Historian Eric Foner chronicles the way in which Americans -- black and white -- responded to the unprecedented changes unleashed by the war and the end of slavery. He addresses the quest of emancipated slaves searching for economic autonomy and equal citizenship, and describes the remodeling of Southern society, the evolution of racial attitudes and patterns of race relations, and the emergence of a national state possessing vastly expanded authority and committed, for a time, to the principle of equal rights for all Americans.

Vintage Tattoo Flash is a one-of-a-kind visual exploration of the history and evolution of tattooing in America. A luscious, offset-printed, hardcover tome--a beautiful and serious addition to the understanding of one of the world's oldest and most popular art forms. Electric tattooing as we know it today was invented in New York City at the turn of the 19th century. In the first days of American tattooing, tattoos were primarily worn by sailors and soldiers, outlaws and outsiders. The visual language of what came to be known as "traditional tattooing" was developed in those early days on the Bowery and catered to the interests of the clientele. Common imagery that soon became canon included sailing ships, women, hearts, roses, daggers, eagles, dragons, wolves, panthers, skulls, crosses, and popular cartoon characters of the era. The first tattooists also figured out that using bold outlines, complimented by solid color and smooth shading, was the proper technique for creating art on a body that would stand the test of time. In the over 100 years since then, techniques and styles have evolved, and the customer base has expanded, but the core subject matter and philosophy developed at the dawn of electric tattooing has persisted as perennial favorites through the modern era. While most tattoos are inherently ephemeral, transported on skin until the death of the collector, a visual record exists in the form of tattoo flash: the hand-painted sheets of designs posted in tattoo shops for customers to select from. Painted and repainted, stolen, traded, bought and sold, these sheets are passed between artists through one channel or another, often having multiple useful lives in a variety of shops scattered across time and geography. The utility of these original pieces of painted art has made it so that original examples can still be found in use or up for grabs if you know where to look. Vintage Tattoo Flash draws from the personal collection of Jonathan Shaw renowned outlaw tattooist and author and represents a selection of over 300 pieces of flash from one of the largest private collections in existence. Vintage Tattoo Flash spans the first roughly 75 years of American tattooing from the 1900s Bowery, to 50s Texas, through the Pike in the 60s and the development of the first black and grey, single-needle tattooing in LA in the 70s. The book lovingly reproduces entirely unpublished sheets of original flash from the likes of Bob Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed Smith, Paul Rogers, the Moskowitz brothers, and many, many others relatively known and unknown.

Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his four-decade career in radio, Howard Stern has interviewed thousands of personalities -- discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An array of creative visionaries weigh in on what Stern calls "the climb"--The stories of how they struggled and eventually prevailed. Interspersed throughout are selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

"Today's top stand-up comedians sell out arenas, generate millions of dollars, tour the world, and help shape our social discourse. So, how did this all happen? The History of Stand-Up chronicles the evolution of this American art form - from its earliest pre-vaudeville practitioners like Artemus Ward and Mark Twain to present-day comedians of HBO and Netflix. Drawing on his acclaimed History of Stand-up podcast and popular university lectures, veteran comedian and adjunct USC professor Wayne Federman guides us on this fascinating journey. The story has a connective tissue - humans standing on stage, alone, trying to get laughs. That experience connects all stand-ups through time, whether it's at the Palace, the Copacabana, the Apollo, Mister Kelly's, the hungry i, Grossinger's, the Comedy Cellar, the Improv, the Comedy Store, Madison Square Garden, UCB, or at an open mic in a backyard." -- Amazon.com

"Jonathan Shaw's Scab Vendor: Confessions of a Tattoo Artist is a surreal, multi-generational roller coaster ride through the underbelly of modern culture, charting the course of a life measured by extremes, and all the people, places, and events that shaped that life into a survivor's tale of epic proportions. In its pages, Shaw takes the reader deep, not only into the recesses of his extraordinary mind and adventures, but also into the strange and magical process of memoir-writing itself. If truth is indeed stranger than fiction, then, as Shaw's friend and literary mentor Charles Bukowski once told him, much of this book would have to be lived before it could be written. In that sense, Scab Vendor: Confessions of a Tattoo Artist is much more than a fascinating chronicle of a popular outlaw artist's creative evolution. It is a multicolored, cinematic, modern-day Odyssey, written in blood, ink, and tears--a kaleidoscopic, visionary roadmap to the journey of the human soul."--Page 4 of cover.