The quest for picnic perfection will delight readers in this classic Beginner Book edited by Dr. Seuss. When the Berenstain Bears set out to find the perfect spot for a picnic, Father Bear says he knows just the place. But each ideal location turns out to be a complete disaster, with a train roaring past or hordes of mosquitoes. At last they find a place with no pesky crowds or noisy planes, and nary a mosquito . . . until it starts to rain. With The Bears’ Picnic, literary legends Stan and Jan Berenstain provide a red-and-white-checked tablecloth to enhance a giggle-filled escape. Beginner Books are fun, funny, and easy to read! Launched by Dr. Seuss in 1957 with the publication of The Cat in the Hat , this beloved early reader series motivates children to read on their own by using simple words with illustrations that give clues to their meaning. Featuring a combination of kid appeal, supportive vocabulary, and bright, cheerful art, Beginner Books will encourage a love of reading in children ages 3–7.

George is in charge of taking care of his friend's tadpoles, and he knows just what to do! He takes them out for some exercise in the pond, but what will he do when they don't return A perfect book for early readers on the concept of metamorphosis. Curious George's friend Bill has put him in charge of several tadpoles. George sends the tadpoles for a nice swim in the lagoon, but to his dismay, the tadpoles don't return! Each time he goes back to the lake he tries to find the tadpoles, but he finds only tadpole-like creatures without tails . . . and with legs. A trip to the museum teaches George about the development of tadpoles into frogs, and he and Bill are happy to make the acquaintance of their new froggy friends! The animated series Curious George is available to watch on Peacock, NBC Universal's streaming platform.

In "One Basket" by Edna Ferber, readers are treated to a collection of short stories that provide a delightful glimpse into the lives of various characters. Through Ferber's skillful storytelling, these tales explore the intricacies of human relationships, dreams, and the intricacies of daily existence. The book's narrative diversity spans from the bustling streets of New York City to the quiet rural settings, making each story a unique experience. Themes of love, ambition, and personal growth are woven throughout, painting a vivid picture of American life in the early 20th century. Edna Ferber's masterful prose captures the essence of the human spirit, offering a rich and emotional reading experience for all.

When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.