"The Dust Bowl of the 1930s was the worst environmental disaster in American history, a time when 'black blizzards' of dust, some hundreds of miles wide, swept across the southern plains. Hundreds of people were killed. Thousands of farms were buried. Millions of refugees fled starvation and sickness in the plains only to face hatred and prejudice in California. ... The thrilling story of an eleven-year-old boy who risks his life to save his family and friends during the worst dust storm of all, an event that would become known as 'Black Sunday.' Includes a section of nonfiction back matter with more facts and photos about the real-life event." -- Provided by publisher.

The book "Public Opinion" is a critical assessment of functional democratic government, especially of the irrational and often self-serving social perceptions that influence individual behavior and prevent optimal societal cohesion. The detailed descriptions of the cognitive limitations people face in comprehending their socio-political and cultural environments leading them to apply an evolving catalogue of general stereotypes to a complex reality, rendered Public Opinion a seminal text in the fields of media studies, political science, and social psychology.

USA TODAY BESTSELLER ― NOW IN PAPERBACK! From environmental journalist and founder of the #TransRightsReadathon Sim Kern, comes the eat-the-rich climate fiction you won't want to put down: In an alternate 2020 timeline, Al Gore won the 2000 election and declared a War on Climate Change rather than a War on Terror. For twenty years, Democrats have controlled all three branches of government, enacting carbon-cutting schemes that never made it to a vote in our world. Green infrastructure projects have transformed U.S. cities into lush paradises (for the wealthy, white neighborhoods, at least), and the Bureau of Carbon Regulation levies carbon taxes on every financial transaction. English teacher by day, Maddie Ryan spends her nights and weekends as the rhythm guitarist of Bunny Bloodlust, a queer punk band living in a warehouse-turned-venue called “The Lab” in Houston’s Eighth Ward. When Maddie learns that the Eighth Ward is to be sacrificed for a new electromagnetic hyperway out to the wealthy, white suburbs, she joins “Save the Eighth,” a Black-led organizing movement fighting for the neighborhood. At first, she’s only focused on keeping her band together and getting closer to Red, their reckless and enigmatic lead guitarist. But working with Save the Eighth forces Maddie to reckon with the harm she has already done to the neighborhood―both as a resident of the gentrifying Lab and as a white teacher in a predominantly Black school. When police respond to Save the Eighth protests with violence, the Lab becomes the epicenter of “The Free People’s Village”―an occupation that promises to be the birthplace of an anti-capitalist revolution. As the movement spreads across the U.S., Maddie dreams of a queer, liberated future with Red. But the Village is beset on all sides―by infighting, police brutality, corporate-owned media, and rising ecofascism. Maddie’s found family is increasingly at risk from state violence, and she must decide if she’s willing to sacrifice everything in pursuit of justice. P R A I S E "Incisive and insightful." ―Texas Monthly “Sim Kern’s masterpiece burns with righteous fury. This book doesn’t pull punches ― instead of hopelessness, it sliced straight through frustration, fatalism, and ennui and made me want to fight back.” ―Shana Hausman, All She Wrote Books “Achingly real, bitterly funny, and deeply moving, The Free People’s Village is a commentary, both compassionate and cutting, on the woke white activist’s journey and, above all, a full-throated ode to resistance and the found family that fuels it.” ―Megan Bell, Southern Bookseller Review “The Free People’s Village tackles many social and environmental issues at once without feeling heavy or prescriptive, focusing on personal stories amid the larger ones it tells about capitalism, climate, and activism. Its commentary never comes off as rote or tedious, bolstered by humor and humanity.” ― Kayla Kumari Upadhyaya for Autostraddle "Full of furious kindness, radical community, passionate politics, and authentic friendships, The Free People's Village is a sharply-written paean to hope, set in a vivid, brilliantly imagined future that alternately filled me with loathing and yearning. From the carefully crafted timelines to the intensely real characters, this was a story that yanked me into its world and didn't let me surface for hours. You live because you still can, and you organize because you still can, and you fight because you still can." ―Premee Mohamed, Nebula Award-winning author of And What Can We Offer You Tonight “A thought-provoking, exciting ride. The Free People's Village is a mesmerizing portrait of revolutions ― the internal ones that call us to find and fight for the best versions of ourselves; the external that consume, invigorate, and demand as they explore paths to justice. Grounded in an imaginative landscape and rounded out by an inclusive, complex cast, this novel masterfully explores identity, morality, and the choices we make as vehicles that hold radical power in the quest for liberation. More than a love letter to Houston, its bayous, and people forgotten and remembered, Sim Kern's world sings with possibility, hope, and joy that will leave you laughing--and crying ― long after the last bomb has dropped." ―Ehigbor Okosun, author of Forged by Blood "Beautiful, brilliant, and unflinching, The Free People's Village will both inspire you and devour you...in the best possible way." ―Nicky Drayden, author of Escaping Exodus and The Prey of Gods

Author and science writer Robert M. Sapolsky offers answers to various questions that are at once intriguing and perhaps seemingly unrelated. How do imperceptibly small differences in the environment change one's behavior? What do the mating rituals of prairie dogs tell us about ourselves? Why don't we try new things as we age? How does stress shrink our brains? How does ecology shape human theology? How is the battle of the sexes conducted at the cellular level? "Monkeluv" has all the answers!

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

In a society where lies are law, a simple act of honesty can become the ultimate rebellion. When does silent compliance with an oppressive regime become unbearable? For Charlie Simpkins, the manager of a small vegetable shop in Los Angeles' San Fernando Valley, part of the West Coast People's Democratic Republic, the breaking point comes when he is asked to display a meaningless propaganda poster in his shop window. It is a seemingly insignificant act in a lifetime of obedience. But Charlie just can't bring himself to doing it. This minor act of defiance, however, show too much independent thinking on Charlie's part, setting off a chain of escalating consequences for Charlie and his wife and two children. Powerless is a haunting dystopian tale of how even the smallest act of defiance can spiral into disaster in a society that demands total conformity. It serves as a chilling reminder of how easily standing up for one's principles can lead to crushing consequences, erringly echoing the challenges we face today for speaking our truth, even in societies that claim to uphold freedom. While the novel draws original inspiration from Alexander Dubček's 1968 vision of "socialism with a human face" in Czechoslovakia (the reformist movement sought to humanize authoritarian rule), it will resonate with many who fear that individual freedoms are under attack in many parts of the world. In Powerless, Charlie Simpkins' growing disillusionment mirrors the psychological toll experienced by many today as political stress and uncertainty become ever more pervasive. As Charlie seeks out others who share his dissatisfaction, his increasingly deliberate and risky actions symbolize the quiet acts of defiance that offer hope and resistance in a society where the powerful suppress dissent. Powerless serves as a poignant reminder of the consequences that can arise when standing up for one's principles in an environment that demands conformity.​

For young readers ages 8 to 12, an inspiring, lively guide to sustainable living from YouTube star and zero-waste activist Robin Greenfield. Features kid-friendly information on the highly popular movement towards zero-waste living, as well as information on the climate crisis and solutions. Robin Greenfield loves this planet, and he's willing to go to extremes to show kids how our way of life is causing it harm. He's walked around New York City dressed in his own garbage, cycled across the U.S. on a bamboo bike (three times), and survived one year on food he foraged or grew himself. For Robin, it's all worth it: he brings attention to important topics like food and water waste; our dependency on fossil fuels; our piles of stuff (and the energy required to produce it); and our disconnection from community and the wider world. In this uplifting book, Robin uses his own experiences--backed by solid information and a ton of great ideas--to show kids that no one is too young to make a difference, and no action is too small to make a start. Robin will donate 100 percent of his proceeds from this book directly to environmental nonprofits.

Summing up the work of libertarian economist and historian Murray N. Rothbard (1926-1995) and noting its stunning range, philosopher David Gordon once wondered "if there are really three, four, or five geniuses writing under his name." These lively essays display one of those geniuses: Rothbard the journalist, cultural critic, political observer, and movement organizer. Even more remarkable, they represent just a fraction of what he wrote in his spare time, for just one publication, and in just the last few years of his life. His articles combined libertarian anti-government economics, decentralist local patriotism, anti-war isolation, and a reactionary cultural outlook that saw government as the key to the loss of the Old Republic. He defended land-rights groups against environmentalists, citizen militias against gun grabbers, isolationists against imperialists, paleoconservatives against neoconservatives, populists against party regulars, anti-New World Order conspiracy theorists against the establishment, nationalists against internationalists, states righters against libertarian centralists, the Christian right against its own leadership, and much more. These essays show forth not only Rothbard's intellectual vigor, but the complete joy with which he embraced life, and how his extreme optimism made even the most severe setbacks tolerable. He experienced great disappointments and great successes, but through it all he was heroic, undaunted, and irrepressible. In this, as in everything else, Murray Rothbard is the model for those who long for liberty, and work for it.

Title: Endymion.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Disraeli, Benjamin; 1880. pp. 84. 29 cm. 12623.k.25.

the central idea was to create monumentality

Before Europeans arrived in British Columbia, the coastal Indians lived in an environment where there was no want. The fish and fur-bearing mammals in the sea fed and clothed them, they were sheltered in post-and-beam houses, and they travelled around is sturdy canoes. They plundered and waged war against their enemies, and they captured slaves. There's was a world filled with superstition and magic, with supernatural creatures such as the raven, the gluttonous trickster, that could assume human form. The Europeans brought with them smallpox and other communicable diseases to which the Indians had no immunity, and they died by the thousands. The Haida of the Queen Charlotte Islands (since renamed Haida Gwai) were particularly hard hit, their numbers reduced from an estimated 14,000 to 800. Ignoring the rights of the Indians, the Europeans established government, first as a crown colony of Great Britain, then as a province of the Dominion of Canada. The jurisdiction was sustained at first by gold strikes, but when the gold ran out, the mainstay of the economy became the forests. The ones on the coast, with huge trees nudging 300 feet in height and some exceeding 12 feet in diameter, were the first to be exploited. There arose a stalwart band of men known as loggers, who harvested the big trees. One of them, whose name was Bill Clayton, became a legend in his lifetime for his strength and ability to do the work, and they called him "Logger Bill." At the end of the depression, when he is just 16 years old, Bill is unable to find work in Queen Charlotte City. He is forced to leave his Haida sweetheart and go to a remote logging camp, where the only holidays come at Christmas time, and only last for two weeks. She find she is pregnant, and marries her cousin, a common practice among the Haida. Bill is crushed when he hears the news, and sublimates himself in the logging business.Through tragedy and triumph, Bill works his way through life, with four loves and three illegitimate offspring, and through a living history of forest management in BC. He meets a premature death, and his three sons eventually find out about their ancestry. Throughout, the raven appears from time to time, giving rise to the feeling that he may still have some magic in him.