Long the standard teaching anthology, the landmark Norton Anthology of Literature by Women has introduced generations of readers to the rich variety of women’s writing in English. Now, the much-anticipated Third Edition responds to the wealth of writing by women across the globe with the inclusion of 61 new authors (219 in all) whose diverse works span six centuries. A more flexible two-volume format and a versatile new companion reader make the Third Edition an even better teaching tool. "As diversity itself has shaped the evolution of feminist criticism, from its early preoccupation with women's shared experiences to its more recent absorption in the complex issues and assumptions informing English-language texts by women writers of diverse geographical, cultural, racial, sexual, religious, and class origins and influences, so diversity has shaped the revisions of this anthology." ―From the Preface

INSTANT NEW YORK TIMES BESTSELLER " My Body offers a lucid examination of the mirrors in which its author has seen herself, and her indoctrination into the cult of beauty as defined by powerful men. In its more transcendent passages . . . the author steps beyond the reach of any 'Pygmalion' and becomes a more dangerous kind of beautiful. She becomes a kind of god in her own right: an artist." —Melissa Febos, The New York Times Book Review A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the gray area between consent and abuse. Nuanced, fierce, and incisive, My Body marks the debut of a writer brimming with courage and intelligence.

Since the publication of her landmark book In a Different Voice, Carol Gilligan has transformed the way we think about women and men and the relations between them. It was ‘the little book that started a revolution’, and with more than 800,000 copies in print it has become one of the most widely read and influential books ever written on gender and human development. In her new book Joining the Resistance Carol Gilligan reflects on the evolution of her thinking and shows how her key ideas were interwoven with her own life experiences. Her work began with the question of voice: who is speaking to whom, in what body, telling what stories about which relationships? By listening carefully she heard a voice that had been held in silence, and in the process realized the extent to which we – both women and men – had been telling false stories about ourselves. In her subsequent work Gilligan found that adolescent girls resisted pressures to disengage themselves from their honest voices, and by joining their resistance she opened the way for the development of a more humane way of thinking about personal and political relationships. For the central conviction of her work today – and the central thesis of this book – is that the requisites for love and the requisites for citizenship in a democratic society are one and the same. Both voice and the desire to live in relationships inherent in our human nature, together with the capacity to resist false authority. Combining autobiographical reflection with an analysis of key questions about gender and human development, this timely and highly readable book by one of America’s greatest contemporary thinkers will appeal to a wide readership.

A comprehensive history of the struggle to define womanhood in America, from the seventeenth to the twenty-first century "Exhaustively researched and finely written."--Alexandra Jacobs, New York Times "An intelligently provocative, vital reading experience. . . . This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture."-- Kirkus Reviews , starred review What does it mean to be a "woman" in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God's plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This wide-ranging 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of "woman" has been met with resistance, Faderman also shows that successful challenges to the status quo are often short-lived. As she underlines, the idea of womanhood in America continues to be contested.

In her latest work of personal criticism, Nancy K. Miller tells the story of how a girl who grew up in the 1950s and got lost in the 1960s became a feminist critic in the 1970s. As in her previous books, Miller interweaves pieces of her autobiography with the memoirs of contemporaries in order to explore the unexpected ways that the stories of other people's lives give meaning to our own. The evolution she chronicles was lived by a generation of literary girls who came of age in the midst of profound social change and, buoyed by the energy of second-wave feminism, became writers, academics, and activists. Miller's recollections form one woman's installment in a collective memoir that is still unfolding, an intimate page of a group portrait in process.

Jamaica Kincaid's new novel is the haunting, deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, daughter of a Carib mother and a half-Scottish, half-African father, was delivered to his laundress as an infant, bundled up like his clothes. The Autobiography of My Mother is a story of love, fear, loss, and the forging of a character, an account of one woman's inexorable evolution evoked in startling and magical poetry.

Overview: A lively, richly informed argument for the natural superiority of women from the acclaimed author of The Tangled Wing. There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness. In Women After All, Melvin Konner traces the arc of evolution to explain the relationships between women and men. With patience and wit he explores the knotty question of whether men are necessary in the biological destiny of the human race. He draws on multiple, colorful examples from the natural world-such as the mating habits of the octopus, black widow, angler fish, and jacana-and argues that maleness in humans is hardly necessary to the survival of the species. In characteristically humorous and engaging prose, Konner sheds light on our biologically different identities, while noting the poignant exceptions that challenge the male/female divide. We meet hunter-gatherers such as those in Botswana, whose culture gave women a prominent place, invented the working mother, and respected women's voices around the fire. Recent human history has upset this balance, as a dense world of war fostered extreme male dominance. But our species has been recovering over the past two centuries, and an unstoppable move toward equality is afoot. It will not be the end of men, but it will be the end of male supremacy and a better, wiser world for women and men alike. Provocative and richly informed, Women After All is bound to be controversial across the sexes

“A satisfying read from a masterful stylist, this will appeal to any fan of nature writing or personal essays.” — Publishers Weekly (starred review) Ever since her daughter rescued a fledgling rook several years ago, Esther Woolfson has been fascinated with corvids, the bird group that includes crows, rooks, magpies, and ravens. Today, the rook, named Chicken, is a member of the Woolfson family along with a talking magpie named Spike, a baby crow named Ziki, a starling, a parrot, and others. From their elaborate bathing rituals to springtime broodiness and their tendency to stash food in the most unlikely places, these corvids share bonds with Woolfson that would have been considered rare, if not impossible, before. Letting her experience speak for itself, Woolfson likens the fears and foibles of corvids to those of humans, taking into account the science of bird intelligence, evolution,song, and flight. She highlights their big personalities and capacity for affection: Chicken hates computers and machines, while she loves evening neck scratches on Woolfson’s knee. It is through this intimate lens that Woolfson invites us to reconsider what creatures can be human’s best friend. “Woolfson shares a house with a host of free–ranging birds who cache bits of brie and raw squid in jean cuffs and under rugs, who excavate holes in the kitchen wall, and who, ahem, are decidedly not housebroken. But are these lifestyles really so peculiar? Should we not applaud them?” — Orion Magazine “What makes Woolfson’s memoir such enjoyable reading (even for the non–birdobsessed) is that she is funny and knows it’s rather crazy to have a magpie, crow, starling or, more significantly, a rook named ‘Chicken’ running about your house.” —Bookslut

For a range of historical and contemporary issues in eugenics, human evolution, and procreative technology, Ruth Hubbard explains why scientific descriptions and choices should not generalize human, or female, attributes without acknowledging the realities of people's lives. Sophisticated in its analysis, yet not at all technical in its exposition, this book will find a wide readership among feminists, the general public, and the scientific community.

From the first appearance of the lead essay in this collection in 1969, Vivian Gornick established herself as one of the most respected voices in the new literature of contemporary feminism. Speaking always for herself, always maintaining her independence, while at the same time reflecting and commenting upon current feminist concerns, Gornick became one of the most eagerly read writers in The Village Voice, The New York Times and other periodicals. With characteristic passion and a quick, penetrating intelligence, she dissects the culture that is at the root of female oppression. This collection will stand as a permanent record of the evolution of one feminist's personal consciousness over the seven years that paralleled the renaissance of American feminism. These are essays to be read and reread for years to come, as both men and women begin to assimilate what we have all learned from the women's movement.--From publisher description.