David, King of the Jews, possessed every flaw and failing of which a mortal is capable, yet men and women adored him, and God showered him with many blessings. A charismatic leader, exalted as “a man after God’s own heart,” he was also capable of deep cunning and bloodthirsty violence. Weaving together biblical texts with centuries of interpretation and commentary, as well as the startling discoveries of modern biblical archaeology and scholarship, bestselling author Jonathan Kirsch brings King David to life with extraordinary freshness, intimacy, and vividness of detail, revealing him in all his glory and fallibility. At the center of this taut, dramatic narrative stands a hero of flesh and blood–a man as vibrant and compelling today as he has been for millennia.

The accounts of the Holy Land's history in the Bible have for years been taken for granted. But recently, a body of dramatic discoveries has raised questions about many of the most widely accepted Biblical narratives. Amy Dockser Marcus examines this research, which is changing not only our understanding of Scripture but the face of the Middle East today. Marcus takes the reader on a tour of the Old Testament to reveal startling new discoveries about the history of that time, and reminds us that the problems that plague the modern Middle East have their roots in Biblical times -- and may find their solutions there, as well. -- Marcus's extensive research included visits to digs in Egypt, Jordan, Israel, and the West Bank, where she interviewed archaelogists, Bible scholars, government officials, and historians. -- Controversial new revelations include that Egyptian pyramids were not built by slaves, and probably not even by Israelites, and that the United Monarchy of David and Solomon was in fact separate states. -- Marcus presents a new solution to the problems in the Middle East.

This volume, consisting of seventeen studies by leading experts in the field, takes stock of recent work on the history and literary culture of the Jews in the Netherlands and Antwerp from before the revolt until the present. Important new discoveries are included here for the first time.

"Biblical scholars, Egyptologists, archaeologists, historians, literary scholars, anthropologists, and filmmakers are drawn to it. Unable to find physical evidence until now, many archaeologists and scholars claim this mass migration is just a story, not history. Others oppose this conclusion, defending the biblical account. Like a detective on an intricate case no one has yet solved, pioneering Bible scholar and bestselling author of Who Wrote the Bible? Richard Elliott Friedman cuts through the noise — the serious studies and the wild theories — merging new findings with new insight. From a spectrum of disciplines, state-of-the-art archeological breakthroughs, and fresh discoveries within scripture, he brings real evidence of a historical basis for the exodus — the history behind the story. The biblical account of millions fleeing Egypt may be an exaggeration, but the exodus itself is not a myth. Friedman does not stop there. Known for his ability to make Bible scholarship accessible to readers, Friedman proceeds to reveal how much is at stake when we explore the historicity of the exodus. The implications, he writes, are monumental. We learn that it became the starting-point of the formation of monotheism, the defining concept of Judaism, Christianity, and Islam. Moreover, we learn that it precipitated the foundational ethic of loving one's neighbors — including strangers — as oneself. He concludes, the actual exodus was the cradle of global values of compassion and equal rights today"--front flap.

Intelligence turns me on. Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.