"As data harvesting continues its exponential growth and computing power increases beyond what we can even imagine, AI and Big Data will be able to predict what we want for breakfast, what shoes we will buy, which political party we will vote for, and who we will fancy in a bar. Indeed, these deep-learning machines will know us better than we know ourselves. The day awaits when academia and big business will be able to quantify just how predictable each of us are. If indeed we are predictable like machines, to what extent are we alive, and under what definition? In The Human Test, quantum physicist Ron Folman unites findings from cognitive science, quantum physics, philosophy, and technology to offer a prescient look into this startling new era of human existence. If we are indeed found to be predictable, it will change everything we thought we knew about human nature. The Human Test strives for a new paradigm, and this new paradigm is found in human predictability. Existing monitors of general brain activity measure only very rudimentary aspects of the human experience, or what may be called human life; could the advent of a disruptive new technology bring about a much more insightful measure of who we are? While The Human Test describes a new and profound near-future impact of AI, it is rooted in a topic of paramount importance to humans: the enigma of consciousness and how it defines human life-or, what differentiates humans from all other life forms. Ultimately, The Human Test addresses some of the most fundamental questions about our species, starting with the most crucial: do we have free will, or are we merely machines? Fortunately, there is an antidote to predictability: creativity, that wondrous state of being original and inherently not predictable. Ultimately, Folman argues that if we can understand predictability, we can learn how to distance ourselves from it, and transcend to a purer idea of what human life should look like"-- Provided by publisher.

The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote).The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life.Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's "War of the Worlds" was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium.The seventeen essays, by leading figures in philosophy, art, history, and engineering, are organized into three sections: Philosophy; Art, History, and Critical Theory; and Engineering, Interface, and System Design.