America has a huge problem. It faces four major challenges, on which its future depends, and it is failing to meet them. In "That Used to Be Us," Thomas L. Friedman, one of our most influential columnists, and Michael Mandelbaum, one of our leading foreign policy thinkers, analyze those challenges--globalization, the revolution in information technology, the nation's chronic deficits, and its pattern of energy consumption--and spell out what we need to do "now" to rediscover America and rise to this moment. They explain how the end of the cold war blinded the nation to the need to address these issues. They show how our history, when properly understood, provides the key to addressing them, and explain how the paralysis of our political system and the erosion of key American values have made it impossible for us to carry out the policies the country needs. They offer a way out of the trap into which the country has fallen, which includes the rediscovery of some of our most valuable traditions and the creation of a new, third-party movement. "That Used to Be Us" is both a searching exploration of the American condition today and a rousing manifesto for American renewal. "As we were writing this book," Friedman and Mandelbaum explain, "we found that when we shared the title with people, they would often nod ruefully and ask: 'But does it have a happy ending?' Our answer is that we can write a happy ending, but it is up to the country--to all of us--to determine whether it is fiction or nonfiction. We need to study harder, save more, spend less, invest wisely, and get back to the formula that made us successful as a country in every previous historical turn. What we need is not novel or foreign, but values, priorities, and practices embedded in our history and culture, applied time and again to propel us forward as a country. That is all part of our past. That used to be us and can be again--if we will it."

In a series of riveting interviews, America's senior statesman discusses the challenges of directing foreign policy during times of great global tension. As National Security Advisor to Richard Nixon, Henry Kissinger transformed America's approach to diplomacy with China, the USSR, Vietnam, and the Middle East, laying the foundations for geopolitics as we know them today. Nearly fifty years later, escalating tensions between the US, China, and Russia are threatening a swift return to the same diplomatic game of tug-of-war that Kissinger played so masterfully. Kissinger on Kissinger is a series of faithfully transcribed interviews conducted by the elder statesman's longtime associate, Winston Lord, which captures Kissinger's thoughts on the specific challenges that he faced during his tenure as NSA, his general advice on leadership and international relations, and stunning portraits of the larger-than-life world leaders of the era. The result is a frank and well-informed overview of US foreign policy in the first half of the 70s—essential reading for anyone hoping to understand tomorrow's global challenges.

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten. Like most Jews in Eastern Europe on the eve of Hitler's invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget. For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal's private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel's Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. Segev's challenge in writing this biography was Wiesenthal's own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was. For two generations of Americans, Simon Wiesenthal was a Jewish superhero--depicted on film by Ben Kingsley and Laurence Olivier--and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal's existence is as compelling as the fiction. "Simon Wiesenthal" is an unforgettable life of one of the great men of the twentieth century.

"REMARKABLE . . . A WONDERFUL STORY." --The Boston Globe The father is a high-ranking Communist officer, a Jew who survived Stalin's purges. The son is a "refusenik," who risked his life and happiness to protest everything his father held dear. Now, Chaim Potok, beloved author of the award-winning novels The Chosen and My Name is Asher Lev, unfolds the gripping true story of a father, a son, and a conflict that spans Soviet history. Drawing on taped interviews and his harrowing visits to Russia, Potok traces the public and privates lives of the Slepak family: Their passions and ideologies, their struggles to reconcile their identities as Russians and as Jews, their willingness to fight--and die--for diametrically opposed political beliefs. "[A] vivid account . . . [Potok] brings a novelist's passion and eye for detail to a gripping story that possesses many of the elements of fiction--except that it's all too true." --San Francisco Chronicle

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname "Pennsylvania's most significant mole." However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a "kept witness," a term that fits those who "made a business of being witnesses," thereby "befouling due process." Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic's celebrity as pop icon. In the mid-1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic's image is dimly remembered as he continues to fight "the Red Menace" on late-night television. Leab juxtaposes Cvetic's real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic's life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic's life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an "anti-Communist icon."

The revelation that a long forgotten novel first published anonymously in 1834 is the work of Benjamin Disraeli and his sister Sarah is an exciting literary event. Newly discovered letters between brother and sister prove without doubt that it was written jointly by them. We do not have to look far for the reason for their secrecy. The vividly described election which forms the centrepiece of the story is clearly based on Disraeli's recent experiences as an unsuccessful candidate in two elections at High Wycombe. His political career had a long way to go and the last thing he wanted was to jeopardize it by revealing his motives in the past or his hopes for the future. The hero, Aubrey Bohun, has, like Disraeli, recently returned from mysterious travels in the East, but unlike him has his own castle and an income of £30,000 a year. Bohun obviously contains an element of wish fulfilment and allows the authors to incorporate in the novel elements of wish fulfilment and allows the authors to incorporate in the novel elements of a popular genre known in its day as 'silver fork' fiction – revelations of high life. Although there is much of this and of melodrama too, there is also some splendid social irony. Michael Foot says 'the volume is quite fit to takes its place in the true Disraeli canon and contains many gems which add fresh gleams to the portrait of Disraeli himself.' Two appendixes explain the literary detection that proved the book's authorship and the parallels between the politics of Aubrey Bohun and Disraeli.

This book is a transcript of the debate between two notable figures, Samuel Gompers and Henry J. Allen, at Carnegie Hall in 1920. The debate covered a wide range of topics related to labor, including the value of unions, the role of the government in labor disputes, and the pros and cons of the closed shop system. The book provides a valuable insight into the historical labor debates and how they have shaped labor policies and practices today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.