Discusses the cause célèbre of Edgardo Mortara, who in 1858, at the age of six, was taken by force from his Jewish home in Bologna by the pontifical police on the grounds that he had been baptized as an infant by a family servant. Despite the efforts of his family, Jews in Italy and abroad, and foreign ambassadors and rulers, he was never returned to his family. Pope Pius IX defended the Church's policy of remaining true to its salvationist ideology, and refused to surrender the boy. Edgardo ultimately chose not to return to Judaism but to become a priest. (He died in a Belgian abbey in March 1940.) The case is shown to be pivotal in terms of the unification of Italy and the loss of papal power. Describes the various ways Jews attempted, unsuccessfully, to free Mortara: quiet diplomacy, legal means, the involvement of influential Jews, the Jewish and non-Jewish press, and self-defense organizations (the Alliance Israélite Universelle was founded in reaction to the kidnapping). Reveals much about Christian-Jewish relations on the political and social level, one aspect of which was relations between Jewish employers and Christian servants.

"An eminent historian recounts the Nazi rise to power from his unique perspective as a young Jewish boy in Munich, living with Adolf Hitler as his neighbor. Watching events unfold from his window, Edgar bore witness to the Night of the Long Knives, the Anschluss, and Kristallnacht. Jews were arrested; his father was imprisoned at Dachau. In 1939 Edgar was sent on his own to England, where he would make a new life, a career, have a family, and strive to forget the nightmare of his past--a past that came rushing back when he decided, at the age of eighty-eight, to tell the story of his buried childhood and his infamous neighbor"--Provided by publisher.

A Jewish leader describes how to reinvigorate the Jewish community in North America, calling for acceptance of intermarried families and disengaged Jews, embracing of Jewish diversity, and openness to innovation and young leadership.

"Ariel, lives with [her father] on Edgar Allan Poe Street in Manhattan, longing for the grandparents she never knew and the mother she never had. An amteur kabbalist and suddenly a klezmer violin virtuoso, Ariel sets out to rescue her father from his demons and denial by summoning the people who she thinks hold the key to Oliver's [her father] emotional black hole-his dead parents, Rose and Lothar."--Jacket.

Edgar Morin, one of France's greatest living intellectuals, tells the story of his father, Vidal Nahoum, but also the story of Sephardic Jews, and of Europe. In this 'holographic history' Vidal's story, and that of his family, carries within it the flowering, decline, and death of Jewish culture in Spain, the passage from Empires to Nation States, the complex relations between Jews and Gentiles, between East and West, and, ultimately, the history of the twentieth century itself. Morin's work ranges from the great sweep of global historical events to the everyday details of individual lives, letters, feelings, reflections, and experiences. Vidal was born in 1894 in the Ottoman Empire's great Macedonian port. His great-grandfather came from Tuscany and spoke Italian. His mother tongue was fifteenth-century Spanish. He learned French and German as a child. When he was an adolescent, he dreamed of living in France; he was deported there as a prisoner, and then liberated by the French Prime Minister. He lived through the Balkan wars, the collapse of the Ottoman Empire, and two World Wars. Vidal cannot be isolated from his family. And as Edgar Morin explains, "this book also tells the stories of the men and women in his immediate family When, as his son, I inevitably come into his story... I describe him as objectively as possible. The reverence that inspired me did not call for a work of edification; it implied that I should attempt to write a truthful book. For this reason, the book is not in the least respectful, or at least not in the usual sense of the word. Vidal felt that loving someone meant being able to tease him. The author of these lines, who has inherited something of this trait, does not think it disrespectful to tease or make fun of the people he loves."