From Hadley Freeman, bestselling author of House of Glass , comes a “riveting” ( The New York Times ) memoir about her experience as an anorexic and her journey to recovery. In 1995, Hadley Freeman wrote in her diary: “I just spent three years of my life in mental hospitals. So why am I crazier than I was before????” From the ages of fourteen to seventeen, Freeman lived in psychiatric wards after developing anorexia nervosa. Her doctors informed her that her body was cannibalizing her muscles and heart for nutrition, but they could tell her little else: why she had it, what it felt like, what recovery looked like. For the next twenty years, Freeman lived as a “functioning anorexic,” grappling with new forms of self-destructive behavior as the anorexia mutated and persisted. Anorexia is one of the most widely discussed but least understood mental illnesses. Through “sharp storytelling, solid research and gentle humor” ( The Wall Street Journal ), Freeman delivers an incisive and bracing work that details her experiences with anorexia—the shame, fear, loneliness, and rage—and how she overcame it. She interviews doctors to learn how treatment for the illness has changed since she was hospitalized and what new discoveries have been made about the illness, including its connection to autism, OCD, and metabolic rate. She learns why the illness always begins during adolescence and how this reveals the difficulties for girls to come of age. Freeman tracks down the women with whom she was hospitalized and reports on how their recovery has progressed over decades. Good Girls is an honest and hopeful story of resilience that offers a message to the nearly 30 million Americans who suffer from eating disorders: Life can be enjoyed, rather than merely endured.

Looks at the life and career of Sally Ride, who in 1983 became the first American woman to travel in space.

This book is the first to systematically examine the representation of women by mainstream Hebrew authors from the Palmah Generation to the New Wave. Fuchs’ unique analytical method exposes the male-centered bias which often inspires the works of such prominent and widely translated authors as S. Yizhar, Moshe Shamir, A. B. Yehoshua and Amos Oz. She exposes both the continuities and the transformations in the literary representations of women and explains them in innovative ways, grounded in aesthetic, social, political, and cultural conditions and ideologies. The bold and unexpected discoveries offered by this book illuminate the complex ways in which Israel’s political predicaments, for example, affect the representation of women, as well as the various ways in which Israeli literature uses female images to express the anxiety and frustration arising from these predicaments. This pioneering study will be invaluable to feminist literary critics, scholars, and teachers and students of modern Hebrew literature.