"What can fashionable ideas, blind faith, or pure fantasy possibly have to do with the scientific quest to understand the universe? Surely, theoretical physicists are immune to mere trends, dogmatic beliefs, or flights of fancy? In fact, acclaimed physicist and best-selling author Roger Penrose argues that researchers working at the extreme frontiers of physics are just as susceptible to these forces as anyone else. In this provocative book, he argues that fashion, faith, and fantasy, while sometimes productive and even essential in physics, may be leading today's researchers astray in three of the field's most important areas--string theory, quantum mechanics, and cosmology ... The result is an important critique of some of the most significant developments in physics today from one of its most eminent figures."--Jacket.

2011 Reprint of 1950 Translation by William Turner. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Recommended, both as a fascinating and little-known document in the history of psychology and as a provocative reading of the history of psychology. (Religious Studies Review). Will interest many students of the history of psychoanalysis... Rank's conclusions contribute to present-day controversies about the status of psychoanalysis as a science. (Psychiatric Times ) The first complete English translation of a work that Rank published in 1930. It draws on anthropology, sociology, mythology, religion, philosophy, history, and literature to chart the development of the human psyche... The book's antimaterialistic passion makes it a compelling counterpoint to the stern biology of our own age, and the bounds it sets to what psychoanalysis can claim are justly drawn. (Wilson Quarterly ) Unquestionably Rank's most important work... This new translation is an effort to create a Rank for our millennium... [and it] reads elegantly and comfortably in English... The argument is complex and intricate, consisting of a long historical/ethnographic sweep that takes us from a 'primitive' state, via animism through the Christian or sexual era to the scientific era and modern development of psychology... Along the way we find traces of many of Rank's other brilliant psychological surveys -- the double, Don Juan, heroes' birth myths, the theme of incest -- woven into this massive canvas and viewed on the largest scale... Throughout this book, the grand tapestry is set with some remarkable gems of observation. (Naomi Segal Psychoanalysis and History ) This is the first complete translation of Otto Rank's fascinating text on the nature and history of the concept of the Soul and Will in the psychological history of humankind... a tour de force in vigour, scope and application to many contemporary issues such as sexual behaviors, the nature of dreaming, incest prohibitions and narcissism, to name but a few. (L.R. Edgar Journal of the Royal Anthropological Society ) In his last years, Otto Rank turned his lifetime of thought and learning toward two of the most difficult topics in human history: religion and the soul. The result was this now-classic work, available in this new, very accessible English translation. Unlike many other intellectuals of the twentieth century, Rank maintains a place for the soul rather than dismissing it as a fantasy. The soul and the beliefs about it, he argues, set forth the foundation for psychology, with its complex analyses of consciousness, self-consciousness, and personality. Rank's commentary is not limited to beliefs about individual souls but includes ideas about group souls, sometimes encompassing nations or generations. Rank suggests that it is in expression of group beliefs that the idea of the soul attains its greatest power. What is the soul? Otto Rank treats it as a universal and essential belief for individuals and their societies, constant in function but evolving in form through millennia. To borrow a post-Rankian metaphor, the soul was created in the big bang of irresistible psychological force colliding with immutable biological fact-our will to live forever against death. The collision creates a spark in our individual and social consciousness which through history has become both consolation and inspiration: the immortal soul. All ideologies reflect this phenomenon and modify its expression to suit the era. Otto Rank wrote before the atom bomb or television, both of which alter our perception of death without changing the fact. Rank's introduction of the soul as an essential part of contemporary psychology helps explain a number of perplexing, irrational phenomena in contemporary life.

A bravura exploration of politics and writing in dark times. In "The Last Resistance," Jacqueline Rose explores the power of writing to create and transform our political lives. In particular Rose examines the role of literature in the Zionist imagination: here, literature is presented as a unique form of dissidence, with the power to expose the unconscious of nations, and often proposing radical alternatives to their dominant pathways and beliefs. While Israel-Palestine is the repeated focus, "The Last Resistance" also turns to post-apartheid South Africa, to American national fantasy post-9/11, and to key moments for the understanding of Jewish culture and memory. Rose also underscores the importance of psychoanalysis, both historically in relation to the unfolding of world events, and as a tool of political understanding. Examining topics ranging from David Grossman, through W. G. Sebald, Freud, Nadine Gordimer, the concept of evil, and suicide bombers, "The Last Resistance" offers a unique way of responding to the crises of the times.

Most mathematicians, when asked about the nature and meaning of mathematics, vacillate between the two unrealistic poles of Platonism and formalism. By looking carefully at what mathematicians really do when they are doing mathematics, Reuben Hersh offers an escape from this trap. This book of selected articles and essays provides an honest, coherent, and clearly understandable account of mathematicians' proof as it really is, and of the existence and reality of mathematical entities. It follows in the footsteps of Poincare, Hadamard, and Polya. The pragmatism of John Dewey is a better fit for mathematical practice than the dominant ""analytic philosophy''. Dialogue, satire, and fantasy enliven the philosophical and methodological analysis. Reuben Hersh has written extensively on mathematics, often from the point of view of a philosopher of science. His book with Philip Davis, The Mathematical Experience, won the National Book Award in science.

"This book brings together Vilém Flusser and intellectual Jewish history of the second half of the twentieth century. Flusser is viewed today by many scholars as the most original theoretician of media and photography in the second half of the twentieth century, and yet this is the first monograph about him in English. Combining elements of Flusser's biography with a rigorous study of his writing, this book shows that concepts of 'virtuality', 'medium', and 'embodiment' underpin not only Flusser's understanding of technological media, such as photography, but also his understanding of evolution and of real or imaginary biological organisms. This book argues that Flusser contended with Nazism in his writings on these biological and ecological themes. Two threads - and their relationship - are explored: the first bears on Nazism as undergirded by a biological perspective - an attempt to eradicate a population taken to be parasitic; in the second, Nazism is simply viewed as 'stupid'. Such a line of inquiry necessarily leads to and includes our dealing with the 'Nazi fantasy', because fantasy was fused into Nazism's own vision. This book will not only be an ideal resource for students and scholars of intellectual Jewish history but will interest anyone seeking an introduction to Flusser and the philosophy of science within the context of Nazism"--

In the first essay of this book, Stanley Cavell characterizes philosophy as a "willingness to think not about something other than what ordinary human beings think about, but rather to learn to think undistractedly about things that ordinary human beings cannot help thinking about, or anyway cannot help having occur to them, sometimes in fantasy, sometimes as a flash across a landscape." Fantasies of film and television and literature, flashes across the landscape of literary theory, philosophical discourse, and French historiography give Cavell his starting points in these twelve essays. Here is philosophy in and out of "school," understood as a discipline in itself or thought through the works of Shakespeare, Molière, Kierkegaard, Thoreau, Brecht, Makavejev, Bergman, Hitchcock, Astaire, and Keaton.