"My happiness is not the means to any end. It is the end. It is its own goal. It is its own purpose." ― Ayn Rand, Anthem Anthem has long been hailed as one of Ayn Rand's classic novels, and a clear predecessor to her later masterpieces, The Fountainhead and Atlas Shrugged. In Anthem, Rand examines a frightening future in which individuals have no name, no independence, and no values. Equality 7-2521 lives in the dark ages of the future where all decisions are made by committee, all people live in collectives, and all traces of individualism have been wiped out. Despite such a restrictive environment, the spark of individual thought and freedom still burns in him--a passion which he has been taught to call sinful. In a purely egalitarian world, Equality 7-2521 dares to stand apart from the herd--to think and choose for himself, to discover electricity, and to love the woman of his choice. Now he has been marked for death for committing the ultimate sin. In a world where the great "we" reign supreme, he has rediscovered the lost and holy word--"I." A True Classic that Belongs on Every Bookshelf!

In this picture book classic, travel with young Walter on a fantastical adventure as he journeys--by way of his bed--into a polluted dreamscape world that wakes him up to our collective and individual environmental responsibility. Walter does not appreciate the beauty of nature, or understand his role in keeping the planet healthy . . . until a fantastic journey shows him the tragic fate that could befall Earth if humans like him are not more careful. Chris Van Allsburg (The Polar Express) pairs pitch-perfect narrative with his full-color pastel illustrations, rendering this picture book a story that has stood the test of time. "Two-time Caldecott Medalist Van Allsburg reaches a new pinnacle of excellence in both illustration and storytelling in his latest work." --Publishers Weekly This anniversary edition includes a stunning new jacket!

USA TODAY BESTSELLER ― NOW IN PAPERBACK! From environmental journalist and founder of the #TransRightsReadathon Sim Kern, comes the eat-the-rich climate fiction you won't want to put down: In an alternate 2020 timeline, Al Gore won the 2000 election and declared a War on Climate Change rather than a War on Terror. For twenty years, Democrats have controlled all three branches of government, enacting carbon-cutting schemes that never made it to a vote in our world. Green infrastructure projects have transformed U.S. cities into lush paradises (for the wealthy, white neighborhoods, at least), and the Bureau of Carbon Regulation levies carbon taxes on every financial transaction. English teacher by day, Maddie Ryan spends her nights and weekends as the rhythm guitarist of Bunny Bloodlust, a queer punk band living in a warehouse-turned-venue called “The Lab” in Houston’s Eighth Ward. When Maddie learns that the Eighth Ward is to be sacrificed for a new electromagnetic hyperway out to the wealthy, white suburbs, she joins “Save the Eighth,” a Black-led organizing movement fighting for the neighborhood. At first, she’s only focused on keeping her band together and getting closer to Red, their reckless and enigmatic lead guitarist. But working with Save the Eighth forces Maddie to reckon with the harm she has already done to the neighborhood―both as a resident of the gentrifying Lab and as a white teacher in a predominantly Black school. When police respond to Save the Eighth protests with violence, the Lab becomes the epicenter of “The Free People’s Village”―an occupation that promises to be the birthplace of an anti-capitalist revolution. As the movement spreads across the U.S., Maddie dreams of a queer, liberated future with Red. But the Village is beset on all sides―by infighting, police brutality, corporate-owned media, and rising ecofascism. Maddie’s found family is increasingly at risk from state violence, and she must decide if she’s willing to sacrifice everything in pursuit of justice. P R A I S E "Incisive and insightful." ―Texas Monthly “Sim Kern’s masterpiece burns with righteous fury. This book doesn’t pull punches ― instead of hopelessness, it sliced straight through frustration, fatalism, and ennui and made me want to fight back.” ―Shana Hausman, All She Wrote Books “Achingly real, bitterly funny, and deeply moving, The Free People’s Village is a commentary, both compassionate and cutting, on the woke white activist’s journey and, above all, a full-throated ode to resistance and the found family that fuels it.” ―Megan Bell, Southern Bookseller Review “The Free People’s Village tackles many social and environmental issues at once without feeling heavy or prescriptive, focusing on personal stories amid the larger ones it tells about capitalism, climate, and activism. Its commentary never comes off as rote or tedious, bolstered by humor and humanity.” ― Kayla Kumari Upadhyaya for Autostraddle "Full of furious kindness, radical community, passionate politics, and authentic friendships, The Free People's Village is a sharply-written paean to hope, set in a vivid, brilliantly imagined future that alternately filled me with loathing and yearning. From the carefully crafted timelines to the intensely real characters, this was a story that yanked me into its world and didn't let me surface for hours. You live because you still can, and you organize because you still can, and you fight because you still can." ―Premee Mohamed, Nebula Award-winning author of And What Can We Offer You Tonight “A thought-provoking, exciting ride. The Free People's Village is a mesmerizing portrait of revolutions ― the internal ones that call us to find and fight for the best versions of ourselves; the external that consume, invigorate, and demand as they explore paths to justice. Grounded in an imaginative landscape and rounded out by an inclusive, complex cast, this novel masterfully explores identity, morality, and the choices we make as vehicles that hold radical power in the quest for liberation. More than a love letter to Houston, its bayous, and people forgotten and remembered, Sim Kern's world sings with possibility, hope, and joy that will leave you laughing--and crying ― long after the last bomb has dropped." ―Ehigbor Okosun, author of Forged by Blood "Beautiful, brilliant, and unflinching, The Free People's Village will both inspire you and devour you...in the best possible way." ―Nicky Drayden, author of Escaping Exodus and The Prey of Gods

When Robin wakes up in a clinic with most of his memories missing, it doesn't take him long to discover that someone is trying to kill him. It's the 27th century, when interstellar travel is by teleport gate and conflicts are fought by network worms that censor refugees' personalities and target historians. The civil war is over and Robin has been demobilized, but someone wants him out of the picture because of something his earlier self knew. On the run from a ruthless pursuer, he volunteers to participate in a unique experimental polity, the Glasshouse, constructed to simulate a pre-accelerated culture. Participants are assigned anonymized identities: it looks like the ideal hiding place for a posthuman on the run. But in this escape-proof environment, Robin will undergo an even more radical change, placing him at the mercy of the experimenters--and the mercy of his own unbalanced psyche.--From publisher description.

For Bob Howard, a working day tends to alternate between desperately trying not to fall asleep in committee meetings and being menaced by tentacular horrors from beyond spacetime. That's because Bob works for the Laundry, the secret British government agency tasked with protecting the realm from occult nightmares. So when his manager Iris sends him off to the countryside to liaise with a veterinary inspector from the Department of the Environment, Fisheries, and rural Affairs, at first he takes it as a pleasant vacation. But why is Edgebaston Farm's livery stable buying a hundred kilos of raw meat per day? Why does his briefing file contain the death-bed confession of that old fraud, H. P. Lovecraft? And why is his contact from DEFRA so deathly afraid of unicorns

Over the past two decades, "The Toxic Avenger" has achieved the status of cult icon. Discerning fans around the world have followed "Toxie's" adventures through four films, an animated feature, a Saturday-morning cartoon series, comic books, action figures, and more. His name has been used by everyone from the Environmental Protection Agency to the U.S. Army to PETA; he appears in the Macy's Thanksgiving Day Parade; and his creator, Lloyd Kaufman, is claimed as an influence by directors like Peter Jackson and Quentin Tarantino. Now Kaufman has set aside his video camera and unleashed his twisted brilliance on the artistic form of Fitzgerald, Hemingway, Faulkner, and Mitch Albom. And to put it simply, Kaufman has blown those jokers out of the water. Readers who dare to crack the spine of this book will experience the gamut of human emotion (and then some): laughter, tears, and perhaps even vomiting and spontaneous ejaculation. With more girl-on-girl action than an episode of "Springer, " more blood-soaked bad taste than an "After School Special, " and with special "guest narrators" such as J. D. Salinger and Oliver Stone, "The Toxic Avenger" oozes hilarity on every page.

Hailed as a classic of speculative fiction, Marge Piercy's landmark novel is a transformative vision of two futures--and what it takes to will one or the other into reality. Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity--and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow. Praise for Woman on the Edge of Time "This is one of those rare novels that leave us different people at the end than we were at the beginning. Whether you are reading Marge Piercy's great work again or for the first time, it will remind you that we are creating the future with every choice we make." --Gloria Steinem "An ambitious, unusual novel about the possibilities for moral courage in contemporary society." -- The Philadelphia Inquirer "A stunning, even astonishing novel . . . marvelous and compelling." -- Publishers Weekly "Connie Ramos's world is cuttingly real." --Newsweek "Absorbing and exciting." -- The New York Times Book Review From the Trade Paperback edition.

Though a well-regarded physicist Carl Sagan (1934-1996) is best-known as a writer of popular nonfiction and science fiction and as the host of the PBS series Cosmos . Through his writings and spoken commentary, he worked to popularize interests in astronomy, the universe, and the possibility of extraterrestrial life. From the beginning of his public career, when he co-wrote Intelligent Life in the Universe to the very end as he worked on the 1997 film adaptation of his novel Contact , these subjects absorbed him. This interest in space was rooted in his understanding of the smallness and vulnerability of humanity measured against the immense size and power of the universe. This profound philosophical humility, mixed with personal exuberance, comes through in Conversations with Carl Sagan . In interviews and profiles, Sagan discusses with verve a wide variety of topics--the environment, nuclear disarmament, religion, politics, extraterrestrial life, astronomy, physics, robotics. Whether he is discussing his science fiction or his well-researched nonfiction works, his voice embraces reason and skepticism. This volume shows how Sagan, a lifelong skeptic, refined his views and expressed amazement that Earth, for all his belief in extraterrestrial life, encompasses everything about which he cared. Tom Head of Jackson, Mississippi, is a writer and poet whose work includes Women and Families (Voices from the Civil War) , Possessions and Exorcisms (Fact or Fiction?) , and 1966 (The Turbulent 60s) .

In a society where lies are law, a simple act of honesty can become the ultimate rebellion. When does silent compliance with an oppressive regime become unbearable? For Charlie Simpkins, the manager of a small vegetable shop in Los Angeles' San Fernando Valley, part of the West Coast People's Democratic Republic, the breaking point comes when he is asked to display a meaningless propaganda poster in his shop window. It is a seemingly insignificant act in a lifetime of obedience. But Charlie just can't bring himself to doing it. This minor act of defiance, however, show too much independent thinking on Charlie's part, setting off a chain of escalating consequences for Charlie and his wife and two children. Powerless is a haunting dystopian tale of how even the smallest act of defiance can spiral into disaster in a society that demands total conformity. It serves as a chilling reminder of how easily standing up for one's principles can lead to crushing consequences, erringly echoing the challenges we face today for speaking our truth, even in societies that claim to uphold freedom. While the novel draws original inspiration from Alexander Dubček's 1968 vision of "socialism with a human face" in Czechoslovakia (the reformist movement sought to humanize authoritarian rule), it will resonate with many who fear that individual freedoms are under attack in many parts of the world. In Powerless, Charlie Simpkins' growing disillusionment mirrors the psychological toll experienced by many today as political stress and uncertainty become ever more pervasive. As Charlie seeks out others who share his dissatisfaction, his increasingly deliberate and risky actions symbolize the quiet acts of defiance that offer hope and resistance in a society where the powerful suppress dissent. Powerless serves as a poignant reminder of the consequences that can arise when standing up for one's principles in an environment that demands conformity.​

"Hella is a planet where everything is oversized--especially the ambitions of the colonists. The trees are mile-high, the dinosaur herds are huge, and the weather is extreme--so extreme, the colonists have to migrate twice a year to escape the blistering heat of summer and the atmosphere-freezing cold of winter. Kyle is a neuro-atypical young man, emotionally challenged, but with an implant that gives him real-time access to the colony's computer network, making him a very misunderstood savant. When an overburdened starship arrives, he becomes the link between the established colonists and the refugees from a ravaged Earth. The Hella colony is barely self-sufficient. Can it stand the strain of a thousand new arrivals, bringing with them the same kinds of problems they thought they were fleeing? Despite the dangers to himself and his family, Kyle is in the middle of everything--in possession of the most dangerous secret of all. Will he be caught in a growing political conspiracy? Will his reawakened emotions overwhelm his rationality? Or will he be able to use his unique ability to prevent disaster?"--Provided by publisher.

Kaer's family has volunteered to emigrate through a world-gate to Linnea, a world known for horses as large as houses and dangerously mistrustful natives, in this new young adult novel from David Gerrold. Kaer and his mothers, fathers, siblings, and cousins embark on a training program in the Linnea dome designed to teach them to blend in with their new home's prior inhabitants in an environment free from the risk of discovery. The dome itself should be safe, but in a setting designed to be like Linnea in every conceivable way - from the long, harsh winters to the kacks, wolf-like creatures as tall as men - Kaer finds that even the simplest training exercises can be fraught with risk.

In Union Grove, early spring is a challenging season, known as the "six weeks want," a time when fresh food is scarce and the winter stores are dwindling. The town is struggling in particular this year as the Hudson River trade route to Albany has been halted by the local plantation tycoon Stephen Bullock, who has deemed it too resource-intensive and is now striving for self-sufficiency. Meanwhile, after returning from his travels around what is left of the United States, Daniel Earle is intent on resurrecting a newspaper for the community, and finds an interesting story to cover when representatives of a group of anti-establishment, hyper-liberals known as the Berkshire People's Republic arrive in the town.

Under the best circumstances, terraforming is a tough, dangerous task that pits the hardiest of pioneers against an unforgiving environment. When the terraformers on the planet Paradise fall behind schedule, commander Riker is given temporary leave from the U.S.S. Enterprise(TM) and sent to assist. Riker's replacement on the Starship Enterprise is a volatile officer named Stone whose behavior soon raises questions about his ability and his judgment. Meanwhile, Commander Riker has become enmeshed in a life and struggle with Paradise's brutal landscape. However, he soon learns that not all of the planet's dangers are natural in origin -- as he comes face to face with Paradise's greatest danger and most hideous secret.

Ahab Goldstein is a seventh-grader living in an United States (specifically Maine) where the environment has turned toxic, and the corrupt Environmental Police Force is in control, limiting access to natural resources like gas and water, issuing fines, and transporting "fragile" species (pretty much all of them) to the Center for Species Rehabilitation in New Arcadia (a dubious refuge at best); so when Ahab and his friends find a real live bullfrog on an island in the toxic harbor, possibly the last one in America, they are faced with a choice--turn it over (NO!), leave it alone, or bike to Canada to find it a mate.

Silverberg, winner of four Hugos and five Nebulas, presents a riveting tale of an epic voyage of survival in a hostile environment. On the watery world of Hydros, humans live on artificial islands and keep an uneasy peace with the native race of amphibians. When a group of humans angers their alien hosts, they are exiled--set adrift on the planet's vast and violent sea.

A tortured man's visions hold the key to mankind's future in Robert Silverberg's post-apocalyptic masterpiece Life in the blasted wasteland of 2103 California is nasty, brutish, and short. If the savage "scratchers" don't kill you, the poisoned environment will. But one man wanders this desolate landscape and sees beauty: glorious visions of impossible places and majestic beings not of Earth. Scorned and mocked as a madman, Tom doubts his sanity until his visions mysteriously begin to spread to others and a returning star probe offers evidence that they are real. Now, as a new religion is born, with Tom as its reluctant messiah, violent forces are unleashed--forces that have the power to transform humanity . . . or destroy it.

INTERPLANETARY ODYSSEYS ".....One of the novas of the SF cosmos." The New Encyclopaedia of Science Fiction Interplanetary Odysseys collects together all of Stanley G. Weinbaum's tales set on the planets and moons of our own solar system. With their colony cities and fast, easy space travel, these stories from the great romantic tradition of SF remain entertaining, readable and relevant. Weinbaum was noted as the first SF writer to create believable aliens that were a product of their own planetary environments and eco-systems. The lead story, the classic "A Martian Odyssey", demonstrates this talent perfectly and with the nine other tales included here it gives readers new and old a chance to relive the sense of wonder that sprang from the glory days of science fiction.

Even before his birth, Johnny Baker's life is in danger. His mother breaks the law when she has her fertilized egg endowed with genes that will give her son the potential to become a visual artist. Born in 2038, John Firth Baker is the first genetically engineered artist. At the age of nineteen, at the threshold of his career, he is murdered. Now, ten years after his death, Baker has become famous. An art curator has organized a show of his work, and his biography-culled from journals, e-mails, and interviews with those who knew him best-is published. The Song of the Earth is this "biography." It presents a powerful and haunting portrait of an artist as a young man in the twenty-first century. Baker is born into a world transformed by technology: genetic profiles, space travel, and controlled housing communities are commonplace. Global warming has altered the environment. A planetary gender war is raging, familial structures are shattered, and new religions contend with the old. Yet human needs remain the same: the search for love, the desire for approval, the longing for fame, and the quest for knowledge. The Song of the Earth is a hypnotic novel about our desire to control our destinies, our yearning for immortality, and the very human impulse to create art. With prose, poetry, and images, Nissenson tells an original tale that brilliantly captures the experience of another time and place.

There are big plans for a small town in Nevada. When a world famous architect is commissioned to design a completely enclosed city, he hires a young apprentice named Burke Isadore to translate his sketches into a three-dimensional computer model. The ambitious project is called New Moon City. Burke has promised himself to make a difference in the world. He sees the new city's design as a solution to environmental degradation, homelessness and isolation. But his youthful idealism leaves him with a blind spot to the intentions of others who are using the project to further their own goals, contradictory to the original vision. To complicate matters, there are some long-term employees of the master architect who are not well suited to the challenge of building the city. It falls to Burke to resolve an issue caused by their foolish antics. Burke meets a newspaper reporter named Aliyah Estrella who questions the entire premise of the enclosed city, known as an arcology. She thinks she would feel trapped inside a giant anthill if she were forced to live there. She also knows the local ranchers are not happy with the project, but some of her articles in the small-town newspaper raise the hackles of the powerful people behind the construction of New Moon City. The Arcs is the first book of The New Moon Trilogy. It examines the power and endurance of a promise over generations, as it follows the thread of one man's word through the tapestry of time.