The fifth installation of The Jodorowsky Library : a collection of deluxe matching volumes showcasing the iconic works of the legendary Alejandro Jodorowsky. Included in this volume are two of Jodorowsky's collaborations with the esteemed and incomparable Georges Bess: the Tibetan-set mystical adventure of treachery, martial arts, and spiritual redemption, THE WHITE LAMA; and THE MAGICAL TWINS, the epic quest of a young prince and princess to rescue their father and save the kingdom.

God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century. The settings range widely—a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. The plays evoke tears and laughter through melodrama, expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what is life’s moral purpose? And all display the theatrical flair that made Yiddish audiences such passionate fans of their dramas and their stars. Translated and edited to make them more accessible for both reading and performance, the plays are accompanied by prefaces and notes to help students of theater and of Jewish culture by providing historical context, production histories, and elucidation of references.

From Brazil's most distinguished and important Jewish writer comes this anthology comprised of six collections: in The Carnival of the Animals , Scliar uses political allegory to convey what was normally censored during the height of repression under Brazil's military regime. These tragicomic stories reveal Scliar's interest in issues of oppression, persecution, holocaust, mutability, and the interplay between good and evil. The Ballad of the False Messiah develops the theme of postponement in the sense that for Jews redemption is always postponed in a vain wait for the Messiah. In The Tremulous Earth Scliar explores cruelty and violence in the tenuous lives of his characters, but his experience as a medical doctor informs his compassion for human frailty. Scliar expands his use of fantasy and magical realism in The Dwarf in the Television Set in topics that range from Jewish prophets to marital revenge. The Enigmatic Eye has been described as a masterpiece evoking the enigmas of art and life, and in Van Gogh's Ear , Scliar uses dark and subtle humor in a collection of biblical parables. Here witchcraft, magic, conundrums, and labyrinths are shown to be part of everyday life. A final autobiographical piece ties the collections together in which Scliar discusses his membership in Jewish, medical, gaucho, and Brazilian "tribes." These powerful stories, individually humorous, bleak, or haunting, together bring a compelling voice of the Jewish Diaspora to the wide readership it deserves.