A fresh edition of the sustainable design pioneer Victor Papanek’s classic and ever-relevant book examining the important role of design in combating climate change. Whether it’s horror at the plastic littering the world’s beaches or despair at the melting polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative , Papanek argues for design that addresses these issues head-on. This means using materials that can be recycled and reused, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy. First published at the end of the twentieth century, this book offered a plethora of honest advice, clear examples, and withering critiques, laying out the flaws of and opportunities for the design world at that time. A quarter of a century on, Papanek’s lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today’s reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved.

An ambitious monograph on Neri Oxman, one of the most inventive minds of our time, whose interdisciplinary design work blends, transcends and redefines the practices of computer science, digital fabrication, material science and synthetic biology. Neri Oxman has forged a singular career across design, science and technology for over twenty years. Trained as both a medical doctor and an architect, she has brought an entirely new spirit of thinking and experimentation to all facets of design. Oxman defines her work at the MIT Media Lab, which approaches nature as processes and substances to be molded to design ends, as 'material ecology.' Using this method, products and buildings are designed as interactive entities that are environmentally informed, biologically augmented, computationally grown and digitally manufactured. The products of her ground-breaking methods are arresting and have major implications for all aspects and scales of design, where Oxman's work is at the edge of many interrelated - and unexpected - practices. From using silkworms' thread to generate a cocoon-like construction to a synthetic apiary, from a water-based fabrication platform that prints structures made out of biopolymers, to automated microrobots that can build their own structure, Oxman and her teams are producing an entirely new vocabulary for designers with far-reaching implications. Mediated Matter is the first comprehensive overview of Oxman's work. Six central chapters - Biopolymers, Cellular Solids, Fibers, Functional Pigments, Organic Comb and Symbiotic Microbes - present the thinking behind the key projects and the process of their creation as well as, crucially, their potential for use in the built environment, all shown in detail through diagrams, explanatory texts, process documents and breathtaking photographs. Through its scientific rigour, sheer imagination and design innovation, this novel publication, like its author, is a future-facing manifesto for a true symbiosis of nature and design.