Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who's just trying to survive in a city where it's too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist's Society, Hazel thinks nothing of it at first.[Bokinfo]

The Shadowhunters must catch a killer in Edwardian London in this dangerous and romantic sequel to the #1 New York Times bestselling novel Chain of Gold, from New York Times and USA TODAY bestselling author Cassandra Clare. Chain of Iron is a Shadowhunters novel. Cordelia Carstairs seems to have everything she ever wanted. She's engaged to marry James Herondale, the boy she has loved since childhood. She has a new life in London with her best friend Lucie Herondale and James's charming companions, the Merry Thieves. She is about to be reunited with her beloved father. And she bears the sword Cortana, a legendary hero's blade. But the truth is far grimmer. James and Cordelia's marriage is a lie, arranged to save Cordelia's reputation. James is in love with the mysterious Grace Blackthorn whose brother, Jesse, died years ago in a terrible accident. Cortana burns Cordelia's hand when she touches it, while her father has grown bitter and angry. And a serial murderer is targeting the Shadowhunters of London, killing under cover of darkness, then vanishing without a trace. Together with the Merry Thieves, Cordelia, James, and Lucie must follow the trail of the knife-wielding killer through the city's most dangerous streets. All the while, each is keeping a shocking secret: Lucie, that she plans to raise Jesse from the dead; Cordelia, that she has sworn a dangerous oath of loyalty to a mysterious power; and James, that he is being drawn further each night into the dark web of his grandfather, the arch-demon Belial. And that he himself may be the killer they seek.

In the magical underworld of Victorian London, Tessa Gray has at last found safety with the Shadowhunters. But that safety proves fleeting when rogue forces in the Clave plot to see her protector, Charlotte, replaced as head of the Institute. If Charlotte loses her position, Tessa will be out on the street -- and easy prey for the mysterious Magister, who wants to use Tessa's powers for his own dark ends. With the help of the handsome, self-destructive Will and the fiercely devoted Jem, Tessa discovers that the Magister's war on the Shadowhunters is deeply personal. He blames them for a long-ago tragedy that shattered his life. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors, from the slums of London to an enchanted ballroom where Tessa discovers that the truth of her parentage is more sinister than she had imagined. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister himself knows their every move -- and that one of their own has betrayed them. Tessa finds her heart drawn more and more to Jem, but her longing for Will, despite his dark moods, continues to unsettle her. But something is changing in Will -- the wall he has built around himself is crumbling. Could finding the Magister free Will from his secrets and give Tessa the answers about who she is and what she was born to do? As their dangerous search for the Magister and the truth leads the friends into peril, Tessa learns that when love and lies are mixed, they can corrupt even the purest heart.

Many years have passed since the end of the Trojan War, and Penelope is still waiting for her husband, Odysseus, to return home. The city of Ithaka is overrun with uncouth suitors from the surrounding islands who are vying to win Penelope's hand in marriage, thereby gaining control of the land. When a naked, half-drowned man washes up on the beach, everything changes. . . . Told through the eyes of Klymene, a young girl who is like a daughter to Penelope--and who longs for more than friendship from the young prince Telemachus-- Ithaka captures the quiet strength and patience of a woman's enduring love for her husband and the ensuing chaos that threatens all as Penelope is pressured to remarry.

Welcome to Scotland, where magic runs through the land like the stripes in the colorful Scottish tartans. Everyone and everything here, it seems, has some wizardry--old folks at rest homes, dusty old card games, even cowardly dogs. The only ones without magic are American twins Jennifer and Peter, and they're the ones who need it most.

On a midnight visit to a Scottish cemetery, Peter and Jennifer get caught up in a drama three hundred years dead --a tale of two star-crossed lovers and the man who betrayed them. Their bitter ghosts still haunt the graveyard, too angry to leave the world of the living . . . but all too willing to drag Peter and Jennifer into the world of the dead.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present ― historical consciousness ― to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

Old Europe’s new crisis. Europe, the charming continent of windmills and gondolas. But lately, Europe has become the continent of endless strikes and demonstrations, bombs on the trains and subways, radical Islamic cells in every city, and ghettos so hopeless and violent even the police won’t enter them. In Spain, a terrorist attack prompts instant capitulation to the terrorists’ demands. In France, the suburbs go up in flames every night. In Holland, politicians and artists are murdered for speaking frankly about Islamic immigration. This isn’t the Europe we thought we knew. What’s going on over there? Traveling overland from London to Istanbul, journalist Claire Berlinski shows why the Continent has lately appeared so bewildering—and often so thoroughly obnoxious—to Americans. Speaking to Muslim immigrants, German rock stars, French cops, and Italian women who have better things to do than have children, she finds that Europe is still, despite everything, in the grip of the same old ancient demons. Anyone who knows the history can sense it: There is something ugly—and familiar—in the air. But something new is happening as well. Indeed, Europe now confronts—and seems unable to cope with—an entirely new set of troubles. Tracing the ancient conflicts and newly erupting crises, Menace in Europe reveals: • Why Islamic radicalism and terrorist indoctrination flourish as Europe fails to assimilate millions of Muslim immigrants • How plummeting birthrates hurtle Europe toward economic and cultural catastrophe • Why hatred of America has become ubiquitous—on Europe’s streets, in its books, newspapers, and music, and at the highest levels of government • How long-repressed destructive instincts are suddenly reemerging • How the death of religious faith has created a hopeless, morally unmoored Europe that clings to anti-Americanism, anti-Semitism, and other dangerous ideologies • Why the notion of a united Europe is a fantasy and what that means for the United States In the end, these are not separate issues. Berlinski provocatively demonstrates that Europe’s political and cultural crisis mirrors its profound moral and spiritual crisis. But this is not just Europe’s problem. Menace in Europe makes clear that the spiritual void at the heart of Europe is ultimately our problem too. And America will pay a terrible price if we continue to ignore it. From the Hardcover edition.

When two American girls, Alysa and Julie, visit London's Windsor Castle, the day turns into a much bigger adventure than expected - they find themselves locked in for the night. Taking refuge in the royal bedchamber, the girls meet some famous (and not-so-famous) figures from English history and get a crash course in heraldry. Then things turn nasty as they come face-to-face with a pair of thieves . . . This delightful, gentle and magical story by Gerda Weissmann Klein brings alive the fascinating pageantry of English history.

"This book brings together Vilém Flusser and intellectual Jewish history of the second half of the twentieth century. Flusser is viewed today by many scholars as the most original theoretician of media and photography in the second half of the twentieth century, and yet this is the first monograph about him in English. Combining elements of Flusser's biography with a rigorous study of his writing, this book shows that concepts of 'virtuality', 'medium', and 'embodiment' underpin not only Flusser's understanding of technological media, such as photography, but also his understanding of evolution and of real or imaginary biological organisms. This book argues that Flusser contended with Nazism in his writings on these biological and ecological themes. Two threads - and their relationship - are explored: the first bears on Nazism as undergirded by a biological perspective - an attempt to eradicate a population taken to be parasitic; in the second, Nazism is simply viewed as 'stupid'. Such a line of inquiry necessarily leads to and includes our dealing with the 'Nazi fantasy', because fantasy was fused into Nazism's own vision. This book will not only be an ideal resource for students and scholars of intellectual Jewish history but will interest anyone seeking an introduction to Flusser and the philosophy of science within the context of Nazism"--