The Fifties is a sweeping social, political, economic, and cultural history of the ten years that Halberstam regards as seminal in determining what our nation is today. Halberstam offers portraits of not only the titans of the age: Eisenhower Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill. A NEW YORK TIMES BESTSELLER "From the Trade Paperback edition.

Primetime Propaganda is the story of how television has been used over the past sixty years by Hollywood writers, producers, actors, and executives to promote their liberal ideals, to push the envelope on social and political issues, and to shape America in their own leftist image. In this thoroughly researched and detailed history of the television industry, the conservative columnist and bestselling author Ben Shapiro argues that left-leaning entertainment kingpins in Los Angeles and New York have leveraged—and continue to use—their positions and power to push liberal messages and to promote the Democratic Party while actively discriminating against their opponents on the right. According to Shapiro, television isn't just about entertainment—it's an attempt to convince Americans that the social, economic, and foreign policy shaped by leftism is morally righteous. But don't take his word for it. Shapiro interviewed more than one hundred of the industry's biggest players, including Larry Gelbart ( M*A*S*H ), Marta Kauffman ( Friends ), David Shore ( House ), and Mark Burnett ( Survivor ). Many of these insiders boast that not only is Hollywood biased against conservatives, but that many of the shows being broadcast have secret political messages. After reading this groundbreaking exposÉ, readers will never watch television the same way again.

A revised edition of this celebrated cultural history features a new afterword and three new chapters focusing on the global K-pop phenomenon BTS, as well as the Academy Award–winning film Parasite and the hit Netflix series Squid Game. In this fresh, funny, and insightful cultural history, Euny Hong recounts how South Korea vaulted itself into the twenty-first century, becoming a global leader in business, technology, education, and pop culture. Along the way we meet teachers, cultural critics, Michelin-starred chefs, pop music superstars, and government ministers in charge of creating boy bands with highly synchronized dance moves. The strict rigors of the Korean education system now lead to a society that works and plays hard—with a Ministry of Culture that churns out movies, television dramas, pop bands, and video games exported throughout the world. The Birth of Korean Cool reveals how a really uncool country became cool, and how a nation that once banned miniskirts, long hair on men, and rock and roll could come to be known for its pop music and the smartphone in everyone’s pocket. This revised edition features a new afterword and three new chapters focusing on the global K-pop phenomenon BTS, as well as the Academy Award-winning film Parasite and the hit Netflix series Squid Game.

Dancing in the Dark shows how our worst economic crisis, as it eroded American individualism and punctured the American dream, produced in the 1930s some of the greatest writing, photography, and mass entertainment ever seen in this country.

"Dancing in the Dark shows how our worst economic crisis, as it eroded American individualism and punctured the American dream, produced in the 1930s some of the greatest writing, photography, and mass entertainment ever seen in this country"--OCLC

"Change is no stranger to us in the twenty-first century. All of us must constantly adjust to an evolving world, to transformation and innovation. But for many thousands of creative artists, a torrent of recent changes has made it all but impossible to earn a living. A persistent economic recession, social shifts, and technological change have combined to put our artists-from graphic designers to indie-rock musicians, from architects to booksellers-out of work. This important book looks deeply and broadly into the roots of the crisis of the creative class in America and tells us why it matters. Scott Timberg considers the human cost as well as the unintended consequences of shuttered record stores, decimated newspapers, music piracy, and a general attitude of indifference. He identifies social tensions and contradictions-most concerning the artist's place in society-that have plunged the creative class into a fight for survival. Timberg shows how America's now-collapsing middlebrow culture-a culture once derided by intellectuals like Dwight Macdonald-appears, from today's vantage point, to have been at least a Silver Age. Timberg's reporting is essential reading for anyone who works in the world of culture, knows someone who does, or cares about the work creative artists produce"--