A sparkling retelling of nine Andersen tales: Elf Hill, The Happy Family, The Shepherdess and The Chimneysweep, The Princess and the Pea, The Money-Box Pig, The Little Match Girl, Little Ida's Flowers, The Jumping Competition, and The Nightingale. With bright, full-color illustrations on almost every page.

"Since Dracula first appeared, vampires have become the ghoul of choice for many horror fans. Today, vampires can be anyone, [and] in this collection of [13] chilling, funny, and sensitive stories the undead include even the girl next door. Any reader with the slightest thirst for blood won't go away hungry." —BL. 1992 Best Books for Young Adults (ALA) 1992 Books for the Teen Age (NY Public Library)

"A saying: It pays to have a little chutzpah (nerve)." With old world charm, universal humor, and just a bit of chutzpah, Simms Taback offers this lively spin on thirteen playful tales?as only he could. Paired with his trademark vibrant and hilarious artwork, these stories illustrate ultimate widespread truths and important life lessons, from the difference between a "shlemiel" and a "shlimazel" to the idea that just because you can talk doesn?t mean you make sense. Taback delivers the perfect combination of wisdom and humor?just the way your "zayda" (grandpa) would.

Features the Nebula Award-winning novella "Lost Girls." In these modern myths and tales for the young and the young at hear, Jane Yolen transforms the impossible into the familiar and real. Among the outlandish wonders are an Alice grown tough in Wonderland, a dear--but dead--mother's homecoming, a bridge that longs for a goat-eating troll, and a mutiny among Peter Pan's troops.

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.