The Tony Award-winning musical,now adapted into a lavishly illustrated book Into the Woodsis the imaginative account of what happens when the lives of new and old fairy-tale characters dramatically and humorously come together. Cinderella, Jack (of bean-stalk fame), Little Red Ridinghood, and the Baker and his Wife set out for the forest on a quest to find "happily ever after." Along the way they meet Rapunzel, a Wicked Witch, a lascivious Wolf, vengeful Giants, a couple of charming Princes, and their own destiny. With wit and wisdom, the authors have given us a parable about the loss of innocence, the joys and sorrows of adulthood, and the price paid for getting the things you really want.

A family of dedicated birders presents an illustrated tribute to birds featuring a combination of scientific facts, folklore, poems, and songs.--

A rock 'n' roll band to die for.... When fourteen year old Callie McCallan scores a backstage pass to interview the lead singer of the famous band Brass Rat, she's thrilled. Peter Gringras is so cool. When he plays his flute, it's as if he has some kind of hypnotic power. But there is something strange about him, something Callie can't quite put her finger on. Then, on Halloween night, Callie's little brother Nicky disappears, along with all the other children in town. It's crazy, but Callie thinks she knows where the children have gone--and who took them. To prove it, and to rescue Nicky and the other children, Callie must journey to a mythical world filled with fantastical creatures. A world from which there may be no return....

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.