The seductive and stunning #1 New York Times bestselling sequel to Sarah J. Maas's spellbinding A Court of Thorns and Roses. Feyre has undergone more trials than one human woman can carry in her heart. Though she's now been granted the powers and lifespan of the High Fae, she is haunted by her time Under the Mountain and the terrible deeds she performed to save the lives of Tamlin and his people. As her marriage to Tamlin approaches, Feyre's hollowness and nightmares consume her. She finds herself split into two different people: one who upholds her bargain with Rhysand, High Lord of the feared Night Court, and one who lives out her life in the Spring Court with Tamlin. While Feyre navigates a dark web of politics, passion, and dazzling power, a greater evil looms. She might just be the key to stopping it, but only if she can harness her harrowing gifts, heal her fractured soul, and decide how she wishes to shape her future―and the future of a world in turmoil. Bestselling author Sarah J. Maas's masterful storytelling brings this second book in her dazzling, sexy, action-packed series to new heights.

In this sentimental, didactic fable, Masson imagines how the lone, nonsocial, domesticated animal came to share hearth and home.Billi, an Asian leopard cat, lives in a mango forest in ancient India. He enjoys his independence, but he feels pangs of loneliness and curiosity about the "two-foots." He learns their languages - Hindi, Malayam and Sanskrit - and he can "see the appeal of south India's three major religions."Billi embarks on a quest to learn more about humans by discovering what their animals think of them. A water buffalo mourns being underappreciated; a parrot bemoans his cage; a mongoose tells a chilling story about human ingratitude. Billi reminds a cow that it's worshipped by humans. "Oh, great," the cow says. "That and five rupees will get you a chapati."Nine months of travel and no truly good word for humans leaves Billi undeterred and, back home, he seeks out a young girl he'd often watched. It's not easy proving his good intentions or trying to be "the only animal to have a mutually satisfying relationship with humans," but Billi makes it happen in a story that's heartwarming not only for the passionate cat fan but for all readers.A novelette from the author of Raising the Peaceable Kingdom.

~ An Anne Izard Storytellers’ Choice Award Winner ~ A Storytelling World Honor Book Once, when young Nasruddin was acting up in class by distracting his friends with endless antics, jests, and stories, his irate teacher uttered a curse: “Whatever you do or say, people will only laugh at you.” Now, eight centuries later, children, adults, and wise fools everywhere are still laughing at Nasruddin (Nasreddin Hoca), one of the world’s most beloved folk characters. This entertaining and insightful retelling of more than a year’s worth of daily Mullah stories brings the famed Persian legend into the Twenty-First Century. Storytellers, folklorists, Sufis, comedians, wisdom seekers, and everyone who loves to laugh will be enriched and enlightened by the timeless wit, inscrutable wisdom, and uncommon sense of humor of Mullah Nasruddin. “Suresha identifies the real strength of Nasruddin’s stories in context to world literature and story performance, that is, its power to build bridges between cultures. … The point of these stories is to speak to the audience in the language and metaphors that are familiar.” — Storytelling, Self, Society “A contemporary reworking of the tales (the stories fit for a general audience, at least) … to Suresha’s credit he has maintained the direct, unadorned style that is a hallmark of folk tales. … a delightful break from the everyday world for an hour or two.” — Green Man Review “A fine pick and very highly recommended.” — Midwest Book Review “These hilarious, and at times, ribald folk tales of the Turkish wise fool take the reader to another time and place, and share the spiritual lessons of Nasruddin. … The teaching stories included in this volume help to build bridges between cultures by exemplifying Arabic wisdom and universal human humor.” — from the Preface by Ann Shapiro, Executive Director, Connecticut Storytelling Center

The classic collection of Indian fairy tales, compiled by famed translator and scholar, Joseph Jacobs. This book contains a treasure trove of fairy tales from India, including: The Lion and the Crane, How the Raja's Son won the Princess Labam., The Lambikin, Punchkin, The Broken Pot, The Magic Fiddle, The Cruel Crane Outwitted, Loving Laili, The Tiger, the Brahman, and the Jackal, The Soothsayer's Son, Harisarman, The Charmed Ring, The Talkative Tortoise, A Lac of Rupees for a Bit of Advice, The Gold-giving Serpent, The Son of Seven Queens, A Lesson for Kings, Pride goeth before a Fall, Raja Rasalu., The Ass in the Lion's Skin, The Farmer and the Money-lender, The Boy who had a Moon on his Forehead and a Star on his Chin, The Prince and the Fakir, Why the Fish Laughed., The Demon with the Matted Hair, The Ivory City and its Fairy Princess, How Sun, Moon, and Wind went out to Dinner, How the Wicked Sons were Duped., and The Pigeon and the Crow.

Folklore. Washington Irving and Mark Twain used it in their fiction; Sigmund Freud and William James incorporated it into their work; Henry Ford and Franklin Roosevelt promoted it. Their efforts were set against the background of folklorists who brought collections of traditional tales, songs, and crafts to the attention of a modernizing society. The ideas of these folklorists influenced how Americans thought about the character of their society and the directions it was taking.Here for the first time is a history of American folkloristic ideas and the figures who shaped them. Simon Bronner puts these ideas in cultural context, showing the interconnection of folklore studies with historical events, social changes, and intellectual movements. He follows the beginnings of American folklore studies in the antiquarian literature of the 1830s through the rise of folklore societies in the 1880s to the emergence of an independent discipline in the 1950s. In this progression, Bronner identifies several major themes tying folklore studies to intellectual history: first, the unearthing of a hidden, usable past; second, the charting of time and space; and third, the structuring of communication. More than a chronological or biographical history, this book is an interpretation of folkloristic ideas and their relationship to American society.

A Psychological Interpretation of Mythology. Translated from the German by Drs. F. Robbins and Smith Ely Jelliffe; Nervous and Mental Disease Monograph Series No. 18.

"A sweeping personal retelling of African myths illustrated throughout with Rosales's...artwork"--Back cover.

A rich and riveting debut spanning four generations of Eastern European Jewish women bound by blood, half-hidden secrets, and the fantastical visitation of a shapeshifting stranger over the course of 100 years An ambitious, delirious novel that tangles with queerness, spirituality, and generational silence, City of Laughter announces Temim Fruchter as a fresh and assured new literary voice. The tale of a young queer woman stuck in a thicket of generational secrets, the novel follows her back to her family's origins, where ancestral clues begin to reveal a lineage both haunted and shaped by desire. Ropshitz, Poland, was once known as the City of Laughter. As this story opens, an 18th century badchan, a holy jester whose job is to make wedding guests laugh, receives a visitation from a mysterious stranger--bringing the laughter the people of Ropshitz desperately need, and triggering a sequence of events that will reverberate across the coming century. In the present day, Shiva Margolin, recovering from the heartbreak of her first big queer love and grieving the death of her beloved father, struggles to connect with her guarded mother, who spends most of her time at the local funeral home. A student of Jewish folklore, Shiva seizes an opportunity to visit Poland, hoping her family's mysteries will make more sense if she walks in the footsteps of her great-grandmother Mira, about whom no one speaks. What she finds will make her question not only her past and her future, but also her present. Electric and sharply intimate, City of Laughter zigzags between our universe and a tapestry of real and invented Jewish folklore, asking how far we can travel from the stories that have raised us without leaving them behind.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

"Do tell us a fairy tale, ganpa." "Well, will you be good and quiet if I do?" "Of course we will; we are always good when you are telling us fairy tales." "Well, here goes.--Once upon a time, though it wasn't in my time, and it wasn't in your time, and it wasn't in anybody else's time, there was a----" "But that would be no time at all." "That's fairy tale time." This is a lovely little book of fairy tales from throughout Europe. The author wrote the stories by finding tales that were common among many different European countries and cultures. The stories were very approachable, and are appropriate for all ages. There are 25 stories in totaly. European Folk and Fairy Tales (also known as Europa's Fairy Book) is a collection of Folk and Fairy Tales by Joseph Jacobs, first published in 1916, including: The Cinder-Maid The King of the Fishes Beauty and the Beast Reynard and Bruin The Dancing Water, The Singing Apple, and the Speaking Bird The Language of Animals Snowwhite Joseph Jacobs (1854 - 1916) was a folklorist, literary critic and historian. His works included contributions to the Jewish Encyclopedia, translations of European works, and critical editions of early English literature. Jacobs wrote for journals and books on the subject of folklore and produced a popular series of fairy tales.

Over 150 tales from the Talmud, the Zohar, Jewish folktales, and Hasidic lore.

Text: English, Spanish (translation)

The king's clever treasurer tries to clear his name when the chief minister accuses the treasurer of stealing.

Retold by Louis Untermeyer. Ages 10 and up.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Once upon a time, a young girl ventured into a dark forest, looking for a cure for her much-loved elder sister ... A touching, tender and lyrical fable about what we do for the ones we love, and the beauty and mystery of being alive in a world in which we are part of everything, and everything is part of us. As a terrible pandemic rages through the country, a young girl, Teo, leaves her small village and sets off into the forest, in search of a cure for her sister who is infected with the pox. Her father Merdocai has surrendered himself to the evil Marquis to be experimented upon for the Greater Good; and with her mother long-dead, all Teo has to keep her going is the love of her sister, her father and her friend Rodrigo, a stuttering poet. As Teo ventures deeper into the forest, she encounters creatures and teachers who hold the answers to all the questions she has about who she is, and where she has come from. Meanwhile, out in the depths of the ocean, a whale is returning to the place he was born, to exhale his last breath. While Teo does not know this, he too holds secrets that belong to Teo's story. The Whale's Last Song is a tender, sweet and wise fable, on what we are prepared to do for those we love; a celebration of the beauty and mystery of being alive in a world in which we are part of everything, and everything is part of us; and a love song to the natural world. It is The Alchemist meets The Princess Bride meets The Little Prince. It is a little gem. 'A bright ode to all that is good and beautiful in the world. The Whale's Last Song is a timeless tale, an allegory of the heart.' Maggie Hamilton 'Fresh, exquisite, a creative tour de force ... Both challenging and reassuring, the story weaves a sense of belonging through the fallibility of being human and the mysteries of being alive.' Suzie Miller, Prima Facie

Stanley G. Weinbaum's classic horror novel, originally entitled "The Mad Brain". When an unassuming man's personality changes dramatically toward the sinister, the woman he loves seeks help from a psychologist, leading to a disturbing discovery.

I have always been interested in the wild and nature. Ever since I was a small boy, play in the fields and woodlands near my home in England. I was attracted by the immense diversity of life, and awed by each plant, tree, insect, animal and bird. I saw back then a wonderful world, here we were blessed by the four seasons. How things change though, over the years; the climate, urbanisation, and fields make way for new projects to benefit us. So in this series of poems, I have tried to capture what things in nature I have seen and loved. I hope they are enjoyed by all who read them.

The collection comprises numerous folktales that have been passed down through generations in Southern India. These stories often feature common folktale elements such as moral lessons, mythical creatures, gods and goddesses, and heroic feats. Key elements typically found in the tales include: Mythical Creatures and Deities: Many stories involve encounters with gods, goddesses, demons, and other mythical beings, reflecting the religious and spiritual beliefs of Southern India. Moral Lessons: The tales often convey moral lessons or ethical teachings, emphasizing virtues such as honesty, bravery, wisdom, and kindness. Cultural Traditions: The stories provide insights into the cultural traditions, customs, and societal norms of Southern Indian communities. They often depict everyday life, rituals, and the social structure of the time.