"Award-winning journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy. In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow-only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up-doctors, engineers, scientists-had seemingly been replaced with women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to the last bastion of conservative Christian values? In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin's lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, wife of opposition leader Alexei Navalny, she chronicles one of the most audacious social experiments in history and how it failed the very women it was meant to liberate-and documents how that failure paved the way to the revanche of Vladimir Putin. Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe shows what it means to live through the cataclysms of revolution, war, idealism, and heartbreak-and reveals how the story of Russia today is inextricably tied to the history of its women"-- Provided by publisher.

"In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy. Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness. Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He shares how difficult it is for him to tell his experiences with his children and friends. He also debunks the myth that most of the Germans were in the dark about the Final Solution or that Jews never attempted to escape the camps. As the Holocaust recedes into the past and fewer and fewer survivors are left to tell their stories, The Drowned and the Saved is a vital first-person testament. Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. This is an essential book both for students and literary readers. Reading Primo Levi is a lesson in the resiliency of the human spirit."--Publisher description.

One of the most important documentaries on rock music ever published, this is EMI Records' official diary-format history of every Beatles recording session. Researched from hundreds of unreleased Abbey Road archive tapes, featuring thousands of previously unpublished studio documents and interviews with many of the key recording personnel. Over 350 colour and black-and-white photographs and illustrations, including rare photos by Linda McCartney and the first facsimile reproductions of Abbey Road recording sheets, tape boxes, album sleeve roughs, memos, contracts, press releases, and much more.

A New Yorker Best Book of 2024 A captivating journey of the expansive world of medieval travel, from London to Constantinople to the court of China and beyond. Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan's court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood--and often misunderstood--the larger world.

Few documents have had more of an impact on the course of history as has the Communist Manifesto. From its famous opening lines--"A specter is haunting Europe: the specter of Communism"--to its final rallying cry--"Workers of the world unite!"--the words of Marx and Engels have moved millions to join in the struggle against capitalism. But they have also inspired a legion of critics, detractors, and even a few despots to intentionally distort their meanings so as to sow confusion and justify untold horrors. According to Hal Draper, these mis-readings have, in part, been made possible by the enduring prevalence of translations from the original German that fail to accurately capture the intended meaning of certain key phrases. In this magisterial volume, Draper assembles the original German text, the first English translation, the officially authorized English translation--providing enlightening commentary throughout--as well as his own new translation of the pamphlet.

"In April 1911, Prague artists, writers, and intellectuals often gathered nightly at the Café Louvre, an intellectual center where music was played and high-level discussions were held. Many of the attendees were German-speaking Jews, such as Franz Kafka and his faithful friend Max Brod, Hugo Bergmann, Oskar Kraus, Franz Werfel, the mathematician Georg Pick, and a new arrival to the city, thirty-two-year-old Albert Einstein. Is it possible that Kafka and Einstein met and exchanged ideas? Did they influence each other from a philosophical or deep-thinking perspective? In neither Kafka's nor Einstein's correspondence there is not even the slightest mention of each other. But Einstein and Kafka, two icons of our modern era, serve as the starting point for this book on the enormous contributions in the fields of the empirical sciences, humanities, letters, and arts by individuals of Jewish origin in modernity. In this book, the reader will encounter numerous names in the pages that all spring from the fountainhead of these two antecedents, the Einsteinian and the Kafkian"--

Writing the Holocaust provides students and teachers with an accessibly written overview of the key themes and major theoretical developments which continue to inform the nature of historical writing on the Holocaust. Holocaust studies is at a paradox: while historians of the Holocaust defend it as a legitimate and well-defined area of research, they write against a complex political and ideological background that undermines any claim for it as a normative field of historical study. Writing the Holocaust offers a lucid inquiry into this complex field by demonstrating the impact of current theories from the humanities and social sciences upon the treatment of Holocaust studies.

Deals also with British antisemitism from Cromwell's time to the present. There were objections against the admission of Jews to England in 1655, as well as attempts to restrict their rights in the 17th-18th centuries. Discusses pre-World War I antisemitic writers (e.g. G.K. Chesterton, H. Belloc) and the eugenics movement. Racial antisemitism was almost non-existent before 1914. Antisemitism reached a peak in Britain in 1917-22, but it was milder than in other Western countries. Relates, also, to left-wing antisemitism between the two World Wars. Ch. 3 (pp. 280-363), "Anglo-Jewry and the Holocaust, 1933-1945", deals with the reactions of Jews and non-Jews to the rise of Nazism and the Holocaust. Nazi antisemitism aroused revulsion in British society, even among conservatives and pro-Germans. States that Britain did more for refugees from Germany than any other country. British Jewry did all it could to rescue Jews to the extent that it understood their situation. During the war and the hostilities in the Middle East, there was an upsurge of antisemitism in the country but it receded in the 1950s. Contends that antisemitism in Britain was always a marginal phenomenon.

"Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? How do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, Threads and Traces bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft"--Provided by publisher.

"This book brings together Vilém Flusser and intellectual Jewish history of the second half of the twentieth century. Flusser is viewed today by many scholars as the most original theoretician of media and photography in the second half of the twentieth century, and yet this is the first monograph about him in English. Combining elements of Flusser's biography with a rigorous study of his writing, this book shows that concepts of 'virtuality', 'medium', and 'embodiment' underpin not only Flusser's understanding of technological media, such as photography, but also his understanding of evolution and of real or imaginary biological organisms. This book argues that Flusser contended with Nazism in his writings on these biological and ecological themes. Two threads - and their relationship - are explored: the first bears on Nazism as undergirded by a biological perspective - an attempt to eradicate a population taken to be parasitic; in the second, Nazism is simply viewed as 'stupid'. Such a line of inquiry necessarily leads to and includes our dealing with the 'Nazi fantasy', because fantasy was fused into Nazism's own vision. This book will not only be an ideal resource for students and scholars of intellectual Jewish history but will interest anyone seeking an introduction to Flusser and the philosophy of science within the context of Nazism"--

This is the second installment of Hal Draper’s incomparable treatment of Marx’s political theory, policy, and practice. In forceful and readable language, Draper ranges through the development of the thought of Marx and Engels on the role of classes in society. This series, Karl Marx’s Theory of Revolution, represents an exhaustive and definitive treatment of Marx’s political theory, policy, and practice. Marx and Engels paid continuing attention to a host of problems of revolution, in addition to constructing their “grand theory.” All these political and social analyses are brought together in these volumes, as the author draws not only on the original writings of Marx and Engels but also on the sources that they used in formulating their ideas and the many commentaries on their published work. Draper’s series is a massive and immensely valuable scholarly undertaking. The bibliography alone will stand as a rich resource for years to come. Yet despite the scholarly treatment, the writing is direct, forceful, and unpedantic throughout, and will appeal to the beginning student as much as the advanced reader.

Rabbi Shuchat tells of the emergence of Shaar Hashomayim as a congregation separate from the Spanish and Portuguese fold, the generation-long tension between the two congregations, and the rebellion that produced the Temple Emanuel. He describes the role of the Canadian government in the ups and downs of Jewish immigration and details the effects of world-wide anti-Semitism on the local community, as well as the struggle for Jewish educational rights that ultimately produced a real public school system in the province of Quebec. The student protest that almost paralysed the Passover festival and the day school crisis that almost split the congregation are recounted in detail, and the Pavilion of Judaism at Expo '67 is described. Weaving together individual stories and the history of the Shaar, Rabbi Shuchat demonstrates how the turbulence of the nineteenth century produced a twentieth-century Shaar and Montreal Jewish community that are second to none in tolerance and creativity.