A Guide for Jewish and Christian Educators and Parents Children speak about God in ways that are different from adults. They ask many questions about God, questions that can be startlingly direct. Oftentimes adults--parents, grandparents and teachers--feel uncomfortable answering them. Through fantasy, involvement and imagination, Sandy Sasso and Annette Compton invite children of all faiths and backgrounds to encounter God openly through moments in their own lives--and help the adults who love them to be a part of that encounter. This book provides a gift of images that nurtures and encourages children in making meaning of their world. With over 100,000 copies in print, God's Paintbrush remains one of the most popular spiritual books for children of all faiths, all backgrounds. This special anniversary edition includes new ideas for interaction between adults and children, and an important new message from the author.

Like much twentieth-century feminist writing today, this book crosses the boundaries of genre. Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's.

Beginning in Paris in the year 1290, Jews were accused of abusing Christ by desecrating the eucharist—the manifestation of Christ's body in the communion service. Over the next two centuries this tale of desecration spread throughout Europe and led to violent anti-Jewish activity in areas from Catalonia to Bohemia, particularly in some German-speaking regions, where at times it produced regionwide massacres and "cleansings." Drawing on sources ranging from religious tales and poems to Jews' confessions made under torture, Miri Rubin explores the frightening power of one of the most persistent anti-Jewish stories of the Middle Ages and the violence that it bred. She looks not just at the occasions on which massacres occurred but also at those times when the story failed to set off violence. She investigates as well the ways these tales were commemorated in rituals, altarpieces, and legends and were enshrined in local traditions. In exploring the character, nature, development, and eventual decay of this fantasy of host desecration, Rubin presents a vivid picture of the mental world of late medieval Europe and of the culture of anti-Judaism.

Jewish Science Fiction and Fantasy? Yes! Wandering Stars is the landmark collection of Jewish science fiction and fantasy. The first of its kind, it is an established and enduring classic. This is the first time in a science fiction collection that the Jewish People--and the richness of their themes and particular points of view--appear without a mask. Wandering Stars is a showpiece of Jewish wit, culture, and lore, of the blend of humor and sadness, cynicism, and faith. In these pages you'll find superlative tales of fantasy and science fiction by masters.

Discusses a variety of feminist issues. Ch. 15 (pp. 375-410), "Holocaust Consciousness, " discusses attitudes of American Jews to the Holocaust. Many of them obsess and agonize about it, but do not try to analyze how and why it happened. After the war, American Jews harbored a rescue fantasy, refusing to face the fact that their government, and especially President Roosevelt, had obstructed efforts to save European Jews. From the 1960s, they have blamed their own leaders for inaction. Deplores the fact that the Holocaust is often the focus of Jewish identity in the U.S. Advocates analyzing the causes of the Holocaust and the changing conditions (e.g. economic upheaval, social desperation) that could have allowed a criminal party to attain power. Discusses the rise in antisemitic incidents in the U.S. in the 1990s. Claims that the cause of antisemitism lies in the patriarchal nature of society: pogroms and the Holocaust are examples of male violence against powerless humans, the Jews, who are seen as a personification of female values (nonviolence, compassion, altruism, cooperation) and a threat to patriarchal structures. Pp. 249-253 deal with the JAP stereotype.

This stellar collection of Jewish science fiction and fantasy carries on in the tradition of its companion volume--the enduring classic Wandering Stars --breaking new ground with every story. Trouble with mothers; invading aliens and demons; the arrival of the long-awaited Messiah ... all these phenomena and more are tackled in these tales from a creative group of extraordinary writers. We go to the edges of the universe, finding humor, pain and humanity in the unlikeliest of places and situations. Filled with wit, vigor and sharp insight, this is a fantastic feast for the imagination that will intrigue and delight everyone who picks it up, Jew and non-Jew alike.

In a world of relentless and often violent change, what does it take for a culture to survive? Steven Weitzman addresses this question by exploring the "arts of cultural persistence"--the tactics that cultures employ to sustain themselves in the face of intractable realities. Surviving Sacrilege focuses on a famously resilient culture caught between two disruptive acts of sacrilege: ancient Judaism between the destruction of the First Temple (by the Babylonians) in 586 B.C. and the destruction of the Second Temple (by the Romans) in 70 C.E. Throughout this period Jews faced the challenge of preserving their religious traditions in a world largely out of their control--a world ruled first by the Persians, then by the Hellenistic Seleucid Kingdom, and finally by the Roman Empire. Their struggle to answer this challenge yields insight into the ingenuity, resourcefulness, and creativity of a distinctive period in Jewish history, but one with broad implications for the study of religious and cultural survival. Detecting something tenaciously self-preserving at the core of the imagination, Weitzman argues that its expression in storytelling, fantasy, imitation, metaphor, and magic allows a culture's survival instinct to maneuver within, beyond, and even against the limits of reality.