~ An Anne Izard Storytellers’ Choice Award Winner ~ A Storytelling World Honor Book Once, when young Nasruddin was acting up in class by distracting his friends with endless antics, jests, and stories, his irate teacher uttered a curse: “Whatever you do or say, people will only laugh at you.” Now, eight centuries later, children, adults, and wise fools everywhere are still laughing at Nasruddin (Nasreddin Hoca), one of the world’s most beloved folk characters. This entertaining and insightful retelling of more than a year’s worth of daily Mullah stories brings the famed Persian legend into the Twenty-First Century. Storytellers, folklorists, Sufis, comedians, wisdom seekers, and everyone who loves to laugh will be enriched and enlightened by the timeless wit, inscrutable wisdom, and uncommon sense of humor of Mullah Nasruddin. “Suresha identifies the real strength of Nasruddin’s stories in context to world literature and story performance, that is, its power to build bridges between cultures. … The point of these stories is to speak to the audience in the language and metaphors that are familiar.” — Storytelling, Self, Society “A contemporary reworking of the tales (the stories fit for a general audience, at least) … to Suresha’s credit he has maintained the direct, unadorned style that is a hallmark of folk tales. … a delightful break from the everyday world for an hour or two.” — Green Man Review “A fine pick and very highly recommended.” — Midwest Book Review “These hilarious, and at times, ribald folk tales of the Turkish wise fool take the reader to another time and place, and share the spiritual lessons of Nasruddin. … The teaching stories included in this volume help to build bridges between cultures by exemplifying Arabic wisdom and universal human humor.” — from the Preface by Ann Shapiro, Executive Director, Connecticut Storytelling Center

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.