The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.

Jewish symbols reflect the interaction of word and image within Jewish culture. Jews have always studied, interpreted, and revered sacred texts; they have also adorned the settings and occasions of sacred acts. Calligraphy and ornamentation have transformed Hebrew letters into art; quotation, interpretation, legend, and wordplay have made ceremonial objects into narrative. This book represents just such a collaboration between art and language. Ellen Frankel and Betsy Platkin Teutsch, writer and artist, have brought their extensive knowledge and talents together to create The Encyclopedia of Jewish Symbols, the first reference guide of its kind, designed for use by educators, artists, rabbis, folklorists, feminists, Jewish and non-Jewish scholars, and lay readers.

Tales of magic and wonder can be found in every phase of Jewish literature, from the sacred to the secular. The fairy tale in particular--set in enchanted lands and populated with a variety of human and supernatural beings, both good and evil--holds a very special place in the Jewish tradition. For in the fairy tale, where good and evil engage in a timeless struggle, we have a clear reflection of the Jewish world view, where faith in God can defeat the evil impulse. In Elijah's Violin, Howard Schwartz offers a sumptuous collection of thirty-six Jewish fairy tales from virtually every corner of the world. At once otherworldy and earthy, pious and playful, these celebrated tales from Morocco and India, Spain and Eastern Europe, Babylon and Egypt, illustrate not only their Jewish character but also their universality of themes. Invoking the biblical tale of David and Goliath, we read as King David defeats the giant by hovering above its spear in King David and the Giant. In the romantic tale of The Princess in the Tower, a variant of Rapunzel, we watch as the cautious King Solomon recognizes the vanity in trying to prevent Providence from taking place. And we see the religious nature of the quest for Elijah's violin in the title story. The successful completion of the king's quest enables the violin's imprisoned melodies, emblematic of the Jewish spirit, to be set free. Throughout this richly illustrated collection, one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale. Skillfully translated, these stories will captivate children and adults alike in which romance and magic become enchantingly entwined with faith, duty, and wisdom.

A collection of eighteen stories based on the Bible which tell how angels respond to God's commands to ease the way for Moses and the Israelites as they cross the wilderness after being freed from slavery in Egypt.

Over 150 tales from the Talmud, the Zohar, Jewish folktales, and Hasidic lore.

Noted folklorist Howard Schwartz retells 12 Jewish tales from around the world. Each tale combines elements of magic with a link to a Jewish holiday, giving new perspectives on Rosh Hashanah, Yom Kippur, Hanukkah, Purim, and Passover--plus Shabbat, the weekly Sabbath. These memorable stories of holiday miracles and miraculous escapes have been passed down orally for thousands of years. Now the best of them--from "A Flock of Angels" to "The Enchanted Menorah" and "The Magic Winecup"--have been collected, and enriched by Monique Passicot's luminous illustrations.

Excerpt from Jewish Folk-Lore in the Middle Ages We look with other eyes on the heaped up treasures of Jewish aggadah, on the diamonds which oriental fancy made brilliant by a fiery inspiration. Brought under this new light cast on them they glitter and gleam in a thousand colours like the dew in the flower when lighted by the sun. We value as a poetical story, or picturesque image, legends like the following: In the time when the Lord remembers His children, and sees them dwelling in sorrow and grief amongst We look with other eyes on the heaped up treasures of Jewish aggadah, on the diamonds which oriental fancy made brilliant by a fiery inspiration. Brought under this new light cast on them they glitter and glean in a thousand colours like the dew in the flower when lighted by the sun. We value as a poetical story, or picturesque image, legends like the following: "In the time when the Lord remembers His Children, and sees them dwelling in sorrow and grief amongst the nations, He sheds two tears, and they drop into the great ocean, and their noise is heard from one end of the world to the other. Hence the earthquake." What a wonderful picture to express, the sympathy of heaven and earth with the heartstricken grief of the people! Or take another: "In the same day when King Solomon married the daughter of Necho, the Egyptian king, the angel Michael descended from heaven and planted a reed in the great ocean; and there came up loam, and upon that Rome was afterwards built." And further: "On the day when Jeroboam first established the two golden calves to be worshipped by Israel, Romulus and Remus erected their tents." Only ill-will, or prejudiced misunderstandings could not see the historical truth in the symbolical explanation of the relation which exist between the fall of Judah and the rise of Rome. Under the form of an allegory, they said that the power of the Jewish nation is intimately connected with the true and unchanged religious belief, and a change in such belief necessarily brings about an avoidable decline. In the curious tales of Rabbah bar-bar Channah, we recognize further, now-a-days, Indian sailor and travellers' tales, and in some of them Buddhistic legends, as for instance, the story of the gigantic fish, which destroys sixty towns, and out of whose bones to his pupils one of his former existence. Innumerable are the examples on which our feet stumble as we tread through the forest thousands of years old, called Jewish literature, where palms and hyssop, trees and bushes, flowers and thorns are often inextricably intertwined. On the other hand, we have learned to-day to recognize only as legends, the absurd accusations hurled against the Jews during the middle ages: such as the use of blood in their ceremonials, the poisoning of wells, the piercing of the host, so that it bled, even the accusations that the Jews have been usurers to so great an extent as it was presumed. All these, and similar accusations, are the outcome of prejudice, they are cobwebs spun by poisonous spiders, which hide the true light, and render the approach to the Ghetto disgusting and obnoxious. But we sweep them away, we know that they are only floating material to be found everywhere in the air, waiting only for the right time and the right men to appropriate and make use of them. They are for us nothing more than one of the those numerous legends, devoid of every internal truth, and interesting only for the student of folk-psychology and folk-lore. One more legend refers to the seclusion of the Jews within the walls of their houses, who are said to care nothing for the movement of the times, and who let the waves of the rolling sea pass over their shelter. But be the walls as high as towers and the prejudice as powerful as ever, they never form a real barrier against the spirit, which pours in through a thousand invisible channels. "The sun shines for the righteous as well as...

Continuing the adventures of the lovable "fools" of Helm begun in "The Wise Men of Helm", this book is illustrated with whimsical drawings. These humorous stories are just right for children.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer. Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

"Jewish Cultural Studies charts the contours and boundaries of Jewish cultural studies and the issues of Jewish culture that make it so intriguing-and necessary-not only for Jews but also for students of identity, ethnicity, and diversity generally. In addition to framing the distinguishing features of Jewish culture and the ways it has been studied, and often misrepresented and maligned, Simon J. Bronner presents several case studies using ethnography, folkloristic interpretation, and rhetorical analysis. Bronner, building on many years of global cultural exploration, locates patterns, processes, frames, and themes of events and actions identified as Jewish to discern what makes them appear Jewish and why. Jewish Cultural Studies is divided into three parts. Part 1 deals with the conceptualization of how Jews in complex, heterogenous societies identify themselves as a cultural group to non-Jews and vice versa-such as how the Jewish home is socially and materially constructed. Part 2 delves into ritualization as a strategic Jewish practice for perpetuating peoplehood and the values that it suggests-for example, the rising popularity of naming ceremonies for newborn girls, simhat bat or zeved habat, in the twenty-first century. Part 3 explores narration, including the global transformation of Jewish joking in online settings and the role of Jews in American political culture. Bronner reflects that a reason to separate Jewish cultural studies from the fields of Jewish studies and cultural studies is the distinctiveness of Jewish culture among other ethnic experiences. As a diasporic group with religious ties and varying local customs, Jews present difficulties of categorization. He encourages a multiperspectival approach that considers the Jewish double consciousness as being aware of both insider and outsider perspectives, participation in ancient tradition and recent modernization, and the great variety and stigmatization of Jewish experience and cultural expression. Students and scholars in Jewish studies, cultural studies, ethnic-religious studies, folklore, sociology, psychology, and ethnology are the intended audience for this book"--

How have modern Jews appropriated traditional aspects of their culture and religion to sustain them in the modern world? Twenty-one distinguished scholars address this question by drawing on a range of disciplines: social and cultural history, ethnography, folklore, sociology, educational theory, and rabbinics. They examine Jewish communities from Russia to North Africa, from Israel to the United States. Among the subjects they explore are Jewish art, holiday practices, feminist ceremonies, adult education, and religious movements in Israel. The Uses of Tradition demonstrates the persistence of tradition and the limits to continuity. It asks: How extensively can tradition be reinterpreted before it is subverted? At what point is creative reinvention an act of betrayal? How effectively can selective borrowing from tradition sustain a religious community?