"When Bernie Sanders began his race for the presidency, it was considered by the political establishment and the media to be a "fringe" campaign, something not to be taken seriously. After all, he was just an independent senator from a small state with little name recognition. His campaign had no money, no political organization, and it was taking on the entire Democratic Party establishment. By the time Sanders's campaign came to a close, however, it was clear that the pundits had gotten it wrong. Bernie had run one of the most consequential campaigns in the modern history of the country. He had received more than 13 million votes in primaries and caucuses throughout the country, won twenty-two states, and more than 1.4 million people had attended his public meetings. Most important, he showed that the American people were prepared to take on the greed and irresponsibility of corporate America and the 1 percent. In Our Revolution, Sanders shares his personal experiences from the campaign trail, recounting the details of his historic primary fight and the people who made it possible. And for the millions looking to continue the political revolution, he outlines a progressive economic, environmental, racial, and social justice agenda that will create jobs, raise wages, protect the environment, and provide health care for all--and ultimately transform our country and our world for the better. For him, the political revolution has just started. The campaign may be over, but the struggle goes on"--Provided by publisher.

Stripped naked and pursued across cactus-studded plains by a band of armed Blackfoot Indians, John Colter escaped certain death to become the one of the most durable characters in western American history. But Colter's harrowing tale was not beyond the ordinary when compared to the adventures of other American explorers. In The Devil May Care, popular historian and travel writer Tony Horwitz has culled through the American National Biography and selected fifty stirring biographies of adventurers who had no one's footsteps to follow in--and yet contributed enormously to our understanding of the world. Horwitz introduces us to fascinating individuals such as John Ledyard, the first American to see what would become the Pacific Northwest, and Elisha Kent Kane, America's first arctic hero, who stumbled upon an extremely strange remedy for scurvy while icebound off of Ellesmere Island. Having set off into the unknown many times himself as a foreign correspondent, Horwitz brings a subtle sense of humor and a reporter's eye for detail to a collection that offers a glimpse inside the lives of historic Americans who brazenly challenged danger as they pursued their wanderlust to extreme climates and forbidding environments. Beginning with a short essay, Horwitz seeks his own definition of exploration, drawing on some of his research into the voyages of Captain James Cook and considering its larger implications throughout history. Archival photographs as well as a lively and personal introduction to each story by Horwitz further enhance the appeal of a volume that winds its way through several centuries of American exploration, affirming that the best adventure stories are the true ones.

In 1966, Lesley Hazleton went to Israel for a two-week vacation - she discovered the seductive city of Jerusalem and stayed for thirteen years. During this time Hazleton, a British Jew, became a seasoned journalist, experienced the Six Days War, and made her first pilgrimage through the Old City to the Western Wall. She left Israel in 1979, but it was like ending a passionate love affair: Hazleton could not break the intense emotional times that bound her to Jerusalem, and she returned year after year. Jerusalem, Jerusalem is set during Hazleton's "farewell" visit in 1984, and it chronicles her own personal struggle to come to terms with what this troubled country means to her. Veering between the past and present, this poignant memoir traces the political and environmental changes that have transformed Israel since the Six Days War, and addresses the ever-growing conflict between religious and secular Jews. Lesley Hazleton explores the divisions of souls - Israel's and her own - as she paints an intimate, honest, and compelling portrait of a city living on the brink of war and peace.

"Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures-from the 1967 modular housing scheme in Montreal known as "Habitat" and the Yad Vashem memorial in Israel, to the Crystal Bridges Museum in Arkansas and the Marina Bay Sands development and extraordinary Jewel Changi airport interior garden and waterfall in Singapore. For Safdie, the way a space functions is fundamental; he is deeply committed to architecture as a social force for good, believing that any challenge, including extreme population density and environmental distress, can be addressed with solutions that enhance community and uplift the human spirit. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live, work in, or experience a building. If Walls Could Speak takes readers behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works-"from the spark of imagination through the design process, the model-making, the politics, the engineering, the materials." Relating memorable stories about what has inspired him-from childhoods in Israel and Montreal to the projects and personalities worldwide that have captured his imagination-Safdie reveals the complex interplay that underpins every project and his vision for the role architecture can and should play in society at large. Illustrated throughout with drawings, sketches, photographs, and documents from his firm's voluminous archives that illuminate his stories, If Walls Could Speak ends with a chapter outlining seven projects Safdie would pursue around the world if resources and will were no issue and the choices were his to make. A book like no other, If Walls Could Speak will forever change the way you look at and appreciate any built structure"--

What will the post-Trump return to democracy in America look like, and what are its historical antecedents? National political correspondent and award-winning author D. D. Guttenplan’s The Next Republic is an extraordinarily intense and wide-ranging exploration of how democracy rises and falls in America. The Next Republic introduces us to some of the organizers and politicians who are helping to bring about change in America, like new labor activist JANE McALEVEY; racial justice campaigner (and mayor of Jackson, Mississippi) CHOKWE ANTAR LUMUMBA; environmental activist (and chair of the Nebraska Democratic Party) JANE KLEEB; Chicago’s first openly gay Latino public official, CARLOS RAMIREZ-ROSA; Justice Democrats communications director WALEED SHAHID; communications director for Alexandria Ocasio-Cortez’s 2020 campaign CORBIN TRENT; and anti-corruption crusader ZEPHYR TEACHOUT. Guttenplan juxtaposes this new social movement with chapters on key transitions in our nation’s history: the Whiskey Rebellion, the Lincoln Republic, and the Roosevelt Republic. Altogether, Guttenplan deeply fathoms the great American problem that is our democracy, and the prospects for its resurgence. Both unyielding and resoundingly hopeful, The New Republic foresees the post-Trump era as one that may not only restore American values, but also see a radical new transformation of them to match the new challenges we face as a nation.

This is a book about politics and politicians; about elections, lawmaking, governing, and how they work. It is also about power, its increasing concentration in American society, and its implications at home and abroad especially for those who exercise it. It is a book about the Republican Party during the period in which it developed the forces and frictions which still characterize it today. Finally, it is a book about a remarkably successful and vibrant man who contained within himself much of the best and the worst of his environment, who contributed generously to American life, who knew in his time disappointment, temptation, and pain, but also glory; a man remembered most by his intimates for the "fun of him." The author is in an enviable position to assess these matters. During five years as Associate Editor of The Letters of Theodore Roosevelt , he read and studied all TR's letters as well as all his published works, and delved deeply into the relevant literature of the period, including the vast material in the Congressional Record. From this rich store, John Morton Blum has drawn a new interpretation of Roosevelt the conservative, Roosevelt the professional Republican politician and Roosevelt the leader of men. He presents new material on Roosevelt's work as the manager of the Republican Party and as manager of Congress. He relates Roosevelt's roles in these situations to his conduct of foreign policy-a foreign policy so anticipatory of that of contemporary America-and to his Progressiveness-a doctrine of government with strong affinities to both the New Deal and the New Crusade.

A book for both the general reader of American history and the student of art, Flexner's study of Copley (1738-1815) brings into vivid detail the struggle the artist endured against an unfavorable environment in the New World, his rise to fame, the development of his unique style, and the personal growth of the man who became America's first great artist. Copley's life began in the humble surroundings of Boston's waterfront. As a poor boy growing up in a city where no formal art instruction was available, rigorous self-instruction was Copley's only means to his goal of becoming a painter. Through laborious work Copley mastered his craft; the portraits he produced between 1753 and 1774, at the height of his fame, were distinguished by the fully rounded modeling and realism which make the personalities of his subjects come alive. His paintings in these years were the best works a colonial American artist had ever produced. Yet his personal letters reveal that he found life in Boston limited; he cites the dearth of great art from which to learn and by which to be inspired, and complains of what he perceives to be the underappreciation of his patrons. The Boston Tea Party and other events led inexorably toward the Revolution. Copley was unwillingly drawn into the troubled political arena; his loyalist connections made his life in Boston increasingly turbulent and precarious. In 1774, at the suggestion of Joshua Reynolds and Benjamin West, Copley became convinced he was wasting his talents in the colonies and moved to London to study the European masters. This decision marked the second period of his life, lasting forty years, and instigated a no less dramatic shift in the style and subjectof his art. Copley's tour of European cities and galleries broadened the range and scope of his work. He produced large canvases of sweeping historical scenes of war, political subjects, and religious subjects considered taboo in the colonies. Copley's fame soared to world-wide recognition as a historical painter. But in his later work Copley seems to have lost his strong sense of composition; eventually, even his draftsmanship seemed to fail him. The rejection and scorn of critics stung Copley, and he spent the last years of his life struggling to regain his former acclaim.

"Representing Michigan for thirty-six years in the U.S. Senate, Carl Levin, the longest-serving senator in Michigan history, was known for his dogged pursuit of the truth, his commitment to holding government accountable, and his basic decency. Getting to the Heart of the Matter: My 36 Years in the Senate is his story - from his early days in Detroit as the son of a respected lawyer to the capstone of his career as chair of both the Senate Armed Services Committee and the Senate Permanent Subcommittee on Investigations. Levin's career placed him at the center of some of our nation's most critical points in modern times: from the aftermath of the 1967 Detroit riots, to the Clinton impeachment, through 9/11 and the wars in Iraq and Afghanistan, and the 2008 financial crisis. He met with numerous world leaders, including Egypt's Anwar Sadat and China's Jiang Zemin. Getting to the Heart of the Matter recounts Levin's experiences, thoughts, and actions during these historic moments. Consisting of seventeen chapters, the book takes the reader through Levin's early life in Detroit of the 1940s, 50s, and 60s where he met his wife, started a family, practiced law and served as the first General Counsel for the newly created Michigan Civil Rights Commission and the chief appellate defender for Detroit's Legal Aid Office. Elected to the Detroit City Council in 1969, where Levin served for eight years including four as Council president, the book describes how his fight against the Department of Housing and Urban Development's devastating housing practices in the neighborhoods of Detroit led him to run for the U.S. Senate with a pledge to make government work more effectively. Winning election six times, Levin had an illustrious career in the Senate where he challenged leaders in government and the private sector for the greater good of the nation. Levin describes how, as a Democrat, throughout his time in the Senate, he worked with Republican senators who often held different policy positions in order to find common ground to achieve national goals, and how he and his Senate staff searched for creative solutions to trade issues, support for the auto industry and manufacturing sector, U.S. military action in Iraq and Afghanistan, and efforts to protect the Great Lakes and the environment, among many other issues. Levin's hope in writing this memoir is that by sharing his deeply held beliefs about the responsibility of elected officials, the book will serve as a resource for people beginning a career in, or contemplating running for, public office. Readers with an interest in politics, history, facts, and perseverance will find kinship in this book" -- provided by the publisher

Drugs. Sex. Revolutionary violence. From its first pages, Susan Stern's memoir With the Weathermen provides a candid, first-hand look at the radical politics and the social and cultural environment of the New Left during the late 1960s. The Weathermen--a U.S.-based, revolutionary splinter group of Students for a Democratic Society--advocated the overthrow of the government and capitalism, and toward that end, carried out a campaign of bombings, jailbreaks, and riots throughout the United States. In With the Weathermen Stern traces her involvement with this group, and her transformation from a shy, married graduate student into a go-go dancing, street-fighting "macho mama." In vivid and emotional language, she describes the attractions and difficulties of joining a collective radical group and in maintaining a position within it. Stern's memoir offers a rich description of the raw and rough social dynamics of this community, from its strict demands to "smash monogamy," to its sometimes enforced orgies, and to the demeaning character assassination that was led by the group's top members. She provides a distinctly personal and female perspective on the destructive social functionality and frequently contradictory attitudes toward gender roles and women's rights within the New Left. Laura Browder's masterful introduction situates Stern's memoir in its historical context, examines the circumstances of its writing and publication, and describes the book's somewhat controversial reception by the public and critics alike.

One of the five Hungarian scientific geniuses dubbed "the Martians" by their colleagues, John von Neumann is often hailed as the greatest mathematician of the twentieth century and even as the greatest scientist after Einstein. He was a key figure in the Manhattan Project; the inventor of game theory; the pioneer developer of the modern stored-program electronic computer; and an adviser to the top echelons of the American military establishment. In The Martian's Daughter , Marina von Neumann Whitman reveals intimate details about the famed scientist and explores how the cosmopolitan environment in which she was immersed, the demanding expectations of her parents, and her own struggles to emerge from the shadow of a larger-than-life parent shaped her life and work. Unfortunately, von Neumann did not live to see his daughter rise to become the first or highest-ranking woman in a variety of arenas. Whitman became a noted academic during the 1960s and '70s, casting her teaching and writing in the framework of globalization before the word had been invented; became the first woman ever to serve on the President's Council of Economic Advisers and participated actively in U.S. efforts to reshape the international monetary and financial system during the early 1970s; pioneered the role of women on the boards of leading multinational corporations; and became the highest-ranking female executive in the American auto industry in the 1980s. In her memoir, Whitman quotes from personal letters from her father and describes her interactions with such figures as Roger Smith of GM and President Nixon. She also details the difficulties she encountered as an early entrant into a world dominated by men and how she overcame the obstacles to, in her words, "have it all."

Father of the birth control pill, developer of antihistamines, founder of biomedical companies, teacher of world-class chemists, best-selling novelist.... As The Scientist notes, "Few can match Carl Djerassi's juggling act for success and longevity". Here is Djerassi's remarkable autobiography. Blending vivid descriptions of the lucrative world of drug development with controversial chapters on the politics of contraception and poignant disclosures about his personal life, this book tells the story of one of the most productive and socially conscious chemists working today. The Pill, Pygmy Chimps, and Degas' Horse tells how Djerassi, while still in his twenties and leading a small team in an obscure laboratory in Mexico City, used a locally grown yam first to synthesize cortisone and then, within twelve months, to create the first steroid effective as a birth control pill. Dubbed for this latter work "the father of the pill", a title he often shares with Gregory Pincus and John Rock, who performed the biological and clinical studies to confirm the pill's efficacy in humans, Djerassi has spent a lifetime thinking and rethinking, discussing and debating, the social, economic, and biological consequences of the changed attitudes toward contraception engendered by the pill. In two riveting chapters entitled "The Pill at Twenty" and "The Pill at Forty: What Now?" Djerassi recounts the fascinating history of the pill's journey from its first days in the laboratory to widespread public use--from being hailed as an agent of the sexual revolution to condemnation as an agent of the new promiscuity, to being accused of being an expression of the scientific community's sexism (Why was there no malebirth control pill?). And then, in a powerful consideration of where the politics of contraception have taken us, he discusses why so few innovations in contraception are being investigated today, and why even fewer are making their way to the public. The Pill, Pygmy Chimps, and Degas' Horse chronicles Djerassi's many successful careers in science, business, the academy, and the arts (he is a published poet and novelist, as well as the founder of an artists' colony). His growing appreciation for the soft side of science--its human and humane aspects--have long been reflected in the courses he teaches at Stanford, in the plot of his novel, Cantor's Dilemma, and in his decision to found one of the first environmentally aware pesticide companies. In this intellectually challenging book, the reader is let into the fertile mind and psyche of one of the few Renaissance men of twentieth-century science.

HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir! Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity-from protests in People's Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of--and struggles with--her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI. "A welcome addition to the literature of radical activism." --Kirkus Reviews "A fun read and a valuable political document, long overdue." --Counterpunch Yippie Girl explores Gumbo's life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

A personal and insightful call to action and a much-needed book about one of the most important bilateral relationships in the world—the relationship between Canada and the US—and why diplomacy matters now more than ever before. All over the world, diplomacy is under threat. Diplomats used to handle sensitive international negotiations, but increasingly, incendiary Tweets and bombastic public statements are posing a threat to foreign relations. In The Art of Diplomacy , the former US ambassador to Canada, Bruce Heyman, and his partner, Vicki Heyman, spell out why diplomacy and diplomats matter, especially in today’s turbulent times. This dynamic power couple arrived in Canada intent on representing American interests, but they quickly learned that to do so meant representing the shared interests of all citizens—no matter what side of the 49th parallel they happened to live on. Bruce and Vicki narrate their three years in Canada spent journeying across the country and meeting Canadians from all walks of life—including Supreme Court justices, prime ministers, fishermen, farmers, artists, and entrepreneurs. They tell the behind-the-scenes stories of how their team helped bring Obama to Canada and Trudeau to the US. They also reveal the importance of creating cultural and artistic exchange between Canada and the US, of promoting economic and trade interests, and overall, of making a lasting positive impact on one of the most important relationships in the free world today. This politically poignant and heartfelt memoir is a call to action, a reminder that only by working together to protect our shared values—the environment, social justice and human rights—can nations build a better world for all. As their long-time friend and colleague President Obama once said, “The world needs more Canada.” At this key moment in history, when opposing nationalist and populist agendas threaten to divide us, The Art of Diplomacy reminds us to keep calm, to work together and to carry on.

Anna Halprin is one of the most important innovators in the history of modern dance, performance art, and post-modern dance. Moving Toward Life brings together for the first time her essays, interviews, manifestos, and teaching materials, along with over 100 illustrations, providing a rich account of the work that radicalized an entire generation of performers. Since the late 1950s, Halprin has been at the forefront of experiments in dance, from improvisation and street theatre to dances in the environment and healing dances. A brief overview of Halprin's career shows how her work has prefigured -- and transfigured -- crucial developments in postmodern dance. In the 1960s, Halprin invented the "workshop," and in the wake of the Watts riots, her multiracial company broke boundaries in their confrontational political performances. In the 1970s, she organized "community rituals" to explore how individual creativity feeds positively into group dynamics. These healing social events led to her current work with cancer survivors and people challenging AIDS and their caregivers. Depicting Halprin's deep commitment to social change, Moving Toward Life presents an engaging, critical document of the life of one of the most influential and least known luminaries of American dance. Sally Banes and Janice Ross join Rachel Kaplan in providing introductory essays to sections of the book.

First Edition AND Firts Printing-full number line:10 9 8 7 6 5 4 3 2 1 Paperback - Slightly used Like New condition for it's age. Illustrated with photos. No marks 220 pages. Slight signs of age and storagewear. From a non-smoking environment. FAST SHIPPING (with delivery confirmation.) Extra attention to the packaging for the protection. INTERNATIONAL Orders will be shipped via AIRMAIL. Thank You so much! Shelf .))

Why Did You Do That? is an autobiography of David Matas, an international human rights advocate. The book sets out his human rights activities and then attempts to explain why he did them. People are focused on their immediate environment, their family, their friends, their work or their neighbourhood. Why should they go to the bother of trying to address a seemingly intractable situation in order to try help those with whom superficially they have nothing in common, who may be living in a country far away to which they have never been, speaking in a language they do not understand and part of a culture which is both foreign and strange? The reason for the autobiography is an attempt to answer that question. By trying to explain why he did what he did, the author hopes to mobilize others, not to do what he did or is now doing, but rather just to do something, to shed feelings of indifference and impotence, to join the international human rights cause.

"How do we reckon with our losses? 'Animal Bodies' offers an unflinching examination of grief and personal loss-such as the death of parents, friends, and beloved pets, as well as broken marriages, lost friendships, and the loss of innocence and youth-and our collective grief caused by Covid-19, mass shootings, societal and gender inequities and violence, and environmental degradation"--

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

In 1944, when New York City native Harriet Keyserling arrived in the small South Carolina town of Beaufort, she found herself in an environment that seemed foreign to her. Coming to Beaufort with her husband - a native son and local physician - she was a liberal northerner in the conservative South and a Jew in a predominantly Christian world. These religious and political differences only intensified her feelings of being an outsider - a thread that would run through much of her life and career. After successfully raising four children and professionally volunteering for most of her adult life, Keyserling became involved in state and local politics. Driven by passion for the causes she supports, she organized a chapter of the League of Women Voters, became the first woman to serve on the Beaufort County Council, and, at the age of fifty-four, was elected to the state General Assembly. She served for sixteen years before retiring in 1992, when the growing rancor and partisanship of the legislature became intolerable for her. Against the Tide tells the intensely personal story of an unconventional politician struggling to gain self-confidence, beat the odds, and make a lasting dif

Wes “Scoop” Nisker is an award-winning broadcast journalist and commentator, a renowned Buddhist meditation teacher, a best selling author and a captivating performer. In How to be an Earthling , Wes draws on his diverse experiences delivering a collection that brims with the insight, humor and wisdom he is famous for. Compiling for the first time, Wes’ best known essays as well as a selection of recent and never before published work, Wes takes readers on both a cultural journey (a tour through the sixties, through the modern environmental movement, the surge of Buddhism to the West) and a more personal one, exploring the motivation behind humanity’s search for spiritual enlightenment.