#1 New York Times Bestseller From #1 New York Times bestselling author Neil Gaiman, a haunting novel that explores the awesome power of memory, friendship, and sacrifice―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "A novel about the truths--some wonderful, some terrible--that children know and adults do not." --Time Magazine Returning to his childhood home to attend a funeral, a middle-aged man is drawn back to a place once alive with monsters and magic; to a past where the impossible is all too frighteningly real . . . A haunting meditation on memory, wonder, friendship, and sacrifice, The Ocean at the End of the Lane, which was named "Book of the Year" by the UK National Book Awards, is a groundbreaking triumph of storytelling as delicate as a butterfly's wing and as menacing as a knife in the dark.

From #1 New York Times bestselling author Neil Gaiman, a contemporary masterpiece combing mythology, adventure, and illusion―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee Released from prison, Shadow finds his world turned upside down. His wife has been killed; a stranger offers him a job and Shadow, with nothing to lose, accepts. But a storm is coming. Beneath the placid surface of everyday life, a war is being fought - and the prize is the very soul of America. An inspired combination of mythology, adventure, and illusion, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. It is, quite simply, a contemporary masterpiece. "Piercingly observed, jaggedly poetic, ruthlessly cutting a path through graveyards of dead stars and dead money and dead feelings, this novel is the map back to dawn." -- Steve Erickson "American Gods manages to reinvent, and reassert, the enduring importance of fantastic literature itself in this late age of the world. Dark fun, and nourishing to the soul." -- Michael Chabon

Soon to be a streaming series! From #1 New York Times bestselling author Neil Gaiman, a tale playful, profound, and rife with mayhem and mischief―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, twenty years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed--before he dropped dead on a karaoke stage and ruined Fat Charlie's life. Because Mr. Nancy left Fat Charlie things. Things like the stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. And all of a sudden, life starts getting very interesting for Fat Charlie. Neil Gaiman journeys deep into myth to brings us a tale playful, profound, and rife with mayhem and mischief--an audacious and inspired story of family, luck, deceit, and an unusual legacy that illuminates the divine in our humanity. Not to mention a lime. "Awesomely inventive.... When you take the free-fall plunge into a Neil Gaiman book, anything can happen and anything invariably does." --Entertainment Weekly

From New York Times bestselling author Jennifer Weiner comes "a smart, witty fairy tale for grownups" (Maureen Corrigan, NPR). Addie Downs and Valerie Adler will be best friends forever. That’s what Addie believes after Valerie moves across the street when they’re both nine years old. But in the wake of betrayal during their teenage years, Val is swept into the popular crowd, while mousy, sullen Addie becomes her school’s scapegoat. Flash-forward fifteen years. Valerie Adler has found a measure of fame and fortune working as the weathergirl at the local TV station. Addie Downs lives alone in her parents’ house in their small hometown of Pleasant Ridge, Illinois, caring for a troubled brother and trying to meet Prince Charming on the Internet. She’s just returned from Bad Date #6 when she opens her door to find her long-gone best friend standing there, a terrified look on her face and blood on the sleeve of her coat. "Something horrible has happened," Val tells Addie, "and you’re the only one who can help." Best Friends Forever is a grand, hilarious, edge-of-your-seat adventure; a story about betrayal and loyalty, family history and small-town secrets. It’s about living through tragedy, finding love where you least expect it, and the ties that keep best friends together

"Contemporary fairy tales, cushioned by goofy humor and a deep tenderness for her characters, that aren't always as dark or as sinister as they initially appear." -- The New York Times Book Review Aimee Bender’s Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman’s children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

In an unnamed country at the beginning of the last century, a child called Pavla is born to peasant parents. Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and scorn from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no farther than the edge of her crib. When her parents turn to the treatments of a local charlatan, his terrifying cure opens the floodgates of persecution for Pavla. "Little Nothing" unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as an outcast girl becomes a hunted woman whoseultimate survival depends on the most startling transfiguration of them all. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, "Little Nothing" spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention. With a cast of remarkable characters, a wholly original story, and extraordinary, page-turning prose, Marisa Silver delivers a novel of sheer electricity."

From the author of Reese Witherspoon Book Club pick The Rules of Magic comes a transfixing glimpse into a small American town where a mysterious, magical garden holds the truth behind three hundred years of passion, dark secrets, loyalty, and redemption. “[A] dreamy, fabulist series of connected stories . . . [These] tales, with their tight, soft focus on America, cast their own spell.”— The Washington Post The Red Garden introduces us to the luminous and haunting world of Blackwell, Massachusetts, capturing the unexpected turns in its history and in our own lives. From the town's founder, a brave young woman from England who has no fear of blizzards or bears, to the young man who runs away to New York City with only his dog for company, the characters in The Red Garden are extraordinary and vivid: a young wounded Civil War soldier who is saved by a passionate neighbor, a woman who meets a fiercely human historical character, a poet who falls in love with a blind man, a mysterious traveler who comes to town in the year when summer never arrives. At the center of everyone’s life is a mysterious garden where only red plants can grow, and where the truth can be found by those who dare to look. Beautifully crafted and shimmering with magic, The Red Garden is as unforgettable as it is moving.

"Do tell us a fairy tale, ganpa." "Well, will you be good and quiet if I do?" "Of course we will; we are always good when you are telling us fairy tales." "Well, here goes.--Once upon a time, though it wasn't in my time, and it wasn't in your time, and it wasn't in anybody else's time, there was a----" "But that would be no time at all." "That's fairy tale time." This is a lovely little book of fairy tales from throughout Europe. The author wrote the stories by finding tales that were common among many different European countries and cultures. The stories were very approachable, and are appropriate for all ages. There are 25 stories in totaly. European Folk and Fairy Tales (also known as Europa's Fairy Book) is a collection of Folk and Fairy Tales by Joseph Jacobs, first published in 1916, including: The Cinder-Maid The King of the Fishes Beauty and the Beast Reynard and Bruin The Dancing Water, The Singing Apple, and the Speaking Bird The Language of Animals Snowwhite Joseph Jacobs (1854 - 1916) was a folklorist, literary critic and historian. His works included contributions to the Jewish Encyclopedia, translations of European works, and critical editions of early English literature. Jacobs wrote for journals and books on the subject of folklore and produced a popular series of fairy tales.

The unofficial bible of the French Symbolist movement, admired by Mallarmé, Jarry and Gide, in a new translation When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob's intense emotional suffering over the loss of his love, a "girl of the streets" named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867-1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

The acclaimed author of The Rules of Magic presents a “sexually charged...almost hypnotic”( Publishers Weekly ) novel about men, women, romance, and real life. When Teresa was a little girl, she went to sleep with dreams in her head—dreams of dark-eyed, fearless heroes on white horses who would sweep her away. Then men her mother told her about were a special breed, and someday, Teresa vowed, she would fins one of her own. But now, as the adult Teresa negotiates life and love, she begins to understand that fairy tales don't always come true—and that passion isn't always the stuff of dreams...

What if Camelot was a land not of magic and nobility, but rather a kingdom of political manipulation and very flawed people? And what if it had more than a few parallels to contemporary history? This is the setting for [the author's] behind-the-scenes look at what would become the legend of King Arthur and the Knights of the Round Table --

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

A beguiling fable about a summer holiday in the Swedish countryside that transforms into a provocative parable about oppression and the evil awaiting Europe as the Nazis came to power. Kurt Tucholsky was a journalist, satirist, feuilletonist, polemicist, and poet, all in all one of the most versatile, provocative, and winning writers of the Weimar Republic; Castle Gripsholm , a short novel about an enchanted summer, which came out in 1931, is the best and most beloved of his works. The book begins with correspondence: Tucholsky's publisher wants a short novel, light, funny, otherwise about whatever Tucholsky wants; Tucholsky is perfectly happy to oblige, presuming the money is right. A deal is eventually struck and the story is off: about Peter, a writer, and his girlfriend Lydia (aka the Princess), and a summer vacation from the hurly-burly of Berlin. Peter and the Princess have three weeks at their disposal, and they have rented a small house attached to a historic castle in Sweden, with its long days and white nights, three weeks for swimming and walking and sex and talking and visits with Peter's buddy Karlchen and with Billy, who is the Princess's best friend. It is perfect, until they meet a weeping girl fleeing the cruel headmistress of a home for children. The vacationers decide they must free the girl and send her back to her mother in Switzerland, which brings about an encounter with authority that casts a worrying shadow over their radiant summer idyll. Soon they must go back to Germany. What kind of fairy tale are they living in?

From national bestselling author Nick McDonell, The Council of Animals is a captivating fable for humans of all ages—dreamers and cynics alike—who believe (if nothing else) in the power of timeless storytelling. “‘Now,’ continued the cat, ‘there is nothing more difficult than changing an animal’s mind. But I will say, in case I can change yours: humans are more useful to us outside our bellies than in.’” Perhaps. After The Calamity, the animals thought the humans had managed to do themselves in. But, it turns out, a few are cowering in makeshift villages. So the animals—among them a cat, a dog, a crow, a baboon, a horse, and a bear—have convened to debate whether to help the last human stragglers . . . or to eat them. Rest assured, there is a happy ending. Sort of. Featuring illustrations by Steven Tabbutt