#1 New York Times bestselling author Brad Meltzer brings together a remarkable group of heroes with one thing in common: they were ordinary people who became extraordinary. Brad was inspired by the birth of his first son to curate this collection, but you don’t need to be a parent to treasure it—Heroes for My Son is perfect for children, parents, teachers, and anyone looking for inspiration. The fifty-two featured figures represent the spectacular potential we all have within us to change the world. The dynamic pages full of photos, quotes, and brief biographies are perfect for reading aloud and allow every reader to explore at their own pace. Not limited to male role models, the wonderfully diverse heroes included in the book are men, women, historical, contemporary, athletes, actors, inventors, politicians, and so much more. Heroes for My Son is a book to be read again and again, as the simple question of what makes a hero remains a vital part of today’s conversation.

#1 New York Times bestselling author Brad Meltzer brings together a remarkable group of heroes with one thing in common: they were ordinary people who became extraordinary. A perfect companion to girl power collections like Goodnight Stories for Rebel Girls, Rachel Ignotofsky’s Women in Science: 50 Fearless Pioneers Who Changed the World, and Vashti Harrison’s Little Leaders, Heroes for My Daughter is a necessary addition for children, parents, teachers, and anyone looking for inspiration. The sixty featured figures represent the spectacular potential we all have within us to change the world. The dynamic pages full of photos, quotes, and brief biographies are perfect for reading aloud and allow every reader to explore at their own pace. Not limited to female role models, the wonderfully diverse heroes included in the book are men, women, historical, contemporary, athletes, actors, inventors, politicians, and so much more. Heroes for My Daughter is a book to be read again and again, as the simple question of what makes a hero remains a vital part of today’s conversation.

The Vienna Paradox is Marjorie Perloff's memoir of growing up in pre-World War II Vienna, her escape to America in 1938 with her upper-middle-class, highly cultured, and largely assimilated Jewish family, and her self-transformation from the German-speaking Gabriele Mintz to the English-speaking Marjorie--who also happened to be the granddaughter of Richard Schüller, the Austrian foreign minister under Chancellor Dollfuss and a special delegate to the League of Nations. Compelling as the story is, this is hardly a conventional memoir. Rather, it interweaves biographical anecdote and family history with speculations on the historical development of early 20th-century Vienna as it was experienced by her parents' generation, and how the loss of their "high" culture affected the lives of these cultivated refugees in a democratic United States that was, and remains, deeply suspicious of perceived "elitism." This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading critics, a narrative in which literary and philosophical reference is as central as the personal.

Edgar Morin, one of France's greatest living intellectuals, tells the story of his father, Vidal Nahoum, but also the story of Sephardic Jews, and of Europe. In this 'holographic history' Vidal's story, and that of his family, carries within it the flowering, decline, and death of Jewish culture in Spain, the passage from Empires to Nation States, the complex relations between Jews and Gentiles, between East and West, and, ultimately, the history of the twentieth century itself. Morin's work ranges from the great sweep of global historical events to the everyday details of individual lives, letters, feelings, reflections, and experiences. Vidal was born in 1894 in the Ottoman Empire's great Macedonian port. His great-grandfather came from Tuscany and spoke Italian. His mother tongue was fifteenth-century Spanish. He learned French and German as a child. When he was an adolescent, he dreamed of living in France; he was deported there as a prisoner, and then liberated by the French Prime Minister. He lived through the Balkan wars, the collapse of the Ottoman Empire, and two World Wars. Vidal cannot be isolated from his family. And as Edgar Morin explains, "this book also tells the stories of the men and women in his immediate family When, as his son, I inevitably come into his story... I describe him as objectively as possible. The reverence that inspired me did not call for a work of edification; it implied that I should attempt to write a truthful book. For this reason, the book is not in the least respectful, or at least not in the usual sense of the word. Vidal felt that loving someone meant being able to tease him. The author of these lines, who has inherited something of this trait, does not think it disrespectful to tease or make fun of the people he loves."