In "One Basket" by Edna Ferber, readers are treated to a collection of short stories that provide a delightful glimpse into the lives of various characters. Through Ferber's skillful storytelling, these tales explore the intricacies of human relationships, dreams, and the intricacies of daily existence. The book's narrative diversity spans from the bustling streets of New York City to the quiet rural settings, making each story a unique experience. Themes of love, ambition, and personal growth are woven throughout, painting a vivid picture of American life in the early 20th century. Edna Ferber's masterful prose captures the essence of the human spirit, offering a rich and emotional reading experience for all.

From the Publisher: New Directions has long published poet William Carlos Williams' entire body of short fiction as The Farmers' Daughters (1961). This new edition of The Collected Stories of William Carlos Williams contains all fifty-two stories combining the early collections The Knife of the Times (1932), Life Along the Possaic (1938) with the later collection Make Light of It (1950) and the great long story, "The Farmers' Daughters" (1956). When these stories first appeared, their vitality and immediacy shocked many readers, as did the blunt, idiosyncratic speech of Williams' immigrant and working-class characters. But the passage of time has silenced the detractors, and what shines in the best of these stories is the unflinching honesty and deep humanity of Williams' portraits, burnished by the seeming artlessness which only the greatest masters command.

"An all-access ticket to the celebrated and wholly original mind of Mark Leyner, "one of the smartest and funniest humans since Aristophanes" (Jay McInerney). Praised as "chaotic and vibrant" (Charles Yu), "visionary" (Sam Lipsyte), and "supremely original" (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner's extraordinary career in all of its bizarre and infatuating glory, with excerpts spanning from his groundbreaking early novels My Cousin, My Gastroenterologist (1990) and Et Tu, Babe (1992) to his modern masterpieces The Sugar-Frosted Nutsack (2012) and The Last Orgy of the Divine Hermit (2021). Appreciations from modern masters introduce each novel and the book includes original pieces in Leyner's irrepressible voice, including a timeline ("The Story So Far") and a new Afterword ("The Highlighted Passages"). This comprehensive volume is the perfect entry point for readers attracted to mind-expanding prose, and a bouquet of delights for those who have loved any of his past works"--

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w