Describes the life of the legendary steel-driving man who was born and who died with a hammer in his hand.

Sweeping in scope, as revealing of an era as it is of a company, Stagecoach is the epic story of Wells Fargo and the American West, by award-winning writer Philip L. Fradkin. The trail of Wells Fargo runs through nearly every imaginable landscape and icon of frontier folklore: the California Gold Rush, the Pony Express, the transcontinental railroad, the Civil and Indian Wars. From the Great Plains to the Rockies to the Pacific Ocean, the company's operations embraced almost all social, cultural, and economic activities west of the Mississippi, following one of the greatest migrations in American history. Fortune seekers arriving in California after the discovery of gold in 1849 couldn't bring the necessities of home with them. So Wells Fargo express offices began providing basic services such as the exchange of gold dust for coin, short-term deposits and loans, and reliable delivery and receipt of letters, money, and goods to and from distant places. As its reputation for speed and dependability grew, the sight of a red-and-yellow Wells Fargo stagecoach racing across the prairie came to symbolize not only safe passage but faith in a nation's progress. In fact, for a time Wells Fargo was the most powerful and widespread institution in the American West, even surpassing the presence of the federal government. Stagecoach is a fascinating and rare combination of Western and business history. Along with its colorful association with the frontier -- Wyatt Earp, Black Bart, Buffalo Bill -- readers will discover that swiftness, security, and connectivity have been constants in Wells Fargo's history, and that these themes remain just as important today, 150 years later.

The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.

Julius Lester and Jerry Pinkney's warm, humorous retelling of a popular African-American folk ballad. When John Henry was born the birds, bears, rabbits, and even a unicorn came to see him. He grew so fast, he burst right through the porch roof, and laughed so loud, he scared the sun! Soon John Henry is swinging two huge sledgehammers to build roads, pulverizing boulders, and smashing rocks to smithereens. He's stronger than ten men and can dig through a mountain faster than a steam drill. Nothing can stop John Henry, and his courage stays with us forever. A Caldecott Honor Book * "This is a tall tale and heroic myth, a celebration of the human spirit . . . The story is told with rhythm and wit, humor and exageration, and with a heart-catching immediacy that connects the human and the natural world. " -- Booklist , starred review "Another winning collaboration from the master storyteller and gifted artist of Tales of Uncle Remus fame." -- School Library Journal "A great American hero comes fully to life in this epic retelling filled with glorious, detailed watercolors . . . This carefully crafted updating begs to be read aloud for its rich, rhythmic storytelling flow, and the suitably oversize illustrations amplify the text." -- Publishers Weekly

A retelling of the African-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies.

"A sweeping personal retelling of African myths illustrated throughout with Rosales's...artwork"--Back cover.

The 107 tales demonstrate the ways an uprooted people have drawn from the traditions of their past to fashion a life in the New World.

"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--

Exploring the scope, diversity, and vitality of black culture, here is a fascinating collection of more than sixty articles from some of the most perceptive and authoritative commentators upon the black experience--Zora Neale Hurston, J. Mason Brewer, Sterling A. Brown, Eldridge Cleaver, Willis Laurence James, John Lovell Jr., Langston Hughes, Charles W. Chesnutt, Alan Lomax, Ralph Ellison, A. Philip Randolph, Newbell Niles Puckett, Roger D. Abrahams, and many others. Readers cannot help coming away from this book with a new appreciation of the nature and richness of African American folklore. For those with little or no previous knowledge of this heterogeneous and spellbinding lore Mother Wit from the Laughing Barrel will be an eye-opening encounter. Drawn out of the deep, rich well of African American culture, these essays convey the import of the black folk experience for all Americans. No library or individual with a serious interest in African American folklore should fail to own this remarkable anthology.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Never Try to Teach a Pig to Sing documents the thriving folklore tradition that circulates in the workplace. Alan Dundes and Carl Pagter have collected more than two hundred and fifty "signs of the times"--the office memoranda, parodies, cartoons, and poems that daily make their way through copy machines, interoffice mail systems, and fax machines and are affixed to bulletin boards and water coolers. The rich vein of urban folklore tapped by this imaginative volume constitutes a great testament to one of the world's most prolific authors--anonymous. The popularity of the items featured in this timely book is apparent by their reproduction in mass or popular cultural form--as greeting cards, plaques, and bumper stickers--reminding us of the inevitable interplay between folklore and mass culture. Dundes and Pagter clearly demonstrate the existence of folklore in the modern urban technological world and refute the notion that folklore reflects only the past.

What has happened to the religious left? If there is a religious left, why don't we hear more about it? The academics and activists who write this rich volume, edited by Rebecca Alpert, argue passionately on topics that concern all of us. Quoting from the Bible, the Torah, the Qur'an, the teachings of Buddha, as well as Native American folklore, they make the voices of the religious left heard -- teaching lessons of peace and liberation. As this invaluable sourcebook shows, the religious left is committed to issues of human rights and dignity. Answering questions of identity and ideology, the essays included here stem from the "culture wars" that have divided orthodox and liberal believers. Responding to the needs of and raised by marginalized social groups, the writers discuss economic issues and religious politics as they champion equal rights, and promote the teaching of progressive vision. Containing insightful perspectives of adherents to many faiths, Voices of the Religious Left makes it clear that there is a group dedicated to instilling the values of justice and freedom. They are far from silent. All of the essays in this collection "...represent the power of the written word as a vehicle for advocacy and social change....It is my hope that the readers of these essays will themselves feel compelled to think more about the importance of taking a stand on issues from religious perspectives, and to act on something that compels them." --Rabbi Rebecca Alpert

Office copier folklore?those tattered sheets of cartoons, mottoes, zany poems, defiant sayings, parodies, and crude jokes that regularly circulate in office buildings everywhere?is the subject of this innovative study. this type of folklore represents a major form of tradition in modern America, and the authors have compiled this raw data for scholarship?and entertainment. These creations of the Paperwork Empire comment on topics and problems that concern all urban Americans. No one and nothing escapes their raunchy wit and sarcasm. Bosses, ethnic groups, minorities, the sexes, alternative lifestyles, politics, welfare, government workers, the law, bureaucracy, and even "The Night Before Christmas" all come under fire to form a biting, and hilarious, commentary on modern American society.

Concentrating on lore gathered since World War II, Bronner has assembled an anthology of what children really say, not what adults wish they would say. It is through such shared lore—songs, expressions, games and beliefs—that children adapt to new situations. Bronner includes secret languages, jump rope rhymes, song parodies, games, taunts, tongue twisters, jokes, and more. These treasures make for nostalgic reading for adults who want to relive their own childhoods or gain a window to their own children's world.

Take this test. You think today's sensitive, caring man is: (a) a myth, (b) an oxymoron, or (c) a moron. No matter whether you laugh at this bit of folk humor, its wide circulation bespeaks a modern predicament for American men. Men's manly traditions have been shaken in an age of sensitivity. Some observers have even referred to a crisis of masculinity for a new generation of boys. In Manly Traditions, established scholars in the fields of folklore, men's studies, and gender studies identify the folkloric roots of what it means to be a man in America. In a lively volume they examine the traditions men inherit and adapt for their own purposes in contemporary life. Simon J. Bronner is Distinguished University Professor of American Studies and Folklore at the Pennsylvania State University at Harrisburg.

This text presents a collection of nearly 200 examples of the fake memos, pseudo mottoes and folk cartoons that are transmitted by fax, email and the Internet. It treats these examples of photocopylore as cultural artefacts recording folklore and culture in the post-print era.