In a post-oil America with no electricity, no Internet, dwindling resources, and little civic order, the residents of the small town of Union Grove, New York, must deal with roving bandits and a sinister cult that threatens to shatter the hamlet's stability.

In Union Grove, early spring is a challenging season, known as the "six weeks want," a time when fresh food is scarce and the winter stores are dwindling. The town is struggling in particular this year as the Hudson River trade route to Albany has been halted by the local plantation tycoon Stephen Bullock, who has deemed it too resource-intensive and is now striving for self-sufficiency. Meanwhile, after returning from his travels around what is left of the United States, Daniel Earle is intent on resurrecting a newspaper for the community, and finds an interesting story to cover when representatives of a group of anti-establishment, hyper-liberals known as the Berkshire People's Republic arrive in the town.

Old Europe’s new crisis. Europe, the charming continent of windmills and gondolas. But lately, Europe has become the continent of endless strikes and demonstrations, bombs on the trains and subways, radical Islamic cells in every city, and ghettos so hopeless and violent even the police won’t enter them. In Spain, a terrorist attack prompts instant capitulation to the terrorists’ demands. In France, the suburbs go up in flames every night. In Holland, politicians and artists are murdered for speaking frankly about Islamic immigration. This isn’t the Europe we thought we knew. What’s going on over there? Traveling overland from London to Istanbul, journalist Claire Berlinski shows why the Continent has lately appeared so bewildering—and often so thoroughly obnoxious—to Americans. Speaking to Muslim immigrants, German rock stars, French cops, and Italian women who have better things to do than have children, she finds that Europe is still, despite everything, in the grip of the same old ancient demons. Anyone who knows the history can sense it: There is something ugly—and familiar—in the air. But something new is happening as well. Indeed, Europe now confronts—and seems unable to cope with—an entirely new set of troubles. Tracing the ancient conflicts and newly erupting crises, Menace in Europe reveals: • Why Islamic radicalism and terrorist indoctrination flourish as Europe fails to assimilate millions of Muslim immigrants • How plummeting birthrates hurtle Europe toward economic and cultural catastrophe • Why hatred of America has become ubiquitous—on Europe’s streets, in its books, newspapers, and music, and at the highest levels of government • How long-repressed destructive instincts are suddenly reemerging • How the death of religious faith has created a hopeless, morally unmoored Europe that clings to anti-Americanism, anti-Semitism, and other dangerous ideologies • Why the notion of a united Europe is a fantasy and what that means for the United States In the end, these are not separate issues. Berlinski provocatively demonstrates that Europe’s political and cultural crisis mirrors its profound moral and spiritual crisis. But this is not just Europe’s problem. Menace in Europe makes clear that the spiritual void at the heart of Europe is ultimately our problem too. And America will pay a terrible price if we continue to ignore it. From the Hardcover edition.

Siegfried Kracauer’s Jacques Offenbach and the Paris of His Time brilliantly reconfigures the biography form into a remarkable work of social and cultural history. In a book that has frequently been compared with Walter Benjamin’s Arcades Project, Kracauer uses the life and work of Offenbach to assemble a penetrating portrayal of Second Empire Paris. By examining the superficiality and mystification of collective experience, Kracauer provides the reader with a revelatory “physiognomy” of social reality itself. Offenbach’s immensely popular operettas have long been seen as part of the larger historical amnesia and escapism in the aftermath of 1848. But Kracauer insists that Offenbach’s productions have to be understood as more than simply glittering distractions. The fantasy realms of his operettas, occurring amid the urban renewal of Baron Haussmann and the fanfare of Universal Expositions, were on the one hand fully continuous with the unreality of Napoleon III’s imperial masquerade, but on the other made a mockery of the pomp and pretenses surrounding the apparatuses of power. His music “originated in an epoch in which social reality had been banished by the Emperor’s orders, and for many years it flourished in the gap that was left.” Offenbach’s dreamworlds were embedded with a layer of utopian content that can be seen as an indictment of the fraudulence and corruption of the times. This book will be essential reading for anyone interested in modern critical and cultural studies. This edition includes Kracauer’s preface to the original German edition, translated into English for the first time, and a critical foreword by Gertrud Koch.

In a world of relentless and often violent change, what does it take for a culture to survive? Steven Weitzman addresses this question by exploring the "arts of cultural persistence"--the tactics that cultures employ to sustain themselves in the face of intractable realities. Surviving Sacrilege focuses on a famously resilient culture caught between two disruptive acts of sacrilege: ancient Judaism between the destruction of the First Temple (by the Babylonians) in 586 B.C. and the destruction of the Second Temple (by the Romans) in 70 C.E. Throughout this period Jews faced the challenge of preserving their religious traditions in a world largely out of their control--a world ruled first by the Persians, then by the Hellenistic Seleucid Kingdom, and finally by the Roman Empire. Their struggle to answer this challenge yields insight into the ingenuity, resourcefulness, and creativity of a distinctive period in Jewish history, but one with broad implications for the study of religious and cultural survival. Detecting something tenaciously self-preserving at the core of the imagination, Weitzman argues that its expression in storytelling, fantasy, imitation, metaphor, and magic allows a culture's survival instinct to maneuver within, beyond, and even against the limits of reality.