"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

"Alvin Curran has realized a long and fruitful career as a composer, performer, installation artist, writer, and teacher in the American experimental music tradition. He studied with Ron Nelson, Elliott Carter, and Mel Powell, and co-founded the group Musica Elettronica Viva in 1966 in Rome where he currently resides. His music, whether chamber works, radio-art, large scale environmental theater or solo performance, embraces all sounds, all spaces, and all people. This illustrated anthology of compositions, musical fragments, and instruction pieces is intended to be enjoyed and used by adventurous musicians both literate and unlettered, scholars, teachers of composition and improvisation, and anyone interested in the evolution of art-music in our time."--Page 4 of cover

"A survey of modernist poetry" by renowned authors Robert Graves and Laura Riding stands as a seminal work in literary criticism, offering an indispensable examination of 20th-century poetic innovation. This landmark text provides a comprehensive and critical look at the rise of modernism in literature, delving into the foundational principles and varied expressions that shaped the movement. Graves and Riding meticulously analyze the historical trajectory of modernist poetry, tracing its evolution, identifying key figures, and exploring the profound shifts in form and content. This authoritative survey is essential for anyone interested in the history of poetry, the development of free verse, and the broader impact of modernism. It dissects the stylistic shifts and theoretical underpinnings that defined one of the most transformative periods in literary history, offering deep insights into the craft and intellectual currents of the era. "A survey of modernist poetry" remains a vital resource, offering profound understanding of the complex landscape of 20th-century poetry and the enduring legacy of modernism. As a carefully prepared print republication, it continues to serve as a cornerstone for students, scholars, and enthusiasts seeking clarity on a pivotal era of literary change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.