"For thousands of years, healers have used plants to cure illness. Aspirin, the world's most widely used drug, is based on compounds originally extracted from the bark of a willow tree, and more than a quarter of medicines found on pharmacy shelves contain plant compounds. Now Western medicine, faced with health crises such as AIDS, Alzheimer's disease, and cancer, has begun to look to the healing plants used by indigenous peoples to develop powerful new medicines. Nowhere is the search more promising than in the Amazon, the world's largest tropical forest, home to a quarter of all botanical species on this planet - as well as hundreds of Indian tribes whose medicinal plants have never been studied by Western scientists. In Tales of a Shaman's Apprentice, ethnobotanist Mark J. Plotkin recounts his travels and studies with some of the most powerful Amazonian shamans, who taught him the plant lore their tribes have spent thousands of years gleaning from the rain forest. For more than a decade, Dr. Plotkin has raced against time to harvest and record new plants before the rain forests' fragile ecosystems succumb to overdevelopment - and before the Indians abandon their own culture and learning for the seductive appeal of Western material culture. Tales of a Shaman's Apprentice relates nine of the author's quests, taking the reader along on a wild odyssey as he participates in healing rituals; discovers the secret of curare, the lethal arrow poison that kills in minutes; tries the hallucinogenic snuff epena that enables the Indians to speak with their spirit world; and earns the respect and fellowship of the mysterious shamans as he proves that he shares both their endurance and their reverence for the rain forest. Mark Plotkin combines the Darwinian spirit of the great writer-explorers of the nineteenth century - curious, discursive, and rigorously scientific - with a very modern concern for the erosion of our environment and the vanishing culture of native peoples."--Publisher description.

In 1963 the waters began rising behind Glen Canyon Dam and 170 miles of the Colorado River slowly disappeared as the riverbed and surrounding canyons filled with water. Environmentalists considered it a disaster and mourned Glen Canyon as gone forever. The Sierra Club joined forces with photographer Eliot Porter to document what would be lost under the dam's waters, resulting in the publication of the landmark 1963 photobook The Place No One Knew: Glen Canyon on the Colorado . But in an unexpected victory that speaks to the pervasive disaster of climate change, the reservoir is now declining and the Colorado River is coming back. Photographers Byron Wolfe (born 1967) and Mark Klett (born 1952), along with writer Rebecca Solnit (born 1961), spent five years exploring the place as expectations and possibilities changed, and the river reemerged at the upper end of the reservoir. In dialogue with Porter's book, Klett and Wolfe retraced the physical locations where Porter made his photographs, now often submerged by the reservoir's waters. Solnit's accompanying text meditates on the meanings and histories of the place, drawing from both the trio's explorations and archival research. Drowned River is a book about climate change, about "the madness of the past and the terror of the future" (as Solnit puts it). But it is also a book about how photography can describe beauty and trouble simultaneously, and what it takes to understand a place and to come to terms with the changes we have set in motion.

In April 2018, seasoned adventurer Ben Fogle and Olympic cycling gold medallist Victoria Pendleton, along with mountaineer Kenton Cool, took on their most exhausting challenge yet - climbing Everest for the British Red Cross in an attempt to highlight the environmental challenges mountains face. The expedition was to become the adventure of a lifetime, the culmination of a journey that started with a moment of tragedy years before. For Ben was inspired to take on this challenge by the memory of his son, Willem, who was stillborn in 2014. This is the story of an incredible journey that has for ever changed the lives of those involved. `The climb from Camp 4 to the summit is like stepping into a parallel universe. One in which life and death become frighteningly close. In places the lines become blurred. There are few places where the margin is so close and visceral. Angels and the grim reaper are bed pals. When you are in the zone, in the moment, you are literally counting by the step. By the second. In some ways you are in your own little bubble. In places, the fear was almost paralysing. ... In that fine line between life and death I only saw brightness. ... While I hope my expedition has helped inspire, it is also a reminder of the fragility of life. Hold those you love close to you. Don't forget to tell them how much you love them and never become complacent in life. We are all mere mortals on this planet, but don't let that reality stop you from living it to the full.' To laugh is to risk appearing the fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your dreams, ideas before a crowd is to risk their loss. To love is risk not being loved in return. To live is to risk dying. To hope is to risk despair. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing. The person who risks nothing, does nothing, has nothing, and is nothing. They may avoid suffering and sorrow, but they cannot learn, feel, change, grow, love, live. Chained by their certitudes, they are a slave: they have forfeited their freedom. Only a person who risks is truly free.

For fans of Lorna Sage and Paula Fox, a unique memoir from Irma Kurtz, the acclaimed author of 'The Great American Bus Ride' and internationally renowned agony aunt. "A girl of indisputable gifts, she should of course use them someday to make a beautiful home and raise a family in elegant surroundings..." School psychologist's report on Irma Kurtz, 1950. In 1954 eighteen-year-old Irma Kurtz left New Jersey to travel across Europe, intent on transforming herself and changing the world. She looked to the Old World for an alternative destiny to that mapped out by the traditional expectations at home. On her post-war Grand Tour she found what she believed in: Art and Culture and Beauty and Love, and some horror as a Jewish girl encountering the seat of much of her family's destruction. Years later, sifting through a cardboard box filled with memories at her mother's house, she rediscovered the journal of her first journey, the one that marked the beginning of a life of writing and living abroad. Gripped by intense recollections of sailing across the Atlantic, and intrigued by the exuberant remarks of her adventurous younger self, she decided to leave her London home and retrace her footsteps, this time with herself as a guide. Testing her theory that older women are invisible, Kurtz's journey is peppered with acute observations of human behaviour, not to mention some sharp advice for her ghostly travel companion, a teenager who thinks she knows it all, yet is blind to what lies ahead of her. Part-memoir, part-travelogue, this unique book contrasts the experience of two very different travellers, offering an insight into what has endured, and what has been lost, in the life of one woman and the altered environment of Europe at the dawn of a new millennium. Beautifully written, moving and funny, Then Again is time-travel at its best, revealing the pains and pleasures of growing older and wiser.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege. When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful, 15th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.