From actor, comedian, co-creator of Marcel the Shell, and New York Times bestselling author of Little Weirds, Jenny Slate, a wild, soulful, hilarious collection of genre-bending essays depicting the journey into motherhood as you’ve never seen it before. What happened was this: Jenny Slate was a human mammal who sniffed the air every morning hoping to find another person to love who would love her, and in that period there was a deep dark loneliness that she had to face and befriend, and then we are pleased to report that she did fall in love, and in that period she was like chimes, or a flock of clean breaths, and her spine lying flat was the many-colored planks on the xylophone, but also she was rabid with fear of losing this love, because of past injury. And then what happened was that she became a wild-pregnant-mammal-thing and then she exploded herself by having a whole baby blast through her vagina during a global plague and then she was expected to carry on like everything was normal—but was this normal, and had she or anything ever been normal? Herein lies an account of this journey, told in five phases—Single, True Love, Pregnancy, Baby, and Ongoing—through luminous, laugh-out-loud funny, unclassifiable essays that take the form of letters to a doctor, dreams of a stork, fantasy therapy sessions, gossip between racoons, excerpts from an imaginary olden timey play, obituaries, theories about post-partum hair loss, graduation speeches, and more. No one writes like Jenny Slate.

A collection of 36 of Asimov's most important robot short stories and essays, from Robbie, his first robot story, and the tales of Susan Calvin and the detective team of Lije Bailey and R. Daneel Olivaw, to the title story, written specifically for this volume.

The last Isaac Asimov science fiction collection which contains all of his previously uncollected stories.

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book

Since her suicide in 1963 at the age of 30, Sylvia Plath has become a strange icon. This book addresses why this is the case and what this tells us about the way culture picks out important writers. The author argues that without a concept of fantasy we can understand neither Plath's work nor what she has come to represent. She proposes that no writer demonstrates more forcefully than Plath the importance of inner psychic life for the wider sexual and political world. By the author of Sexuality in the Field of Vision.

A collection of columns originally published in various magazines between 1973 and 1997 discusses science fiction, science and society, the profession of writing, and other writers

In 1959, at the age of 22, Joanna Russ published her first science fiction story, “Nor Custom Stale,” in The Magazine of Science Fiction and Fantasy. In the forty-five years since, Russ has continued to write some of the most popular, creative, and important novels and stories in science fiction. She was a central figure, along with contemporaries Ursula K. Le Guin and James Tiptree, in revolutionizing science fiction in the 1960s and 1970s, and her 1970 novel The Female Man is widely regarded as one of the most successful and influential depictions of a feminist utopia in the entire genre. The Country You Have Never Seen gathers Joanna Russ’s most important essays and reviews, revealing the vital part she played over the years in the never-ending conversation among writers and fans about the roles, boundaries, and potential of science fiction. Spanning her entire career, the collection shines a light on Russ’s role in the development of new wave science fiction and feminist science fiction, while at the same time providing fascinating insight into her own development as a writer.