In this Edgar Award-winning novel, "Mosley writes with great power" about a framed NYPD investigator facing racism and political corruption ( Booklist ). Joe King Oliver was one of the NYPD's finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island. A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice but to take his own case: figuring out who on the force wanted him disposed of--and why. Running in parallel with King's own quest for justice is the case of a Black radical journalist accused of killing two on-duty police officers who had been abusing their badges to traffic in drugs and women within the city's poorest neighborhoods. Joined by Melquarth Frost, a brilliant sociopath, our hero must beat dirty cops and dirtier bankers, craven lawyers, and above all keep his daughter far from the underworld in which he works. All the while, two lives hang in the balance: King's client's, and King's own.

"Ariel, lives with [her father] on Edgar Allan Poe Street in Manhattan, longing for the grandparents she never knew and the mother she never had. An amteur kabbalist and suddenly a klezmer violin virtuoso, Ariel sets out to rescue her father from his demons and denial by summoning the people who she thinks hold the key to Oliver's [her father] emotional black hole-his dead parents, Rose and Lothar."--Jacket.