Voted Britain's favourite poem in 1996, 'Warning', written in 1961, is known and loved the world over. Its declaration of defiance, so vividly and cleverly expressed, appeals to the rebel in all of us as we secretly yearn to throw off the shackles of propriety and enjoy the gleeful freedom of cocking a snook at the rest of the world. In the poem's respectable middle-aged woman, as she indulges in her fantasy of the gabby old crone with her outrageous clothes and dotty behaviour, Jenny Joseph has created a character whose thoughts have been quoted at conferences and funerals, used to cheer up sick friends, remembered with pleasure by children and adults alike. Found in schoolbooks from Alaska to Singapore, the poem has been stitched, stamped, quilted, set to music, printed on cards, written on cakes and made into films. Now, for the first time, 'Warning' appears as an illustrated book with drawings by Pythia Ashton-Jewell specially designed to suit its unique character.

The very first collaboration between visionary director and author Alejandro Jodorowsky and legendary french artist Moebius. In a desolate dreamscape world, a man, a bird, and a cat interact in a unique apocalyptic yet poetic fashion… Alejandro Jodorowsky and Moebius, creators of the Sci-Fi classic "The Incal," weave a tale where words and images alternate in mesmerizing fashion. This epic story is a must have for any comic book afficionado and is now available in softcover for the first time!

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day ; nonfiction titles, including the bestseller Necessary Losses ; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.

"Whether she's finding herself or finding a sitter, contemplating her sex life as she rubs hormone night cream on her face, or wrestling with the contradiction of falling in love with a man her parents would actually approve of, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. Here is the young single girl leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners"). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, It's Hard to be Hip Over Thirty and Other Tragedies of Married Life demonstrates once and for all that no one understands American women coming of age like Judith Viorst." -- Amazon.com.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

"The Moment of Change" is an anthology of feminist speculative poetry. The contributors include many fine poets, among them Ursula K. Le Guin, Delia Sherman, Theodora Goss, Amal El-Mohtar, Vandana Singh, Nisi Shawl, Greer Gilman, Sonya Taaffe, Athena Andreadis, Jo Walton, and Catherynne M. Valente. Editor Rose Lemberg writes in her introduction that Literature of the fantastic allows us to create worlds and visions of society, origins, social justice and identity, but notes that even though we are in the world, our voices are folded into the creases. We speak from memory of stories told sidewise. We speak from pain; is that serious enough? The world has not been welcoming, but what other world is there? ''In these pages, '' Lemberg summarizes, ''you will find works in a variety of genresworks that can be labeled mythic, fantastic, science fictional, historical, surreal, magic realist, and unclassifiable; poems by people of color and white folks; by poets based in the US, Canada, Britain, India, Spain, and the Philippines; by first- and second-generation immigrants; by the able-bodied and the disabled; by straight and queer poets who may identify as women, men, trans, and genderqueer.''

From the Preface by James P. Moore, Jr.: "The apt title of Midnight Musings brings together the prodigious, expansive, and real-life reflections of Magda Herzberger, an extraordinary figure by any measure. She sits alone in the company of her thoughts-past, present, and to come-and reaches out eloquently and movingly to readers from all walks of life. If each one of us is the sum total of everything we have ever experienced in our lives, Magda brings much to the table. We feel privileged to enter into her world, one that unfolds through a variety of poems steeped in reality, fantasy, quest, and profound faith." "As a poet," Magda says, "I feel that I am like a photographer. Sometimes I focus my camera and take pictures from the outside world surrounding us. Other times I take photos depicting the many aspects of the inner world of my soul. Behind each of my poems in Midnight Musings, there is a story to be told and experienced."

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.

"She is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. A storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life."--Back cover

Muriel Rukeyser's previously unpublished play presents the captivating life of Harry Houdini, one of our country's most intriguing celebrities. The play is magical, sexy, and provocative-presenting Houdini's life from his Brooklyn childhood and tricks (picking up pins with his eyelids) and his young romance with wife Bess, to his relationship with his mother; from picking the lock of a jail and releasing his circus companions to Houdini's Congressional Hearing and his famous escape acts. Part biography, part fantasy, Rukeyser explores issues that tap into desire, race, family, and politics. "Houdini" was performed once in Lenox, Massachusetts in the early 70's, with Christopher Walken playing the lead. This lost drama will appeal to theater people, Houdini fans, poets, magicians, and anyone interested in the interplay between reality and the imagination. How much of our lives do we conjure? Rooted in the early 70's, but timeless in its underlying theme, "Houdini" joins the Rukeyser resurgence that is well underway.Muriel Rukeyser (1913-1980) is one of our country's most influential, yet neglected writers. She published fifteen collections of poetry, translations, childrens books, and several works of nonfiction. Her "toys of fame" include the Yale Younger Poets Award, the Copernicus Award from the Academy of Arts and Letters, and the Shelley Memorial Award. She served as president of P.E.N. American Center from 1975 to 1976.

From colonial times, through the Revolution and for over the one hundred and fifty years that followed, the lyric voice of New England has been dominant in our national poetry. The hardy strain which has continued through our entire history has retained its character while reflecting sharply changing fashions and new interests. In the three centuries sine Anne Bradstreet wrote with Puritan severity and yet with elaborate fantasy, a long and distinguished line of poets from the New England States has maintained, while constantly altering, a rich national tradition. Their roster includes a wide diversity of lyricists, moralists, revolutionists, mystics, skeptics, transcendentalists, impressionists, imagists and pastoral poets. They represent as no other regional writers the conscience and the eloquence of America. This volume is a rich harvest of verse that grew from the soil of New England. Thirty-three writers offer more than 300 poems, and each poet is generously represented. As Mr. Untermeyer says in his Foreward, “The prime objective of this work is to balance the familiar with the little known, to add to the pleasure of recognition the delight of discovery."

Epstein addresses the themes of erotic and spiritual love with wit and compassion. A series of lyrics depicts sexual fantasy, physical desire, and fulfullment while two poems capture the joy and pathos of fatherhood.

Algorithmic Shapeshifting is the first poetry collection of Bogi Takács, winner of the Lambda award for editing Transcendent 2: The Year's Best Transgender Speculative Fiction, and finalist for the Hugo and Locus awards. The collection includes poems from the past decade and previously unpublished work. The scope of pieces extends from the present and past of Jewish life in Hungary and the United States to the far-future, outer-space reaches of the speculative—always with a sense of curiosity and wonder. “Bogi Takács is a poet of visceral exuberance and Talmudic invention. Moving as dazzlingly between genres as languages, e makes the reader eir kaleidoscope where ancient traditions, unenvisioned technologies, and children's toys tumble with ordinary, transcendent precision, imagining new ways of being and observing others signally extant. These poems draw blood and spark synapses, make dauntingly familiar and tenderly strange. You should let them change you.” Sonya Taaffe, author of Forget the Sleepless Shores “Bogi Takács's poetry is gleefully and unabashedly itself, pulling the reader through surreal worlds of visceral magic, body modification, political wit, and interpersonal devotion. Whether looking back into Talmudic history, forward into a science fictional psychic war, or sinking into the earth and growing flowers from its own eye sockets, "Algorithmic Shapeshifting" presents a voice that is consistently fresh, startling, and sincere.” Ada Hoffmann, author of The Outside