How do computers and robots change the meaning of being human? How do we deal with the epidemic of fake news? Are nations and religions still relevant? What should we teach our children? As technology advances faster than our understanding of it, hacking becomes a tactic of war, and the world feels more polarized than ever, Yuval Harari addresses the challenge of navigating life in the face of constant and disorienting change and raises the important questions we need to ask ourselves in order to survive. How can we retain freedom of choice when Big Data is watching us? What will the future workforce look like, and how should we ready ourselves for it? How should we deal with the threat of terrorism? Why is liberal democracy in crisis? Harari invites us to consider values, meaning, and personal engagement in a world full of noise and uncertainty. When we are deluged with irrelevant information, clarity is power.

“Conventional analysis suffers from a profound failure of imagination. It imagines passing clouds to be permanent and is blind to powerful, long-term shifts taking place in full view of the world.” —George Friedman In his long-awaited and provocative new book, George Friedman turns his eye on the future—offering a lucid, highly readable forecast of the changes we can expect around the world during the twenty-first century. He explains where and why future wars will erupt (and how they will be fought), which nations will gain and lose economic and political power, and how new technologies and cultural trends will alter the way we live in the new century. The Next 100 Years draws on a fascinating exploration of history and geopolitical patterns dating back hundreds of years. Friedman shows that we are now, for the first time in half a millennium, at the dawn of a new era—with changes in store, including: • The U.S.-Jihadist war will conclude—replaced by a second full-blown cold war with Russia. • China will undergo a major extended internal crisis, and Mexico will emerge as an important world power. • A new global war will unfold toward the middle of the century between the United States and an unexpected coalition from Eastern Europe, Eurasia, and the Far East; but armies will be much smaller and wars will be less deadly. • Technology will focus on space—both for major military uses and for a dramatic new energy resource that will have radical environmental implications. • The United States will experience a Golden Age in the second half of the century. Written with the keen insight and thoughtful analysis that has made George Friedman a renowned expert in geopolitics and forecasting, The Next 100 Years presents a fascinating picture of what lies ahead. For continual, updated analysis and supplemental material, go to www.Stratfor.com

In this sly and thought-provoking essay, Village Voice film critic J. Hoberman suggests that it's possible to speak of a distinctive twenty-first century cinema, only a decade into the new millennium. The advent of a new digital technology has led to the displacement of the medium of film - and of the real, as digital image-making ends the necessity of having an actual world, let alone the need for a camera. The future history of motion pictures, Hoberman asserts, will be the history of animation. Meanwhile, the 2000 American presidential election and the trauma of 9/11 have reshaped the movies politically. The two events have combined to create a rupture in film history, perhaps presaging, as Susan Sontag forlornly predicted at the close of the century, the death of cinema, or at least cinephilia. This witty and allusive book, in the style of classic film theorist/critics like Andre Bazin and Siegfried Kracauer, expands on a much-discussed article by Hoberman from Artforum and includes considerations of global cinema's most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar, and Inception

"Over the past two centuries or so, capitalism has undergone profound changes--economic cycles that veer from boom to bust--from which it has always emerged transformed and strengthened. Surveying this turbulent history, Paul Mason's Postcapitalism argues that we are on the brink of a change so big and so profound that this time capitalism itself, the immensely complex system within which entire societies function, will mutate into something wholly new. At the heart of this change is information technology, a revolution that is driven by capitalism but, with its tendency to push the value of much of what we make toward zero, has the potential to destroy an economy based on markets, wages, and private ownership. Almost unnoticed, in the niches and hollows of the market system, swaths of economic life are beginning to move to a different rhythm. Vast numbers of people are changing how they behave and live, in ways contrary to the current system of state-backed corporate capitalism. And as the terrain changes, new paths open. In this bold and prophetic book, Mason shows how, from the ashes of the crisis, we have the chance to create a more socially just and sustainable economy. Although the dangers ahead are profound, he argues that there is cause for hope. This is the first time in human history in which, equipped with an understanding of what is happening around us, we can predict and shape the future"--

A best-selling work in France considers what the world will be like throughout the century to come, drawing on the precedents of nine distinct historical periods to predict such future scenarios as a democratic world government and an international community that is significantly impacted by nuclear technology.

""Too Much Magic" is what Kunstler sees in the bright visions of a future world dreamed up by optimistic souls who believe technology will solve all our problems. In Too Much Magic, Kunstler articulates a number of issues relating to the unsustainability of our high-energy lifestyle, including: The pernicious cult of "Happy Motoring" and our desire to preserve an ailing and backwards automotive industry at all costs; The upcoming demise of suburbia and the mass migration and demographic shifts that will ensue; The inadequacy of both renewable energy sources and alternative fossil fuels such as biodiesel, tar sands, and shale oil and gas to make up the energy shortfall when our conventional sources of fuel dry; The effect of the continuing increase in global population even after resource shortfalls of oil and fossil fuels become acute; How the diminishing returns of technology collide with hypercomplexity to scuttle our wishes for an easy way out of our epochal predicaments. With vision and clarity of thought, and an antic, comic spirit, Kunstler argues that the time for magical thinking and hoping for miracles is over, and the time to begin preparing for the long emergency has begun."--Jacket.

The author examines in detail the issues most critical to the region's future. He describes oil as the current, most important export to the outside world from the Middle East but warns that technology will eventually make it obsolete, leaving those who depend solely on oil revenues with a bleak future. The three factors that could most help transform the Middle East, according to Lewis, are Turkey, Israel, and women. He also argues that there is enough in the traditional culture of Islam on the one hand and the modern experience of the Muslim peoples on the other to provide the basis for an advance toward freedom in the true sense of that word and to achieve the social, cultural, and scientific changes necessary to bring the Middle East into line with the developed countries of both West and East.

We are living through the consequences of a linguistic revolution. Dramatic linguistic change has left us at the beginning of a new era in the evolution of human language, with repercussions for many individual languages. In this book, David Crystal, one of the world's authorities on language, brings together for the first time the three major trends which he argues have fundamentally altered the world's linguistic ecology: first, the emergence of English as the world's first truly global language; second, the crisis facing huge numbers of languages which are currently endangered or dying; and, third, the radical effect on language of the arrival of Internet technology. Examining the interrelationships between these topics, Crystal encounters a vision of a linguistic future which is radically different from what has existed in the past, and which will make us revise many cherished concepts relating to the way we think about and work with languages. Everyone is affected by this linguistic revolution. The Language Revolution will be essential reading for anyone interested in language and communication in the twenty-first century.

This book offers a prophetic vision of a postdigital future that reveals a paradigm shift from the Hellenistic to the Hebraic roots of Western culture. Alexenberg surveys new art forms emerging from a postdigitial age and explores postdigital perspectives rising from creative encounters between art, science, technology, and human consciousness.

Fiction. Drama. "There are phone lines to the living and others for calling the dead. TELEPHONE by Ariana Reines is a network for riveting acts of speech, and silence, and listening. I saw the play and never forgot it. The audience was lit like a switchboard by its storms of courage and mystical love."--Rachel Kushner "TELEPHONE is an uncanny parcel of theater in which the wishes of humans to speak with the dead meet the limits or the aspirations of technology. A woman wrapped in language is deemed insane and the lonely pastness of our present walks around calling for itself. TELEPHONE is a whild and visionary piece of art that announced to me a poet who is always tearing the future open like a trapped animal--their eyes reflect us. Don't look! We mus. Bless you and love you Ariana for this great work."--Eileen Myles "I have been WAITING FOR THIS BOOK! When I saw it in the theater every word motion fell into magic stride utterly taxing the soul with its accuracy and mystery. The next night I was at the box office with a different friend and needed to return to my job is the only thing that kept me from the theater a third night. Examine for yourself the bewitching and sometimes misshapen communicative powers of life with the poetry goddess of the stage, Ariana Reines!-- CA Conrad "TELEPHONE, the inspired and utterly original new tone poem of a play, probes feelings with the sensitivity and detachment of a heart surgeon."--Ben Brantley, The New York Times