Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his four-decade career in radio, Howard Stern has interviewed thousands of personalities -- discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An array of creative visionaries weigh in on what Stern calls "the climb"--The stories of how they struggled and eventually prevailed. Interspersed throughout are selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

Steven Spielberg has become a brand name and a force that extends far beyond the movie screen. Phrases like "phone home" and the music score from Jaws are now part of our cultural script, appearing in commercials, comedy routines, and common conversation. Yet few scholars have devoted time to studying Spielberg's vast output of popular films despite the director's financial and aesthetic achievements. Spanning twenty-five years of Spielberg's career, Steven Spielberg: Interviews explores the issues, the themes, and the financial considerations surrounding his work. The blockbuster creator of E.T., Jaws, and Schindler's List talks about dreams and the almighty dollar. "I'm not really interested in making money," he says. "That's always come as the result of success, but it's not been my goal, and I've had a tough time proving that to people." Ranging from Spielberg's twenties to his mid-fifties, the interviews chart his evolution from a brash young filmmaker trying to make his way in Hollywood, to his spectacular blockbuster triumphs, to his maturation as a director seeking to inspire the imagination with meaningful subjects. The Steven Spielberg who emerges in these talks is a complex mix of businessman and artist, of arrogance and insecurity, of shallowness and substance. Often interviewers will uncover the director's human side, noting how changes in Spielberg's personal life -- marriage, divorce, fatherhood, remarriage -- affect his movies. But always the interviewers find keys to the story-telling and filmmaking talent that have made Spielberg's characters and themes shape our times and inhabit our dreams. "Every time I go to a movie, it's magic, no matter what the movie's about," he says. "Whether you watch eight hours of Shoah or whether it's Ghostbusters, when the lights go down in the theater and the movie fades in, it's magic." Lester D. Friedman teaches medical humanities and bioethics at Upstate Medical University and cinema studies in the College of Visual and Performing Arts at Syracuse University. Brent Notbohm of Spring Green, Wisconsin, is a freelance instructor of film production and media studies. He has written and directed several films and videos independently and as a graduate student at Syracuse University's College of Visual and Performing Arts.

"Noam Chomsky is one of the most influential thinkers of our time, yet his views are often misunderstood. In this previously unpublished series of interviews, Chomsky discusses his iconoclastic and important ideas concerning language, human nature and politics. In dialogue with James McGilvray, Professor of Philosophy at McGill University, Chomsky takes up a wide variety of topics - the nature of language, the philosophies of language and mind, morality and universality, science and common sense, and the evolution of language. McGilvray's extensive commentary helps make this incisive set of interviews accessible to a variety of readers. The volume is essential reading for those involved in the study of language and mind, as well as anyone with an interest in Chomsky's ideas"--

"This Element documents the evolution of a research program that began in the early 1960s with the author's first investigation of language change on Martha's Vineyard. It traces the development of what has become the basic framework for studying language variation and change"--

"The Joy of Playing, the Joy of Thinking is a masterclass for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories on composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played? Rosen takes readers to the heart of the musical matter. 'Music is a way of instructing the soul, making it more sensitive,' he says, 'but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.'"--

In this book, after discussing the fundamental problems of current science and other philosophic concepts, beginning with controversies between Heraclitus and Parmenides, Ilya Prigogine launches into a message of great hope: the future has not been determined. Contrary to globalisation and the apparent contemporary mass culture society, individual behaviour is beginning to increasingly become the key factor which governs the evolution of both the world and society as a whole. It is a message that challenges existing widespread views, implicitly or explicitly, through mass communication, moreover the importance of the individual's actions implies a reflection of each person on the responsibilities that each one assumes when taking or acting upon a decision. This responsibility is associated with the freedom of thought as well as a critical analysis of fashions, customs, preconceived ideas, and ideologies, externally imposed: exactly contrary to the ideas of those who wish us to be "perfect consumers" in a world dominated only by monetary wealth. Challenging this drive towards the elimination of freedom of though in the individual is now imperative if we are to save man and his planet from catastrophe which seems to be ever imminent and (unfortunately) irreversible. This last book of Ilya Prigogine provides a small, disputable, but nonetheless valuable contribution towards that end.

The oral autobiography of the controversial Vienna Aktionist, with archival materials and additional writings by Nitsch A pioneer of Vienna's postwar avant-garde and the most notorious member of the Vienna Aktionist group, Hermann Nitsch (1938-2022) united performance, painting and musical composition in dramatic, often blood-soaked rituals. Newly translated into English from the original German, this oral autobiography offers the readers Nitsch's life story in his own words. Over the course of an in-depth interview with Austrian journalist Danielle Spera, he recounts his family history, early childhood, the evolution of his artistic practice and the fraught reception of his work, as well as his various romantic and financial struggles. The interview is illustrated with images of his work, in the studio and in action; archival photographs; and other ephemeral material, such as flyers and news clips. Excerpts from Nitsch's writings, including "Blood Organ Manifesto" and "Verbal Poetry of the Orgies Mysteries Theatre," punctuate the interview between Spera and the artist.

As a distinguished scientist, pacifist, and feminist, Ursula Franklin has been regularly invited by diverse groups to share her insights into the social and political impacts of science and technology. This collection contains twenty-two of Franklin's speeches and five interviews from 1986 to 2012 that have been retrieved and restored from audio and visual recordings with the help of her collaborator, Jane Freeman. These speeches and interviews, available here in print for the first time, stress the increased need for discernment and principled dialogue among Canadians. Although civic life for many Canadians has changed drastically in the past five decades, the basic principles of building and maintaining peaceful communities remain unchanged. Addressing practices of education, research, and civic life, Franklin looks to the past as well as the future to suggest collective ways of cultivating discernment and of advancing human betterment. As a whole, the collection reveals the evolution of Franklin's perspective: a perspective that is further elaborated in her afterthoughts that form the book's introduction and conclusion. Although her speeches and interviews are often critical of the status quo, Ursula Franklin Speaks is a fundamentally optimistic book, grounded in the conviction of the human capacity for compassion and understanding.

Here are eighteen interviews with this novelist & historian that portray him to be both an admirable writer & spellbinding talker & reveal his evolution into a great narrative artist.

"Seventeen interviews with George and Mary Oppen, conducted between 1968 and 1987, are brought together for the first time. These conversations provide a unique account of a major American poet's evolution. It is Oppen's detailed commentary on his own writing, and his explanations of how individual poems unfold, which gives special importance to these new collected interviews" --Provided by publisher.