Set in the San Francisco environs of the 1930s, this series of five short stories covers the intrigues of brilliant, stylish, and very polite amateur sleuths Claire Delacroix and her millionaire boss, Akhenaton Beelzebub Chase. They are a perfect pair to solve impossible crimes set forth by police captain Cleland Baxter, who once served with Chase in the Great War. Mystery abounds, beginning with the intriguing puzzle of a Hungarian actor found dead in his locked dressing room with vampire-like puncture wounds in his neck. A deep water explorer disappears from his diving suit, as does a fighter plane[alpha]s passenger after traveling through a cloud. Both Chase and Delacroix have a penchant for re-enacting the scene of the crime, their many talents in evidence as they do. Delacroix is a medical doctor, pilot, and multi-instrument musician with a weakness for movie magazines and a San Francisco Call reporter (who gets his own bonus story set in 1923), while her partner Chase is a professor, inventor, and autodidact polymath whose parents went down with both the Titanic and the Lusitania, with his wartime gassed lungs as a weakness. The crimes solved range from a very deadly massacre of even the house servants, to a missing person caught in the act of attending a bar mitzvah. Through it all there are colorful gadgets and gizmos galore, food both delicious and deadly, and a setting that sparkles as brightly as the characters of the well-matched sleuths. Great fun!

GIRL IN A BIG BRASS BED Lobbe wants his painting back. Goering confiscated it when the Nazis raided Rotterdam. But now, years later, it has been located, and the German government wants to return it. So Lobbe sends his assistant Manny deWitt to Munich to fetch it. The painting is Vermeer's "Apple Girl," Lobbe's prized possession. The mission seems easy enough. But as deWitt soon discovers, those who have the misfortune to come in contact with the elusive Vermeer seem to experience an early and unpleasant death. The sooner he gets the painting and gets out, the better. If only it were that simple. THE SPY WHO WAS 3 FEET TALL This time Lobbe sends Manny to a recently emerged African nation called Motana. It's deWitt's job to negotiate the contract to build a road through the country. As usual, Lobbe doesn't muddy the waters with too much information for deWitt. But this time, everyone seems to be up on the project but him. Yum Lee, the Chinese emissary who also wants the contract, is one step ahead of him. Inge, Lobbe's delightful niece, is strictly undercover. And then there's his ubiquitous taxi driver, Baby, who is much more (or less) than what he seems. Just what the hell is so important about this road anyway? CODE NAME GADGET As gadgets go, it was supposedly a fairly large one, large enough to fill a medium-sized factory. Manny's mission is to buy it for his boss Lobbe before the competition beats him to it. The mission takes him to England under the eccentric guidance of a pilot named Max Garten, and into the unexpected arms of Meghan Bushmill. Together, the three of them form a kind of team as they try to figure out who are the good guys and who are the bad guys--and if it even makes any difference anymore. Because whoever has the gadget can destroy the world, and even Lobbe may not be able to buy his way out of that one.