"I'm the thing that monsters have nightmares about." This one-of-a-kind collectible for fans of Buffy the Vampire Slayer features a molded 2" x 3" replica of the Slayer Handbook, Vampyr, that opens to play 10 memorable lines from the show. Featuring quotes from Buffy, Angel, Giles, Willow, and Xander (among them, "That'll put the marzipan in your pie plate, Bingo" and "Sorry to barge in, I'm afraid we have a slight . . . apocalypse"), it's the perfect way to commemorate this beloved cast of characters. The kit also comes with a 48-page mini book on Buffy history that features additional quotes and full-color photographs from the show.

Football fans are tired of lame memoirs or technical fantasy football books. Rich Eisen is going to give them what they want—a chance to share in his world of a never-ending football season. It's about eating, living, and breathing the most popular sport in the history of America. The passion. The pageantry. The pigskin. Thanks to his role as host of NFL Total Access, Eisen gets to go to virtually every event on the NFL calendar—the Super Bowl, the Pro Bowl, the Scouting Combine, the NFL Draft, and the Hall of Fame Weekend. You name it, Eisen is there. And thanks to this book, you can go along for the ride with him—in front of the camera interviewing league MVPs or behind the scenes with some of the game's all-time greats. Total Access is the ultimate football book for fans everywhere.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day ; nonfiction titles, including the bestseller Necessary Losses ; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.