Frank Lloyd Wright called Bruno Zevi ?the most penetrating architectural critic of our time,? and one could ask for no better proof than Zevi?s masterpiece, The Modern Language of Architecture . In it, Zevi sets forth seven principles, or ?antirules,? to codify the new language of architecture created by Le Corbusier, Gropius, Mies van der Rohe, and Wright. In place of the classical language of the Beaux Art school, with its focus on abstract principles of order, proportion, and symmetry, he presents an alternative system of communication characterized by a free interpretation of contents and function, an emphasis on difference and dissonance, a dynamic of multidimensional vision, and independent interplay of elements, an organic marriage of engineering and design, a concept of living spaces that are designed for use, and an integration of buildings into their surroundings. Anticipating the innovations of postmodern architecture, Zevi argues forcefully for complexity and against unity, for decomposition dialogue between architecture and historiography, finding elements of the modern language of architecture throughout history, and discussing the process of architectural innovation. Sumptuously illustrated, and written in a clear, accessible manner, The Modern Language of Architecture will long remain one of the classics of architectural criticism and history.

* Contributions include critical appraisals by Peter Rowe, Michael Sorkin and Michael Webb * Only book to chronicle the work of this highly respected academic and architect * Features the full range of building types present in his work * Detailed descriptions of his most recent completed project - the Vancouver Library, Canada * Contains almost 800 stunning photographs * Detailed descriptions of his most recent completed

This interpretive study aruges that a trialogue between the three forms of monotheism must be something deeper than merely a meeting of Jewish, Christian and Muslim intellectuals, and that cooperation among them is essential to defend the West against Asian religious nihilism.

The first complete volume on the multifaceted architecture and design projects of the Michael Sorkin Studio. Many of the projects are theoretical and experimental and come to fruition through the drawings, models, exhibitions, writings, and installations shown in the book. Sorkin provides his own commentary, discussing the goals of each project, the influences on it, and the research and design process, as well as its architectural, social, and political statement. The book is a record of Sorkins ambition to reinvent architecture.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.