, sex, and manipulation, Dr. Alex Delaware and Detective Milo Sturgis set out to unlock this enigma and put an end to the brutal killings--before the madman predicts their own demise. .

Mosley departs from his Easy Rawlins mysteries for this thought-provoking novel. Charles Blakey is a young black man whose life is slowly crumbling. When a mysterious white man offers to rent Charles's basement for the summer, Charles embarks on a journey into inconceivable worlds of power and manipulation, and unimagined realms of humanity.

The New York Times bestselling author of The Monogram Murders—in the ranks of Ruth Rendell, Deborah Crombie, Kimberly McCreight, and Tana French—makes her William Morrow debut with a dark and chilling psychological thriller in which a woman desperate to hide a devastating secret in her past is drawn into a murder investigation. Traffic on Elmhirst Road has come to a halt. The police are stopping cars, searching for something. Nicki Clements waits patiently, until she glimpses a face she hoped she’d never see again. It’s him—and he’s the cop checking each car. Desperate to avoid him, she makes a panicky U-turn and escapes. But Nicki’s peculiar behavior did not go unnoticed, and now the police have summoned her for questioning. A resident of Elmhirst Road has been murdered—a controversial newspaper columnist named Damon Blundy. The detectives begin peppering her with questions. Why was she seen fleeing the scene? What is her connection to the victim? Why was the knife that killed him used in such a peculiar way? Why were the words “HE IS NO LESS DEAD” painted on the wall of Blundy’s study—and what do they signify? One simple answer could clear her. But she can’t explain why she fled Elmhirst Road that day without revealing the secret that could ruin her. Nicki isn’t guilty of murder. But she’s far from innocent. . . .

The New York Times bestselling author of The Monogram Murders and Woman with a Secret returns with a sharp, captivating, and expertly plotted tale of psychological suspense. All Beth has to do is drive her son to his soccer game, watch him play, and then return home. Just because she knows her ex-best friend lives near the field, that doesn't mean she has to drive past her house and try to catch a glimpse of her. Why would Beth do that and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today--or ever again. But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora arrives and calls to her children Thomas and Emily to get out of the car. Except . . . There's something terribly wrong. Flora looks the same, only older. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are Thomas and Emily without a doubt, but they haven't changed at all. They are no taller, no older. Why haven't they grown? How is it possible that they haven't grown up?

A compelling moral fable in the shape of a gritty, twist-filled thriller. Wall Street Journal John Shannon is a petty thief on the run. A three-time loser framed for murder, he knows that he s facing life in prison or death by lethal injection. Then, a bizarre text message draws him to a meeting in the dark of night. A foreigner who calls himself the Identity Man offers Shannon an incredible chance to start again: a new face, a new home, a new beginning. In a ruined city trying to rebuild, he gets work as a carpenter, and falls in love. It seems too good to be true and it is. It turns out this city is crawling with crooked politicians, gangsters, and dirty cops all of whom seem to want Shannon dead. Moving through the shambles of a town, he s got to ferret out the secret of his new life and fast if he wants to be left with any life at all. A gripping thriller. Entertainment Weekly A work of intense realism pervaded by sorrow, mercy, hope and ultimately, transcendence. Washington Times Andrew Klavan is the author of such classic suspense novels as True Crime , filmed by Clint Eastwood, Don t Say a Word , filmed starring Michael Douglas, and Empire of Lies . He has been nominated for the Edgar Award five times and has won it twice. "

The bestselling historical novel that exposes the less than honorable side of our Founding Fathers by the Pulitzer Prize-winning columnist. In this gripping and timely work, William Safire unveils the story behind the nation's first great political scandals. James Thomson Callender, the "scandalmonger" of the title, is an ambitious gossip-peddling editor secretly hired by Thomas Jefferson as a political weapon. After carefully damaging Alexander Hamilton's reputation, thereby paving the way for Jefferson's success, Callender is shunned by the very politicians on whose behalf he was jailed for sedition. Broke and betrayed, Callender seeks revenge by exposing an illicit affair between Jefferson and his slave Sally Hemmings, an accusation that ultimately cost Callender his career and would not be authenticated for two centuries. By using actual letters, records, and notes to re-create dialogue and events, Scandalmonger embodies historical fiction at its best, politics at its most intriguing, and our Founding Fathers at their most notorious. For those who think that Washington sex scandals and lurid journalism are recent developments, this novel will be a revelation, for Safire shows how media intrusiveness into private lives-and politicians' cool manipulation of the press-are practices as old as the Constitution.

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

As one of New York's top sex therapists, Dr. Morgan Snow sees everything from the abused to the depraved. The Butterfield Institute is the sanctuary where she tries to heal these battered souls. The Scarlet Society is a secret club of twelve powerful and sexually adventurous women. But when a photograph of the body of one of the men they're recruited to dominate -- strapped to a gurney, the number 1 inked on the sole of his foot -- is sent to the New York Times, they are shocked and frightened. Unable to cope with the tragedy, the women turn to Dr. Morgan Snow. But what starts out as grief counseling quickly becomes a murder investigation, with any one of the twelve women a potential suspect. The case leads Detective Noah Jordan -- a man with whom Morgan has shared a brief, intense connection -- to her office. He fears the number on the man's foot hints that the killings have just begun. With her hands tied by her professional duty, Morgan is dangerously close to the demons in her own mind -- and the flesh-and-blood killer.

Unravel a chilling mystery in Ben Hecht's "The Florentine Dagger," a gripping novel for amateur detectives steeped in historical intrigue. Journey into the depths of the human psyche as this classic work of historical fiction explores the complex intersection of crime and insanity. Hecht, a master storyteller, crafts a tale where the line between sanity and madness blurs, challenging readers to question what they believe. A timeless exploration of psychological suspense, "The Florentine Dagger" delves into the dark corners of the mind. This meticulously prepared print edition offers a new opportunity to experience Hecht's masterful prose. Perfect for fans of classic detective stories and those fascinated by the intricacies of psychological thrillers, this novel remains a compelling and thought-provoking read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.