Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his four-decade career in radio, Howard Stern has interviewed thousands of personalities -- discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An array of creative visionaries weigh in on what Stern calls "the climb"--The stories of how they struggled and eventually prevailed. Interspersed throughout are selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

New York Times chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada, Washington Post ) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation, Audience of One emerges as a classic in cultural criticism.

REQUIRED READING for any aspiring or established television screenwriter -Rod Serling was the television industry's original show runner. His screenplay, "Patterns," aired on January 12, 1955, launched his career. Within hours, Jack Gould of the New York Times wrote, "Nothing in months has excited the television industry as much as the Kraft Television Theatre's production of Patterns, an original play by Rod Serling. The enthusiasm is justified. In writing, acting and direction, Patterns will stand as one of the high points in the TV medium's evolution." An overnight success, Serling immediately found himself in the company of the Golden Age of Television's elite writers including Paddy Chayefsky, Reginald Rose, and Gore Vidal; and the recipient of his first of six Emmy awards. Serling would later write a semi-autobiographical screenplay, "The Velvet Alley," describing such a meteoric rise to fame and success."Patterns," the book, was Serling's first foray into the world of publishing. What is invaluable is not merely the actual screenplays, but Serling's comments on each and his twenty five plus page dissertation on writing for television during its' Golden Age. What is different about this new edition is Mark Dawidziak's insightful forward explaining the relevance of "Patterns" to Serling's prolific body of work. Given Serling's dissertation and Dawidziak's analysis, it is worth repeating that this is, without question, REQUIRED READING for anyone involved in the creation of intelligent television.

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, The Magic Book traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program—now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Peek behind the curtain into the making of Happy Days , the ultimate American sitcom, in this detailed season-by-season history written by two of the show’s longest-serving writer-producers . One of the most successful TV shows of all time, Happy Days drew in 30 million viewers weekly at its peak and launched the careers of stars like Ron Howard, Henry Winkler, and Robin Williams. Now, just in time for its 50th anniversary, tune in for exclusive access, as writers Brian Levant and Fred Fox Jr. chronicle life on set and examine the evolution of a television show that made history. Featuring new interviews with the creators, cast, and crew of the show and a foreword by The Fonz himself, explore rarely-seen photographs and personal anecdotes on a season-by-season journey behind the scenes. A PHOTOGRAPHIC TREASURE TROVE: This coffee-table art book includes stunning, full-color photos of candid moments between cast and crew, lovingly preserved scenes from the show, exclusive shots that capture the energetic set, and a look at some of the vintage collectibles that brought the sitcom into fans’ homes. REVELATIONS ABOUT THE CREATIVE TALENT BEHIND THE SCENES: Explore the strategies and big gambles that fueled one of the most successful shows of all time, as told by the individuals who made it happen. EXCLUSIVE INTERVIEWS: Gather anecdotes straight from Ron Howard, Henry Winkler, Anson Williams, Marion Ross, Ted McGinley, and a host of Hollywood royalty who worked as a team to change the landscape of television forever. NOSTALGIC GUIDE TO A SPECIAL PLACE AND TIME: Take a deep dive into the in-world lore that will bring to life the 1950s Milwaukee of Richie and Joanie Cunningham, Potsie Weber, Ralph Malph, and, of course, Arthur “Fonzie” Fonzarelli.

This release of Body Wisdom marks the forty-first anniversary (1978-2019) of Arthur Lessac's groundbreaking work that incorporated an unusual philosophy, a sensible system of creative work and exercises, and a vital concept of psychosomatic health into a single discipline applicable to theatre, athletics, therapy, and life in general. Upon its initial release, Body Wisdom was praised by Theatre Quarterly as a "personal system that is brilliant in its simplicity and as effortless in its flow" - that "incorporates and inter-relates many principles of Yoga, Alexander, and Laban." Over the last forty years, the book has served as a fundamental source used in the evolution of Lessac Kinesensic Training, a sensory-based approach applicable to all uses of the body with "body" defined in its broadest sense to include the physical, vocal, spiritual and imaginative. In a new introduction to this edition of Body Wisdom, Master Lessac Teacher Deborah Kinghorn situates the original manuscript as an important archive in the overall development of Lessac Kinesensics and provides insight into how some of the original terms coined by Arthur Lessac have shifted, while still offering up new possibilities for self-discovery and learning within the larger areas of Bodymind, Embodied Learning, Sensory Integration Therapy, and Theatre Training.

Get FREE page samples from this book at B5books.com.SCRIPTS* "Ruling From the Tomb" by Peter David* "Value Judgments" by Fiona Avery (Unproduced)* "Tried and True" by Fiona Avery (Unproduced)* "War Story" by Richard Mueller (Unproduced)FEATURING* JMS's handwritten notes for the episode that eventually became "Ruling From the Tomb"* The "Ruling From the Tomb" premise that JMS wrote for Peter David* The biography of IPX archaeologist Maximilian Eilerson written by actor David Allen Brooks, as well as a trio of poems (one R-rated) that he wrote from Max's point of view* A May 2011 interview with Dureena Nafeel actress Carrie Dobro, where she describes her feelings about the two new Dureena-centric scripts featured in this volume that she had never seen before* An interview with Warner Bros. executive Gregg Maday on what went wrong with CRUSADE* Three unused story ideas that Richard Mueller pitched to JMS* A detailed synopsis of "The Walls of Hell," an episode to be written by Larry DiTillio* 14 drawings of the Excalibur's bullet car* 32 alien makeup concepts intended to appear in the background* 8 concept drawings charting the evolution of Dureena Nafeel's makeup* A definitive guide including 6 different viewing orders for CrusadeSOME OF THE STORIES IN PETER DAVID'S INTRODUCTION* The reason Peter David added Max Eilerson to the story when the character was not present in JMS's premise for the episode* How a misremembered name from a Broadway musical led to the character called LeBecque* Why the bomb's countdown clock stopped at 018, and how that tied into the theme of the episode* The story's original ending, which Peter David changed when he remembered he was "writing CRUSADE, not TWILIGHT ZONE"SOME OF THE STORIES IN RICHARD MUELLER'S INTERVIEW* What historical naval battle informed his CRUSADE story and why* Which character he had to rein in lest they become the star of his episode* Why his script for "War Story" exists, even though he was never given the official go-ahead to write itDiscover why Babylon 5 will never be available on Blu-ray at B5news.com.

An acclaimed sociologist's exploration of the connections among performances in life, art, and politics "A thought-provoking, essayistic and touchingly personal exploration of the ethics and aesthetics of performance from one of the leading intellectuals of our time."--Lucasta Miller, The Spectator , "Best Books of 2024" "Constantly fascinating and often illuminating."--Simon Callow, New York Review of Books In The Performer , Richard Sennett explores the relations between performing in art (particularly music), politics, and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances. The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing.

Learn About the Magic of Light from a Master Step into the captivating world of Jean Rosenthal, a trailblazing figure in the realm of lighting design for modern theater. The Magic of Light, a professional memoir crafted with the assistance of friend and novelist Lael Wertenbaker, unveils the artistry behind Rosenthal's technical mastery. Renowned for transforming stage illumination from a mere necessity to a mesmerizing art form, Rosenthal shares her insights, experiences, and the evolution of her craft. Part one of the memoir delves into Rosenthal's profound thoughts on light, exploring its role in theatrical history, dissecting its impact on plays, musicals, operas, and dance. Part two, "Tools of the Trade," serves as a comprehensive guide, detailing the mechanics of lighting instruments, with diagrams, charts, and photographs illustrating Rosenthal's creative process. Included are light plots, cue sheets, and scene designer's elevations for the famous Broadway productions of Hello, Dolly and Plaza Suite. In a heartfelt preface, Wertenbaker offers a glimpse into the life of Rosenthal, a woman of immense talent, professionalism, and profound humanity. From her early collaborations with Martha Graham to her work with Broadway stage greats, Rosenthal's journey unfolds with anecdotes, humor, and the unwavering dedication that endeared her to colleagues and theater crews alike. The Magic of Light is not only a technical guide; it's a celebration of Rosenthal's legacy and her impact on the theatrical world. With contributions from luminaries like Martha Graham, John Houseman, Oliver Smith, Mary Martin, and Garson Kanin, this memoir is a tribute to a pioneering artist whose work continues to shape the essence of stage illumination. This book is also available from Echo Point Books as a hardcover (ISBN 1648374298).