A New York Times Notable Book * Winner of the National Jewish Book Award * Winner of the National Book Critics Circle Award * A Los Angeles Times Book Prize Finalist "A gripping detective story, a stirring epic, a tale of ghosts and dark marvels, a thrilling display of scholarship, a meditation on the unfathomable mystery of good and evil, a testimony to the enduring power of the ancient archetypes that haunt one Jewish family and the greater human family, The Lost is as complex and rich with meaning and story as the past it seeks to illuminate. A beautiful book, beautifully written."--Michael Chabon In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic--part memoir, part reportage, part mystery, and part scholarly detective work--that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.

An ex-KGB general has been killed on a live TV show in New York. Artie Cohen, a Russian American Jew and a special detective with the New York Police Department, unravels a Russian plot to acquire the infamous red mercury - a vital ingredient in the making of nuclear weapons.

The next caper in the Sister Pelagia mystery from the bestselling author of THE WINTER QUEEN. Returning from the Synod in St Petersburg - and an official rebuke of her crime-fighting ways - Sister Pelagia finds herself aboard a steamer dodging pickpockets, zealots and a sinister man with a detachable eye. But a brutal murder in the next cabin spells the end of her sleuthing retirement, and the start of an investigation that will take her to the Holy Land and far beyond. Pelagia's journey is peppered with tales of miracles and roosters, and caves that act as portals to other worlds. But an assassin is closing in, pursuing the sister to the land of the Gospels where her criminal enquiry becomes a spiritual enquiry as she sets down her knitting needles to question the very foundations of her faith...

A stunning and epic finale to the series, pitting Fandorin against both Ninjas and terrorists on the Trans-Siberian Express! The first of the interlinked plotlines is set in Russia during the Russo-Japanese War in 1905. Fandorin is charged with protecting the Trans-Siberian Railway from Japanese sabotage in a pacy adventure filled with double agents and ticking bombs. Then we travel back to the Japan of the late 1870s. This is the story of Fandorin's arrival and life in Yokohama, his first meeting with Masa and the martial arts education that came in so handy later. He investigates the death of a Russian ship-captain, fights for a woman, exposes double-agents in the Japanese police, fights against, and then with the ninjas, and becomes embroiled in a shocking finale that interweaves the two stories and ties up the series as a whole.

This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.