INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or by taming our baser instincts. In their major New York Times bestseller, The Dawn of Everything , David Graeber and David Wengrow fundamentally challenge these assumptions and recast our understanding of human history. We will never again see the past in the same way. Drawing on pathbreaking research in archaeology and anthropology, Graeber and Wengrow reveal how history becomes a far more interesting place once we learn to throw off our conceptual blinders and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing during all that time? If agriculture and cities did not mean a plunge into hierarchy and domination, then what kinds of social and economic organizations did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more open to playful, hopeful possibilities, than we tend to assume. Destined to be a classic, The Dawn of Everything signals a paradigm shift, profoundly transforming our understanding of the human past and making space to imagine new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual and political range, animated by curiosity, moral vision, and hopefulness.

Reflects on the 20th century as the Jewish Century; modernization is about everyone becoming urban, mobile, literate, occupationally flexible, etc. In other words, modernization is about everyone becoming Jewish. Analyzes developments in Europe in particular, with a focus on Russia and the USSR. States that the Jews belong to a class of "Mercurian" peoples (i.e. nomadic, middlemen, intellectual, and landless) which had historically kept a distance from the "Apollonian" (i.e. agricultural and warrior) peoples. Because of their "Mercurian" training, the Jews excelled in the entrepreneurial and professional occupations but they were seen as tribal strangers who did not belong in the modern state. The Jewish Age was also the Age of Antisemitism. It was the processes of "Mercurianization" of the Europeans (rapid in the West, but slow in Russia and the USSR) and "Apollonization" of the Jews which brought about the rise of antisemitism. Stresses that, in Russia, the Jews were hated as agents of modernization. Discusses the myth of "Jewish Bolshevism", and Soviet Stalinist and post-Stalinist policies concerning the Jews, noting that Jews were far from being the main victims of Soviet "national" policy.

This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history. Featuring contributions from thirty-eight international scholars, the book takes a thematic approach to a period which saw the defeat of the Spanish Armada, the explorations of Francis Drake and Walter Ralegh, the establishment of the Protestant Church, the flourishing of commercial theatre and the works of Edmund Spencer, Philip Sidney and William Shakespeare. Encompassing social, political, cultural, religious and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order in transition. Topics covered include central and local government; political ideas; censorship and propaganda; parliament, the Protestant Church, the Catholic community; social hierarchies; women; the family and household; popular culture, commerce and consumption; urban and rural economies; theatre; art; architecture; intellectual developments ; exploration and imperialism; Ireland, and the Elizabethan wars. The volume conveys a vivid picture of how politics, religion, popular culture, the world of work and social practices fit together in an exciting world of change, and will be invaluable reading for all students and scholars of the Elizabethan period.

"Here is the definitive history of contemporary Europe, a controversial but authoritative and lively narrative that is destined to become the standard account of the period from 1914 to the present. In this important new book, University of Chicago historian Bernard Wasserstein offers the first serious, full-length history of a century of convulsive change. It is a history of barbarism and civilization, of cruelty and tenderness, of technological achievement and environmental blight, of imperial expansion and withdrawal, of authoritarian repression and of individualism resurgent. Wasserstein provides both a narrative of the main contours of the political, diplomatic, and military history and an analysis of the underpinnings of demographic, economic, and social developments. Most notably, the book explores the evolution of values and sensibilities in a period when, for the first time, God disappeared as a living presence in the minds of most Europeans. Wasserstein argues that barbarism and civilization were not polar opposites: rather they marched hand in hand. Twentieth-century Europe saw incontestable improvements in living conditions for most inhabitants of the continent: average life span was extended by more than half; real incomes increased dramatically; illiteracy was all but eliminated; women, ethnic minorities, and homosexuals advanced closer to equality of respect and opportunity. Yet the century also witnessed some of the most brutish episodes in the recorded history of our species. Hence Wasserstein's conclusion that "greed, selfishness, lies, and cruelty are the stuff of the history of Europe in our time." Drawing on the latest scholarly findings,including recent disclosures of intelligence materials and archival revelations that followed the fall of Communism in Eastern Europe, Wasserstein captures the essence of contemporary European history in an engaging narrative that is by turns grim, humorous, surprising, and enlightening." -- Publisher.

In this book, each of the chapters offers an analysis of the origins and development of an important aspect of Japanese culture, including religion (Pure Land Buddhism and Zen, Shinto and folk religions, Confucianism and Tokugawa era ideology), philosophy (classical Buddhism and the contemporary Kyoto School), literature and the arts (medieval poetry and drama, modern fiction and films), and social behavior (family system, feminism, nationalism, and economic growth). The central, underlying theme is the uniqueness and creativity of Japan as seen from twentieth century perspectives. One of the fascinating things about Japanese culture is that, on the one hand, it seems to have held onto its traditional foundations with a greater sense of determination and celebration than most societies and, at the same time, it appears to have attained a position at the forefront of international modernist and postmodernist developments. The authors explore several approaches to this issue. One school of thought is influenced by recent Japanese writers and intellectual historians such as Mishima, Tanizaki, Watsuji, and Nakamura. Another approach is influenced by Western poststructuralist commentators such as Barthes, Derrida, and Lyotard. A third approach is to argue against the thesis known as nihonjinron ("Japanism" or cultural exceptionalism), by suggesting that the notion of Japanese uniqueness is itself a cultural myth generated by nationalist and particularist trends originating in the Tokugawa era. The volume features an essay by Kenzaburo Oe, winner of the Nobel Prize for Literature, entitled "Japan, the Dubious, and Myself."

Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture considers the potential for a reciprocally illuminating relationship between art history and history in light of recent methodological developments in both fields. The volume opens with contributions from a historian and an art historian; they examine the weaknesses of an art history without a social or economic history and lay the groundwork for the ensuing discussions of how the procedures and methods of each discipline may serve the aims of the other. A wide critique of approaches to the interpretation of realism in Dutch pictures forms the second section of the book. Included are critical views of recent iconographic developments, as well as contributions by a plant taxonomist and a marine historian. In the volume's third section new statistical and numerical models for the study of Dutch art in Dutch society are presented by three economic historians. The concluding essay provides a constructive critique of existing methodologies within each field. Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture offers the most secure basis to date for future work on the interaction between the two disciplines and between the content of pictures and the cultures that produce them.