A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in priso[Bokinfo]

Countless school children have recited the opening line of Poe's The Raven: "Once upon a midnight dreary, while I pondered, weak and weary..." But Poe is valued not only for his poetry. He was also a prolific writer of short stories, the creator of two literary forms that readers everywhere enjoy--the detective story and the horror thriller.

In this riveting account of the explosive relationship between Robert F. Kennedy and J. Edgar Hoover, renowned journalist and author Burton Hersh sets their highly publicized clashes in the context of Joe Kennedy's ongoing manipulation of Congress and his children's careers, and his lifelong connections to organized crime. Theirs was a unique triumvirate, marked by conflict and betrayal, and culminating in a near-Shakespearean tragedy. Based on compelling new research, and told in gripping anecdotal style, Hersh chronicles the complex relationship between the two antagonists, from their early brushes during the McCarthy years to their controversial deaths.

A fascinating and timely biography of J. Edgar Hoover from a Sibert Medalist. "King, there is only one thing left for you to do. You know what it is. . . . You better take it before your filthy, abnormal, fraudulent self is bared to the nation.” Dr. Martin Luther King received this demand in an anonymous letter in 1964. He believed that the letter was telling him to commit suicide. Who wrote this anonymous letter? The FBI. And the man behind it all was J. Edgar Hoover, the FBI's first director. In this unsparing exploration of one of the most powerful Americans of the twentieth century, accomplished historian Marc Aronson unmasks the man behind the Bureau- his tangled family history and personal relationships; his own need for secrecy, deceit, and control; and the broad trends in American society that shaped his world. Hoover may have given America the security it wanted, but the secrets he knew gave him — and the Bureau — all the power he wanted. Using photographs, cartoons, movie posters, and FBI transcripts, Master of Deceit gives readers the necessary evidence to make their own conclusions. Here is a book about the twentieth century that blazes with questions and insights about our choices in the twenty-first. Back matter includes an epilogue, an author’s note, source notes, a bibliography, and an index.

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

"Lupoff writes with intelligence, humor, wisdom, and a zest for life. He had a lot of fun writing this book, and it shows; because of it, we have a lot of fun reading it."Joe Gores, author of Hammett Where Memory Hides is a guided tour through the life and career of mystery and science fiction's most versatile practitioner. Richard A. Lupoff has been a professional author for six decades, and a life-time fan of everything from pulp magazines to comic books, science fiction and mystery, and more. As the extensive bibliography (included in this book) demonstrates, Lupoff's credits run the gamut of fiction, nonfiction, mainstream publishing, and fan journals. In the 1960s, he penned All In Color For a Dime , a foundation-laying work for modern comic book fandom, and Edgar Rice Burroughs: Master of Adventure , a study of Tarzan's creator. The Comic Book Killer and Marblehead are among his best-known novels. His short story 12:01 PM , filmed twice in the 1990s, added a new sub-genre to science fiction and spawned a legion of imitators. In Where Memory Hides , Lupoff regales readers with triumphs and tribulations from his six-decade plus career. He also offers insights on writing, haggling with agents, and literary criticism of authors such as Dashiell Hammett, H.P. Lovecraft, Edgar Rice Burroughs, and many others. This autobiography is available in two editions -- a standard trade paperback edition, and a paperback collector's edition with color graphics throughout. "... (Lupoff's) books and stories, I can testify, having read a great many of them and published some myself, almost unfailingly display not only his intelligence and perceptivity, but also the grace and charm of his wit, the skill of his narrative technique, and the exemplary individuality of his ideas. That is to say, he's a damned good writer."Robert Silverberg, author of The Book of Skulls "... Although in his 80s, Lupoff still writes with the enthusiasm of a young fan ..." Publisher's Weekly