The culmination of Robert A.M. Stern's monumental history of architecture in New York City and a comprehensive record of building over the last twenty-five years A landmark in architectural publishing, New York 2020 explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, New York 2020 describes and illustrates the 'supertalls' now populating our skyline, lush riverfront parks born from derelict waterfront, iconic cultural destinations, and thousands of smaller, unheralded residential and civic projects that enhance the built environment and the urban fabric. Readers will discover work by leading architects, including Norman Foster, Renzo Piano, Bjarke Ingels, Diller Scofidio + Renfro, Selldorf Architects, Frank Gehry, and Robert A.M. Stern Architects; a dazzling array of museums and institutions, including the High Line, Hudson Yards, the new Whitney Museum, and the expansions of MoMA and Lincoln Center; the rebuilding of the World Trade Center site; and more. The much-anticipated final volume in architect Robert A.M. Stern's critically acclaimed New York series, which traces the evolution of the city from the Civil War to present day, New York 2020 tells the story of a remarkable period of urban development, architectural experiment, and seismic cultural shifts.

One of the world's most influential photographers, Bruce Davidson, takes readers inside three midcentury big tops in images that are poetic, realistic and profound. He reveals not only the swiftly vanishing cultural phenomenon of the circus, but what might be called the eternal human circus. At a three-ring show in 1958 he climbed to the top of the tent to view the performances of the famous liontamer Clyde Beatty and human cannonball Hugo Zacchini. His deeper interest lay in the daily lives of circus performers and producers--the roustabouts and riggers, and the pretty girl who rode an elephant in what was called the "spec." He also made an intimate series of a dwarf clown. In 1965 at a huge multi-ring coliseum show, Davidson took a more critical look at performances under a steel-and-concrete environment; continuing behind the scenes, his vision became sharper and more surreal. And in 1967, Davidson caught the elegant exuberance of an Irish one-ring circus. He photographed the kinds of performances that are the essence of the medium, including a face-to-face encounter with an exceptional trapeze artist. Most of these pictures are published here for the first time.

"In American Power, Mitch Epstein investigates notions of power, both electrical and political: who has it, what do they do with it and how does it affect other people? From 2003 to 2005, Epstein traveled across the United States to photograph in and around sites where fossil fuel, nuclear, hydroelectric, wind, solar and other alternative power are produced. The resulting pictures contain Epstein's characteristic mix of complex wit, surprising detail, and formal rigor." "While making this series, Epstein encountered Homeland Security obstacles, environmental contamination, corporate impenetrability, and a culture of excess. In an accompanying essay, he tells how these experiences led him to think harder about the artist's role in a country teetering between collapse and transformation." "The images in this book underscore the intersection between energy production and consumption; climate change and corporatism; society and landscape. Here is a portrait of early 21st century America as it clings to past comforts and gropes for a sensible future." --Book Jacket.

Who owns the land, by whose authority, and with what rights? Mitch Epstein examines the American government's ongoing legacy of property confiscation, and how communities gather to resist. Epstein began his latest series in 2017 at Standing Rock, where thousands protested the installation of the Dakota Access Pipeline on Sioux land. Over four years, he charted other contested lands from Pennsylvania and Hawaii to the Mexican border, as well as land loss through wildfires and flooding due to egregious environmental negligence. In keeping with Epstein's 50-year exploration of American life, Property Rights questions the relationship between institutions, civil rights and the rights of nature itself. Acknowledging our bodies and lives as our most fundamental property, the book examines other forms of trespass and destruction in an elegy to the Tree of Life Synagogue massacre, and in photographs of Black Lives Matter protests during COVID-19. Property Rights includes the voices of activists Epstein interviewed while making this deeply personal and political work. In a time of alarming division, the book describes diverse communities in a common fight against politicians and plutocrats willing to sacrifice the people's well-being.