In the vein of Naomi Novik's New York Times bestseller Spinning Silver and Katherine Arden's national bestseller The Bear and the Nightingale, this unforgettable debut-- inspired by Hungarian history and Jewish mythology--follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant. In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline--her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king's blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he's no ordinary Woodsman--he's the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it's like to be an outcast, and he and Évike make a tenuous pact to stop his brother. As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they're on, and what they're willing to give up for a nation that never cared for them at all.

First published in 1957 by Noonday Press, Isaac Bashevis Singer's first collection of stories, Gimpel the Fool, is a landmark work that has attracted international acclaim. The title story follows the exploits of Gimpel, an ingenuous baker who is universally deceived but who declines to retaliate against his tormentors. Gimpel and the protagonists of the other stories all inhabit the distinctive pre-World War II shtetls of Poland and, beyond that, the larger world created by Singer's unforgettable prose. Praise: "These stories are a unique blend of lyric mysticism and earthy realism in characters that are universal human symbols of the worldly and the supernatural. Fantasy is Singer's surest guide to truth in literature." - Anzia Yezierska, The New York Times Review of Books "Extraordinarily beautiful... It's the integrity of the human imagination that Singer conveys so beautifully." - Alfred Kazin, The New Leader "Singer is a genius. He has total command of his imagined world." - Irving Howe, The New Republic "A peerless storyteller, Singer restores the sheer enchantment with story, with outcome, with what-happens-next that has been denied most readers since their adolescence." - David Boroff, Saturday Review

This new edition of Dream Story by Arthur Schnitzler offers readers a new translation from the original German text and a comprehensive exploration of the acclaimed novella, originally published as Traumnovelle in 1926 and adapted into the movie Eyes Wide Shut. Set in early 20th-century Vienna, Schnitzler's narrative delves into the psychological complexities of desire, marriage, and the blurred lines between fantasy and reality. His background in psychiatry, provides a nuanced examination of the human psyche that remains strikingly relevant today. This edition is enriched with: Illustrations depicting key scenes Chapter-by-chapter footnotes A detailed study guide with chapter summaries Ten-question test for each chapter Also included are seven essays: Class Analysis in "Dream Story" by Arthur Schnitzler From Page to Screen: A Comparative Analysis of Schnitzler's "Dream Story" and Kubrick's "Eyes Wide Shut" From Assimilation to Antisemitism: Understanding Jewish Identity in Schnitzler's Works Arthur Schnitzler's Use of Stream of Consciousness and Internal Dialogue Arthur Schnitzler and Sigmund Freud: A Comparative Analysis Desire and Identity: Arthur Schnitzler and the Cultural Tapestry of Fin-de-Siècle Vienna Controversy and Censorship Surrounding the Works of Arthur Schnitzler Ideal for both newcomers and scholars, this edition provides a deep dive into one of the most influential novellas of the 20th century, offering readers the tools to unpack its enduring themes and cultural significance.

"You are a criminal, Gemm 16884--aggressive, hostile, nonconforming. We have noted tendencies toward diversity in your gait, in your dreams, and most especially in your repeated persistence in"--the Elder cleared his throat--"making music." Branded a deviant--and therefore a threat--to the utopian society of Conformity, Harmony, and Tranquility that exists in the year 2407, Gemm 16884 is given the choice between being recycled or undergoing a painful and mysterious cure. Gemm chooses the cure, and suddenly finds himself living the life of Johannes, a 16-year-old Jewish musician in starsbourg, Germany, in 1348, at the onset of the Black Death. As the pestilence spreads, the townspeople begin the accuse the Jews of causing the disease. Surrounded by hatred and horror, Johannes struggles to hold on to his family and faith as well as his belief in the basic goodness of human beings. But can he return to the future and become Gemm again after having known such emotions as pain. . .and love?

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates , shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play-- Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.

Meyer Levin was a Chicago-born Jewish author. His best-known book is "Compulsion", which is a novelization of the notorious Loeb and Leopold murder case of 1924. Levin was in a special position to tell the story, because he was personally acquainted with the perpetrators. Levin is also famous for bringing Anne Frank's diary to light. But "The Old Bunch" may be his greatest work. "The Old Bunch" was written in the mid-1930's, and it tells the tales of the kids of a Chicago Jewish ghetto coming of age and stepping out into the world. It's presumably something of a fantasy autobiography, echoing Levin's own adventures -- Levin was born in 1905, and the events in this book take place beginning in the year 1921 (when the "bunch" is graduating from school), and running through to 1934. The book is compelling for its individual stories and for its living window into times past. Because it was written prior to the horrors of WWII, it's a very pure view of the pre-war era. (Anything written later will necessarily be done with hindsight, and will likely de-emphasize "unimportant" details in favor of those that connect to major war events.) But the history is merely a fascinating byproduct of the vivid human stories that fill the pages. "The Old Bunch" is surprisingly unknown today, which is a shame. This really is one of the great novels, in a class with Tolstoy and Steinbeck. It conveys the entirety of the era: The people, the culture, the economics, Chicago politics (very dirty!), with a global perspective as well (some characters travel to Europe and Palestine). It covers the Roaring Twenties, Prohibition, the Great Depression, and the New Deal. To read the book is to live and breathe in these bygone days. Most importantly, Meyer Levin depicts events without agenda or judgment. Characters may be Democrats or Republicans or workers or bosses or religionists or atheists or many other things, but all are portrayed with depth, and none are simple heroes or villains or symbols. These are, in the end, tales about the very personal and individual transitions to adulthood, and the elusive quest for wisdom. It is the same challenge that every generation must face. "The Old Bunch" was critically acclaimed and went through numerous print editions, but it eventually passed into the public domain and was temporarily forgotten. A Wall Street Journal article in 2012 ("Destiny's Children", by Joseph Epstein) sparked a revival of interest, and Rancho Lazarus Publications is proud to present a new edition, accurately rendered and true to the original text, and with the addition of occasional footnotes to clarify details of historical accuracy that the modern reader may not have on tap. With almost 700 pages of text (the original hardback book ran to almost 1000 pages), this is an epic novel. But far from being overlong, it's the sort of reading that leaves you wishing there was more. "Written in good hard-driving colloquial prose, full of sharp characterizations. . . A very fine novel." -- New Republic "A landmark -- vivid and exciting reading. It brilliantly succeeds in taking the reader on a memorable tour of the world in which the old bunch lived." -- The New York Times

""A uniquely nuanced and engaging perspective on the oddness of Hollywood...Superhero goes inside baseball in all the best ways: unbiased, at times ridiculous, and wonderfully, uncomfortably accurate. It begs to be read because it is so damned good." -Amanda Seyfried A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood's elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking. Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn't take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter's disastrous on-set behavior goes viral, Peter and Marci's partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them. With his signature wit and razor sharp dialog, Tim Blake Nelson invites the reader to walk alongside him as he enters the closely-guarded world of industrial strength cinema"--

"This book brings together Vilém Flusser and intellectual Jewish history of the second half of the twentieth century. Flusser is viewed today by many scholars as the most original theoretician of media and photography in the second half of the twentieth century, and yet this is the first monograph about him in English. Combining elements of Flusser's biography with a rigorous study of his writing, this book shows that concepts of 'virtuality', 'medium', and 'embodiment' underpin not only Flusser's understanding of technological media, such as photography, but also his understanding of evolution and of real or imaginary biological organisms. This book argues that Flusser contended with Nazism in his writings on these biological and ecological themes. Two threads - and their relationship - are explored: the first bears on Nazism as undergirded by a biological perspective - an attempt to eradicate a population taken to be parasitic; in the second, Nazism is simply viewed as 'stupid'. Such a line of inquiry necessarily leads to and includes our dealing with the 'Nazi fantasy', because fantasy was fused into Nazism's own vision. This book will not only be an ideal resource for students and scholars of intellectual Jewish history but will interest anyone seeking an introduction to Flusser and the philosophy of science within the context of Nazism"--

In his book "Ramses II and His Time", Immanuel Velikovsky continues his reconstruction of ancient history. This volume covers the best-known of old Egypt's pharaohs, Ramses II. Velikovsky points out how little we know about this famous ruler. His revised chronology places Ramses II firmly into the 7th century B.C. and not, as we have been led to believe, hundreds of years earlier in the 13th century B.C.. Ramses II's adversary was thus none other than Nebuchadnezzar. We are made privy to fascinating personal details about this great Chaldean ruler, whose autobiography Velikovsky was able to locate. As in the first part of the series "Ages in Chaos", this volume unearths a string of erroneous theories and dismisses as pure fantasy several other aspects of the traditional written history concerning the ancient world. We learn, for example, that the so-called Hittite Empire is an historical invention and, in another critical paragraph, Velikovsky leads us the to the proper understanding of the Bronze- and Iron Ages. In the extensive supplement, Velikovsky deals with the age-calculating method of radiocarbon dating and its surprising connections to his own theories.

A new collection of stories by Scotiabank Giller Prize finalist Gary Barwin that puts the fab in fabulist. Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984-2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin's previous collections, including Cruelty to Fabulous Animals , Big Red Baby , Doctor Weep and Other Strange Teeth , and I, Dr. Greenblatt, Orthodontist, 251-1457 . Barwin's prose kicks against short fiction's more traditional forms: these are pieces that flirt with poetry and playwriting. Whole stories--and worlds--are packed into single compact paragraphs. There are narrators and fleas and lists and imperatives and Hitler's moustache and radiant happiness. Known as a "whiz-bang storyteller" who can deliver magical, dream-like sequences and truisms about the human condition in the same paragraph, Barwin's trademark brilliance, wit, and originality are on display in this can't-miss collection of short fiction.

Seven queer fantasy shorts set in the tropical Jewish world of the Mangoverse novels. "Your Name is Love" An energetic royal guard takes her artist wife on a scavenger hunt around the city so she can stop having artist's block about the lesbian graphic novel she's supposed to make for the queen. "No Whining" Trans woman Chef Yael dithers over whether to switch wine sellers, at the urging of her husband Aaron, when her regular vendor is incompetent but the delivery girl is a trusted ally. "Every Us" A prince with anxiety is comforted in the arms of his partner when he wakes up from a nightmare. "Take Time to Stop and Eat the Roses" A trans teenager and his girlfriend go on a midnight quest for flowers for her sister's wedding. "The Generous Princess" A royal family with two moms and two dads puts their own special twist on celebrating Purim. And now, bundled with Tales from Outer Lands, two contrasting stories of heroic Jewish womanhood: "Rivka in Port Saltspray" Trapped in a seedy port town because an innkeeper is holding her shapeshifting dragon-horse hostage until she can pay all the charges he invented, nomadic warrior Rivka finally has a chance at some decent money when a wealthy but weak man hires her to rescue his fiancée. But she has to think on her feet when she learns there may be more at stake. "Aviva and the Aliens" On the night before the royal Passover seder, Aviva has to outsmart the aliens who abducted her to cook for them because they had grown sick of their spaceship's food replicators. Will she get home before Queen Shulamit wakes up and panics from her absence?