The unofficial bible of the French Symbolist movement, admired by Mallarmé, Jarry and Gide, in a new translation When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob's intense emotional suffering over the loss of his love, a "girl of the streets" named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867-1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-Édouard Laboulaye, Kurt Schwitters, Béla Bálazs, Christian Bärmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mühlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--

Mythopoetic Musings is a gathering of essays and reworked lectures written by Christine Downing during the years since the 2006 publication of her earlier collection Gleanings. Many represent returns to the themes and images, the stories and writers, that have played a central role in her writing and teaching since she began her scholarly career. Amplifications not retractions. As always, they intertwine the academic and the personal and communicate her conviction that a genuinely depth psychological engagement with any theme will inevitably lead us to ourselves. Our stories. As she says, "I have been a teacher and a writer, but really what I have been is a story-teller. I think I can safely tell myself, I'll never stop being one."

" ... not a large book, but that makes all the more admirable the way the author succeeds in doing justice to so many of the most important subjects in folkloristics. This book is a key work, and should be made compulsory reading in every university in which folkloristics is studied." --Jon Hnefill Aoalsteinsson, Asian Folklore Studies "With this book Alan Dundes has once again demonstrated what a brilliant essayist he is: learned, thought-provoking and entertaining. He has much inspiration to give to anthropologists, and he is quite indispensable to folklore scholarship." --Bengt af Klintberg, Ethnos "If there were still a question whether Alan Dundes is America's leading folklorist, then the essays in this volume ... should dispel it once and for all. An internationally acclaimed scholar is at work here, for whom foUclore really matters in all of its varied aspects." --Wolfgang Mieder, University of Vennont "A maverick folklorist, Alan Dundes challenges his colleagues and readers with erudition and candor. His essays are insightful and entertaining, exploring folklore with an amazing breadth. " --Dan Ben-Amos, University of Pennsylvania "As always, a reader is dazzled by the range of Dundes erudition. He doesn't just cite things, he digests them."-Gary Alan Fine, University of Minnesota "For over two decades, he has been a major voice urging folklorists (and historians and literary critics, for that manner) to move beyond mere description to true interpretation of cultural texts in their contexts. These essays continue that message, and they do so with fresh power." --Jay Mechling, University of California, Davis "These recent essays from the pen of a passionate folklorist include two classics on the history of the field. The Fabrication of 'Fakelore' and The Anthropologist and the Comparative Method in Folklore' are required reading for anyone seriously interested in folklore as a discipline." --Barbara Kirshenblan-Gimblett, Tisch School of the Arts, New York University

Bloody Mary in the Mirror mixes Sigmund Freud with vampires and The Little Mermaid to see what new light psychoanalysis can bring to folklore techniques and forms. Ever since Freud published his analysis of Jewish jokes in 1905 and his disciple Otto Rank followed with his groundbreaking The Myth of the Birth of the Hero in 1909, the psychoanalytic study of folklore has been an acknowledged part of applied psychoanalysis. However, psychoanalysts, handicapped by their limited knowledge of folklore techniques, have tended to confine their efforts to the Bible, to classical mythology, and to the Grimm fairy tales. Most folklorists have been slow to consider psychoanalysis as a method of interpreting folklore. One notable exception is folklorist Alan Dundes. In the seven fascinating essays of Bloody Mary in the Mirror, psychoanalytic theory illuminates such folklore genres as legend (in the vampire tale), folktale (in the ancient Egyptian tale of two brothers), custom (in fraternity hazing and ritual fasting), and games (in the modern Greek game of ""Long Donkey""). One of two essays Dundes co-authored with his daughter Lauren Dundes, professor of sociology at Western Maryland College, successfully probes the content of Disney's The Little Mermaid, yielding new insights into this popular reworking of a Hans Christian Andersen favorite. Among folk rituals investigated is the girl's game of ""Bloody Mary."" Elementary or middle school-age girls huddle in a darkened bathroom awaiting the appearance in the mirror of a frightening apparition. The plausible analysis of this well-known--if somewhat puzzling--American rite is one of many surprising and enlightening finds in this book. All of the essays in this remarkable volume create new takes on old traditions. Bloody Mary in the Mirror is an expedition into psychoanalytic folklore techniques and constitutes a giant step towards realizing the potential Freud's work promises for folklore studies. Alan Dundes is professor of anthropology and folklore at the University of California, Berkeley. Among many others, his books include Interpreting Folklore (1980) and From Game to War and Other Psychoanalytic Essays on Folklore (1997). He edited Mother Wit from the Laughing Barrel: Readings in the Interpretation of Afro-American Folklore (1991), which was published by University Press of Mississippi.

Explores to what extent the folklore of a given group reflects the particular character of that group through a study of German culture and folklore.

"Fantasy once again, deftly and convincingly -- as only Robert Nathan can do it -- handled, with a satiric twist now and again, and a pull at the heartstrings. He has told the story of a failure whose one escape into a dream world comes through the imposed background of the ship he has built for himself in his own drab front yard. When the wife who demands results, sells it as a hot dog stand, he takes one last stand -- and Fate plays into his hands and launches the ship on the high road of adventure, southward bound. He picks up a "crew" as rudderless as himself, and they make their way against insuperable obstacles until "the law" catches up with them. But -- he has won something as a bulwark for the future. There is pathos and humor and that indefinable tug at the love of makebelieve that gave One more spring its impetus. It lacks the immediate application to current problems -- but it has the same adult fairy tale quality."--Kirkus.

The first fifteen pages of this learned study are the ones of chief interest to students of the classics. In the Memoirs of the Four Worthies or Lords of the Liang Dynasty , written by Chang Yüe (667-730 A.D.), a story is told about an island in the Western Sea (Mediterranean) where there is an inaccessible ravine in which precious stones lie. The inhabitants throw flesh into this ravine. Birds pick up the flesh in their beaks and as they fly, they drop the precious stones. The men of the country are clever workers of gems, which are called Fu-lin after the name of the country. Fu-lin is the Chinese name for some part of the Roman Empire, probably Syria. A legend similar in all its essential features is found in Epiphanius, bishop of Constantia in Cyprus in the fourth century. Dr. Laufer points out the close likeness of this legend to the story of the Arabians and their curious method of obtaining cinnamon told by Herodotus iii. 111, and to a somewhat similar tale in Pliny N.H. xxxviii. 33, but prudently refrains from attempting to link them closely. The source of the legend he finds in the Hellenistic Orient. To one already impressed with the fact that Hellenistic artistic motives influenced early Chinese and even Japanese art in a marked degree, the thesis is in itself reasonable, and Dr. Laufer's proofs are convincing. There are two further points of interest in this study for the classicist and archaeologist. The author is convinced (pp. 42-46) that the adamas of the ancients was actually the diamond, but concludes that ancient gem-workers did not understand the process of cutting and polishing diamonds to add to their luster (pp. 46-50). The study contains other information which will be attractive chiefly to Sinologists and to those interested in the history of the diamond. In this pamphlet Dr. Laufer has presented another useful link of the broken chain of evidence which connects Hellenistic-Roman civilization with the Far East. Curiously enough the classical archaeologist and the classicist seem to regard the evidence upon this new sphere of Greek influence either with suspicion or with apathy. - Classical Philology [1918]

The most complete guide to the ancient world-wide system of celestial metaphor, sometimes called Astro-theology, which forms the foundation for virtually all of the scriptures, myths, and sacred stories of humanity -- including the texts we call the Old Testament and New Testament of the Bible. Explore the scriptures and myths of humanity in a new light as you learn to hear the language in which they are all actually speaking: the language of the stars. Star Myths of the World and How to Interpret Them is a series of volumes exploring the amazing evidence of an ancient, world-wide system of metaphor which underlies all of the world's myths, and points to the conclusion that they are all closely related. Learn how to understand the clues and symbols in the stories which point to specific constellations, and how the constellations fit into the larger heavenly cycles, all of which are used by the ancient wisdom given to our ancestors as a precious inheritance, with information for our benefit and blessing. Volume One explored evidence that this system is worldwide, sampling a few representative myths and stories from ancient Egypt, ancient Mesopotamia, ancient India, ancient China and Japan, and myths from various cultures in Australia, Africa, the Americas, and the Pacific. Volume Two explored the massive evidence that the Greek myths are built on the same worldwide system, examining specific myths, gods, and goddesses -- as well as both the Iliad and Odyssey in depth, for their celestial patterns. Volume Three provides a broad survey of the celestial foundations of some of the most well-known stories and characters in the Old and New Testaments of the Bible, complete with hundreds of full-color illustrations and star charts.