“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.

Reflects on the 20th century as the Jewish Century; modernization is about everyone becoming urban, mobile, literate, occupationally flexible, etc. In other words, modernization is about everyone becoming Jewish. Analyzes developments in Europe in particular, with a focus on Russia and the USSR. States that the Jews belong to a class of "Mercurian" peoples (i.e. nomadic, middlemen, intellectual, and landless) which had historically kept a distance from the "Apollonian" (i.e. agricultural and warrior) peoples. Because of their "Mercurian" training, the Jews excelled in the entrepreneurial and professional occupations but they were seen as tribal strangers who did not belong in the modern state. The Jewish Age was also the Age of Antisemitism. It was the processes of "Mercurianization" of the Europeans (rapid in the West, but slow in Russia and the USSR) and "Apollonization" of the Jews which brought about the rise of antisemitism. Stresses that, in Russia, the Jews were hated as agents of modernization. Discusses the myth of "Jewish Bolshevism", and Soviet Stalinist and post-Stalinist policies concerning the Jews, noting that Jews were far from being the main victims of Soviet "national" policy.

Focusing on the design and implementation of computer-based automatic machine tools, David F. Noble challenges the idea that technology has a life of its own. Technology has been both a convenient scapegoat and a universal solution, serving to disarm critics, divert attention, depoliticize debate, and dismiss discussion of the fundamental antagonisms and inequalities that continue to beset America. This provocative study of the postwar automation of the American metal-working industry—the heart of a modern industrial economy—explains how dominant institutions like the great corporations, the universities, and the military, along with the ideology of modern engineering shape, the development of technology. Noble shows how the system of "numerical control," perfected at the Massachusetts Institute of Technology (MIT) and put into general industrial use, was chosen over competing systems for reasons other than the technical and economic superiority typically advanced by its promoters. Numerical control took shape at an MIT laboratory rather than in a manufacturing setting, and a market for the new technology was created, not by cost-minded producers, but instead by the U. S. Air Force. Competing methods, equally promising, were rejected because they left control of production in the hands of skilled workers, rather than in those of management or programmers. Noble demonstrates that engineering design is influenced by political, economic, managerial, and sociological considerations, while the deployment of equipment—illustrated by a detailed case history of a large General Electric plant in Massachusetts—can become entangled with such matters as labor classification, shop organization, managerial responsibility, and patterns of authority. In its examination of technology as a human, social process, Forces of Production is a path-breaking contribution to the understanding of this phenomenon in American society.

"A collection of twenty-two essays from the web magazine Reality Sandwich that discuss alternatives to the current systems of bank-financed currency and global capitalism"--Provided by publisher.

Beginning with the development of the compass, Ruling the Waves examines a series of technological revolutions that promised, in their time, to transform the world's politics and business. With Debora Spar's gifted storytelling, each chapter reads like an adventure tale as she recounts the histories of the printing press and maps; of the telegraph, radio, and satellite television; of software, encryption, and the advent of digital music. At each of these junctures Spar suggests that invention led to both a wave of commerce and of chaos. Entrepreneurs such as Samuel Morse and Rupert Murdoch carved new markets from the emerging technology and proclaimed that the old rules no longer applied. And for a while, they were right. But eventually--and inevitably--even cowboys need rules: rules of property, rules of coordination, rules of competition. The erstwhile pioneers thus turn to government, lobbying for order and setting the stage for the next wave of discovery. A fascinating history of business, Ruling the Waves is also an original, thought-provoking analysis of the parallels between past innovations and inventions and our own tumultuous times.

Fortunately for the reader, the author is not only a sophisticated practicing anthropologist--and incidentally a medical man--but also a person of wide and cosmopolitan literary culture. ... The interest of this exercise extends far beyond two backward corners of South America. How human beings make intellectual sense of the world in which they live, and which they no longer even partially control, is a question which concerns all of us. What they do with the 'social constructions (and deceptions) of reality' is equally significant. For men strive not only to understand but to change the world."--E.J. Hobsbawm, New York Review of Books "[Taussig] gives us superb ethnography, a Marxist critique of world capitalism, a lesson in analogical and dialectical techniques (some of them bordering on the mystical), and argues convincingly that humanist interpretation can be as empirically 'hard' as scientific measurement. ... [He] develops a set of painstaking techniques that allow us to 'read' the text of Caucana beliefs by means of an elaborate iconography derived from analogic reasoning and grounded in Marxist theory. Such a text is not to be 'understood' as a peasant or folk recourse to 'limited good' or 'folk Catholocism, ' but rather as revelatory of real social relationships that are disguised in more advanced capitalist societies by the process of ideological mystification that Marx called 'the fetishism of commodities.'"

Oxford University Press paperback. Includes bibliographical references and index. pt. 1: Technology as social production. The wedding of science to the useful arts--1: The rise of science-based industry. The wedding of science to the useful arts--2: The development of technical education. The wedding of science to the useful arts--3: The emergence of the professional engineer. Preservation through change: Corporate engineers and social reform -- pt. 2: Corporate reform as conscious social production. Laying the foundation: Scientific and industrial standardization. The corporation as inventor: Patent-law reform and patent monoply. Science for industry: The organization of industrial and university research. Technology as people: The industrial process of higher education --1. Technology as people: The industrial process of higher education--2. A technology of social production: Modern management and the expansion of engineering. * dss 20081210.

The growth of the economy and the spread of prosperity are increasingly seen as problematic rather than positive - a trend Daniel Ben-Ami has termed 'growth scepticism'. Prosperity is accused of encourage greed, damaging the environment, causing unhappiness and widening social inequalities. Ferraris for all: A defence of economic progress is a rejoinder to the growth sceptics. Using examples from a range of countries, including the US, the author argues that society as a whole benefits from greater affluence. Action is needed - but to increase abundance and spread it worldwide, not to limit prosperity, as the sceptics would have it. The lively and provocative hardback edition was published to widespread coverage in 2010, and triggered debate and dissent in equal measure.

In this new condensed version of his masterpiece, Capitalism, Arthur Seldon explains why, despite its apparent imperfections, the market system is infinitely preferable to the alternatives. The market system has, since the eighteenth century, brought enormous gains in living standards, in contradiction to the Marxist theories that predicted capitalism's collapse. The institution of property rights has facilitated trade and investment, whilst the price mechanism has enabled people to benefit from dispersed knowledge about individual preferences. Yet politicians, needing to win votes in the short-term, have largely failed to recognise the benefits of a market system with the minimum of government intervention. The development of the welfare state has been disastrous, almost destroying the voluntary provision of health and education, whilst creating institutions that serve producer interests at the expense of consumers. Seldon's message is clear; if capitalism is to yield its best results the political process must be confined to the minimal duties of the state. This condensed version of Capitalism includes a foreword by the late Milton Friedman, an introduction by John Blundell and Philip Booth, and commentaries by James Bartholomew and D.R. Myddelton.

What ails people at the present time in Western and especially American society is an inexhaustible subject. Discussion of these discontents in the United States in the last decade of the twentieth century leads to an obvious question: How much and what kind of discontents are possible in a society that has experienced over a decade of economic growth, close to full employment, hardly any inflation, falling crime rates, declining teenage pregnancies, and other good things? Is there anything to worry about in a country that has become the undisputed superpower of the world and no longer faces another hostile superpower such as the Soviet Union used to be? Paul Hollander wrestles with these and other questions in seeking to understand conditions and developments within American culture and society in the context of their relationship to political systems, movements and ideas critical of the United States and Western values. Hollander examines disparate phenomena, such as the O.J. Simpson case, the banning of West Side Story in Amherst, Massachusetts, the popularity and expos of Rigoberta Menchu, and the appeal of sports utility vehicles, which shed light on the major themes of the volume. Topics include conflicts among American intellectuals (including disputes over the Kosovo intervention), the impact of postmodernism on higher education, the persisting appeal of victimhood in American society, the flaws of American sociology, academic specialists' failure to anticipate the collapse of the Soviet Union, and the new anti-Americanism in postcommunist societies. Among topics of historical interest are a survey of Western judgments and misjudgments of the communist systems; examination of the relative neglect of political violence in communist states, and analysis of officially enforced, secular-religious cult of communist rulers. Many of these writings are linked to the author's longstanding interest in why people accept or reject particular political systems and in the contradictory human needs and desires which condition and limit the pursuit of social and political ends. Sociologists, political scientists, and the general reader will find this book of great interest. Paul Hollander is professor emeritus of sociology at the University of Massachusetts, Amherst, and a fellow of the David Center for Russian Studies at Harvard University. His books include Soviet and American Society, Political Pilgrims, The Survival of the Adversary Culture , and Anti-Americanism .