After working with bestselling crime writer Alan Conway for years, editor Susan Ryeland is intimately familiar with his detective, Atticus Pünd, who solves mysteries in sleepy English villages. His traditional formula has proved hugely successful, so successful that Susan must continue to put up with his troubling behavior if she wants to keep her job. Conway's latest tale involves a murder at Pye Hall, with dead bodies and a host of intriguing suspects. But the more Susan reads, the more she's convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

Donation.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered. Ex-Detective Inspector Daniel Hawthorne is dead. Or, rather, the actor playing him in the film adaptation of The Word is Murder is. Rising star David Caine has been stabbed, and it seems that everyone on the set had a motive. Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie. But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price. From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow they combine to unlock the secret of what has happened in Hastings. For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth. A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.

The brilliant Belgian detective rings in the New Year with a chilling murder investigation on a Greek island in this all-new holiday mystery from Sophie Hannah, author of Hercule Poirot's Silent Night. New Year's Eve, 1932. Hercule Poirot and Inspector Edward Catchpool arrive on the tiny Greek island of Lamperos to celebrate the holiday with what turns out to be a rather odd community of locals living in a dilapidated house. A dark sense of foreboding overshadows the beautiful island getaway when the guests play a New Year's Resolutions game after dinner and one written resolution gleefully threatens to perform "the last and first death of the year." Hours later, one of the home's residents is found dead on the terrace. In light of the shocking murder, Poirot reveals to Catchpool the real reason he's brought him to the island--the life of another community member has been threatened. Now both men resolve to ensure that the first murder will be the last.

Former government assassin Cameron Winter thinks he's finally found peace--and love--with therapist Gwendolyn Lord. But when she tells him about a baffling "locked room" murder in Tulsa, Winter's instincts pull him back into the shadows. The deeper he investigates, the more dangerous the case becomes--linking two impossible murders, a ruthless billionaire, and a ghost from his past. As his old life collides with his new one, Winter must decide how far he's willing to go to protect the woman he loves.

(Nero Wolfe, Sherlock Holmes, Miss Marple, Hercule Poirot, Maigret, Ellery Queen, Philip Marlowe) Whatever did happen to Sherlock Holmes? Was Marlowe no more than a figment of Chandler’s imagination, or was he really his alter ego? Why did Simenon gloss over those details of Maigret’s private life? Readers of the detective story have puzzled for decades over these and other intriguing questions about their heroes—and heroines. Now Julian Symons, himself a master crime writer, suggests some of the answers in the form of amusing and revealing incidents in the lives of the world’s most famous detectives, together with some hitherto undocumented case histories. With him we walk the roads and lanes of St Mary Mead in the company of its vicar, learning many fascinating details of Miss Marple’s past. We quiz Archie Goodwin in his den and gain a clue to the ultimate fate of Nero Wolfe. We disentangle the facts of Poirot’s career from the rumors, and uncover the history of Ellery Queen. While the stealthiest detective buff will find this new information essential reading, the newcomer will simply be delighted by this introduction to the worlds of The Great Detectives. (Publisher’s description) Contents: How a hermit was disturbed in his retirement — About Miss Marple and St Mary Mead — In which Archie Goodwin remembers — Which expounds the Ellery Queens mystery — About Maigret and the stolen papers — The life of Hercule Poirot : based on the notes of Captain Arthur Hastings — About the birth of Philip Marlowe

"London, 189-: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective's door... What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective's career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated? Oh, and there's one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing? If you can't tell the difference, what is the difference?"-- Provided by publisher.

"Shadows by the Sea" is a gripping Golden Age mystery by the acclaimed master of suspense, J. Jefferson Farjeon. Set against the moody and atmospheric backdrop of the English coast, the narrative unfolds through a series of eerie occurrences and clandestine encounters that disturb the peace of a seaside community. When a group of disparate characters finds themselves entwined in a web of secrets and unexpected danger, the tension escalates into a classic puzzle of crime and deduction. Farjeon, renowned for his ability to blend humor with genuine thrills, crafts a story where the setting itself-the shifting tides and darkening shores-becomes a character in its own right. As shadows lengthen by the sea, the protagonists must navigate a labyrinth of motives and hidden identities to uncover the truth behind a looming threat. This work stands as a quintessential example of early twentieth-century British crime fiction, showcasing the clever plotting and evocative prose that made Farjeon a favorite of readers and critics alike. Fans of traditional detective stories and atmospheric thrillers will find "Shadows by the Sea" an enduringly suspenseful and entertaining read, representative of the high-water mark of 1920s mystery writing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A high-caliber police procedural mystery from the acclaimed author Warren Adler, well-known for the iconic novel turned international box-office hit The War of the Roses. The poison pen of Polly Dearborn, an infamous Washington Post investigative reporter, has gone silent. When Polly is found hanging from her balcony in the Watergate apartments, Washington's elite and powerful rejoice-the Witch of Watergate is dead! But Polly's voice reaches beyond the grave, and her final articles may contain clues to some big secrets. Homicide detective Fiona Fitzgerald, well-versed in the behind-the-scenes dealings of Washington, doesn't buy the suicide angle. But secret alliances between the police, the Post, and the mayor make Fiona's job difficult. What's worse is that her new and unlikable partner, Charleen Evans, seems to be working against Fiona when she takes control of the evidence herself. All challenges aside, Fiona knows the political world and is determined to find the truth. The Witch of Watergate is the fourth book in the Fiona Fitzgerald Mystery series.

A high-caliber police procedural mystery from the acclaimed author Warren Adler, well-known for his iconic novel turned international box-office hit "The War of the Roses." Old money, old secrets. The elderly mother of the Governor of Virginia, an icon of Washington society, is found dead and sexually assaulted in her posh Washington, DC, residence. Metropolitan Police detective Fiona Fitzgerald investigates the horrifying crime. As a senator's daughter, she has the advantage of knowing the world of Washington's privileged. Young Martine, the accused, has no advantages. He was not raised in a family with political leverage and did not understand Washington's politicians' inner workings and secrets. Then there is the devoted servant, the status-hungry daughter-in-law, the drugs, power, and money-but where does the truth lie within this complicated family drama? Through it all, Fiona wrestles with her feelings about marriage as she considers marriage to a former general, who is now mounting a massive offensive for her hand. Will an inside look at one Washington marriage-and all of its dirty little secrets-help her choose? Fiona must battle both privilege and prejudice as she uncovers the inevitable truth behind the political facade. Death of a Washington Madame is the third book in the Fiona Fitzgerald Mystery series.

In this golden age sci-fi novel, war has rendered significant portions of Europe either uninhabitable or barbaric. The U.S. Government has failed, to be replaced by organized crime--Syndic is short for Syndicate.

When a girl is murdered in a Mayfair Mews, Superintendent Manners is convinced that the secret of the crime lies in the affluent suburban housing estate called The Dell. Dell-dwellers, like architect Dick and wine and food expert Jack Jellifer, think of themselves as living a civilised life, but there is one explosive element: red-headed roughneck Solomon Grundy. Could Grundy have killed the girl?

If you like period pieces and murder-mysteries with a twist of romance, you will enjoy this book. The protagonist becomes the chief suspect in the murder of Sir Geoffrey Kynaston and must clear his name. Set in Victorian England, there are flashbacks to Italy. Filled with aristocrats, there are colorful characters, too, lending an air of the Dickensian comic relief, ― like the money-obsessed private sleuth. E. Phillips Oppenheim (1866-1946) was an enormously popular and prolific writer of suspense fiction and romance. Notably easy to read, Mr. Oppenheim has few equals among modern English novelists. He is untiring in the invention of mysterious plots, he is a clever weaver of the plausible with the sensational, and he has the necessary gift of facile narrative. (Boston Transcript.) He is a master of the art of telling a story. He has humor, a keen sense of the dramatic, and a knack of turning out a happy ending just when the complications of the plot threaten worse disasters. (New York Times.)

A BLACK DAGGER CRIME edition of a novel about a famous dancer who is shot on stage on an opening night, but all the critics who gather - unaware that he is dead - agree that the death scene was particularly unconvincing. However, there are plenty of suspects since the dancer appears to have been the most hated person in the company.

Ten short stories. Miss Mott is a newspaper columnist, offering advice to readers on various personal matters. Is she now to become a consultant on crime? Of course, her uncle does work at Scotland Yard...In the ten cases, Lucie Mott solves only two-inding a missing woman locked in her own house and recognizing that an apparently philandering husband was actually out thieving--and in a third helps rescue her uncle. In five stories she is saved from her own folly by a supposed criminal known as Violet Joe with whom she immediately falls in love. Three strains of action are interwoven throughout the volume: the romance of Lucie and Violet Joe, the maniacal attraction of the criminal gang leader Meredith for Lucie, and Miss Mott's investigative career. All are neatly tied up in the final case.

The King's Cross restaurant is nearly empty when a timid London clerk overhears a few muttered words at a neighbouring table - a young woman is to be followed, and dealt with roughly if she proves troublesome. Before he can talk himself out of it, he is on a northbound express, pursuing the men and the girl they mean to harm. The journey ends on the windswept moors of Northumberland, where a tumbledown house sits alone against the sky. An out-of-work navvy has already taken shelter there, and soon a pair of young adventurers join the vigil. But the house is not as empty as it appears. Something beneath it gives a hollow boom, a professor works against his will, and a ruthless schemer will stop at nothing to protect what is buried below. First published in 1928, this thriller of treason, courage, and a secret that must never see daylight is vintage British mystery at its most atmospheric.