When notorious rake Anthony Bridgerton announces that he has chosen a prospective bride, he faces unexpected opposition when his intended's meddlesome sister Kate decides to protect her innocent sister from the wicked aristocrat.

Go beyond the original Shondaland series on Netflix, Queen Charlotte, with this lushly romantic Bridgerton prequel novel written by New York Times bestselling authors Julia Quinn and Shonda Rhimes as the marriage of Queen Charlotte and King George of England leads to an unexpected love story and a union that transforms society. In 1761, on a sunny day in September, a King and Queen met for the very first time. They were married within hours. Born a German Princess, Charlotte of Mecklenburg-Strelitz was beautiful, headstrong, and fiercely intelligent... not precisely the attributes the British Court had been seeking in a spouse for the young King George III. But her fire and independence were exactly what she, and her King, needed. Because George has secrets... secrets with the potential to shake the very foundations of the monarchy. Thrust into her new role, Charlotte must navigate the intricate politics of the court--with the newly-titled Lady Danbury at her side--all the while guarding her heart, because she is falling in love with the King...even as he pushes her away. Now, Charlotte must learn to rule, and to understand that she has been given the power to remake society, fulfilling her destiny as Queen. But she also has to fight for the love growing between her and George as people first, royals second. As she says to him: "Fight with me! Fight for me!"

Determined to escape marriage to her fortune-hunting guardian's idiotic son, Caroline Trent runs away and winds up in the arms of Blake Ravenscroft, an agent of the crown who mistakes her for a notorious spy and takes her captive.

"While you were sleeping ... With her brother Thomas injured on the battlefront in the Colonies, orphaned Cecilia Harcourt has two unbearable choices: move in with a maiden aunt or marry a scheming cousin. Instead, she chooses option three and travels across the Atlantic, determined to nurse her brother back to health. But after a week of searching, she finds not her brother but his best friend, the handsome officer Edward Rokesby. He's unconscious and in desperate need of her care, and Cecilia vows that she will save this soldier's life, even if staying by his side means telling one little lie ... I told everyone I was your wife When Edward comes to, he's more than a little confused. The blow to his head knocked out three months of his memory, but surely he would recall getting married. He knows who Cecilia Harcourt is--even if he does not recall her face--and with everyone calling her his wife, he decides it must be true, even though he'd always assumed he'd marry his neighbor back in England. If only it were true ... Cecilia risks her entire future by giving herself--completely--to the man she loves. But when the truth comes out, Edward may have a few surprises of his own for the new Mrs. Rokesby."--Provided by publisher.

After they survive a deadly fever and the world's worst musical performance, Honoria Smythe-Smith, a really bad violinist, and Marcus Holroyd, her older brother's best friend, fall desperately in love.

When Robert Kemble stumbles across Victoria Lyndon in a hedgerow maze, he can't believe his eyes. The girl who'd torn him in two, who let him plan an elopement and left him standing by the side of the road, was suddenly within arm's reach, and even though his fury still knew no bounds, she was impossible to resist. Victoria's father told her an earl would never marry a vicar's daughter, and he was right. Robert had promised her marriage, then danced off to London while she suffered the shame of a foiled elopement. But even though Victoria doesn't particularly enjoy her new life as a governess, when Robert offers her a job of a different sort--his mistress--she refuses, unable to sacrifice her honor, even for him. But Robert won't take no for an answer, and he vows to make her his through any means possible. Can these star-crossed lovers learn to trust again?

The second in a scandalous duet of Dukes by Julia Quinn, the bestselling author of Bridgerton , now a series created for Netflix by Shondaland Engaged to the future Duke of Wyndham since she was just six months old, Amelia Willoughby is beginning to get tired of waiting for Thomas Cavendish, the oh-so-lofty duke, to decide it's finally time to get married. But as she watches him from afar, sharing the occasional dance and making polite conversation, she has a sneaking suspicion that he never thinks about her at all . . . Thomas rather likes having a fiancée - all the better to keep the husband-hunters at bay - and he does intend to marry her eventually. But just when he begins to realise that his bride might be something more than convenient, Thomas's world is rocked by the arrival of his long-lost cousin, who may or may not be the true Duke of Wyndham. And if Thomas is not the duke, then he's not engaged to Amelia. Which is the cruelest joke of all, because this arrogant duke has made the mistake of falling in love . . . with his own fiancée! 'A veritable treat' Daily Mail 'Quinn is a master of Historical romance' Entertainment Weekly

Mercy of a Rude Stream marks the astonishing return of Henry Roth, sixty years after the publication of his classic novel Call it Sleep . A book of time, memory, and desire, this new novel is set in the New York of World War I: a colorful vibrant, carelessly brutal city where an immigrant boy, Ira Stigmanm is coming of age. Like Joyce's Stephen Dedalus, Ira begins to discover the genius and the burden of his imagination, as he takes his first tentative steps toward adulthood. A contempoary of the great modernist writers, Roth is being rediscovered by a new generation of readers.

On a sweltering day in August 1942, Frankie Washburn returns to his family's rustic Minnesota resort for one last visit before he joins the war as a bombardier, headed for the darkened skies over Europe. Awaiting him at the Pines are those he's about to leave behind: his hovering mother; the distant father to whom he's been a disappointment; the Indian caretaker who's been more of a father to him than his own; and Billy, the childhood friend who over the years has become something much more intimate. But before the homecoming can be celebrated, the search for a German soldier, escaped from the POW camp across the river, explodes in a shocking act of violence, with consequences that will reverberate years into the future for all of them and that will shape how each of them makes sense of their lives.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.

The Times and Sunday Times Book of the Year 'An enthralling and wonderfully vivid novel from a master storyteller' Joseph O'Connor 'Kneale's medieval world is animated with a refreshing lightness of touch' Sunday Telegraph 1289. A rich farmer fears he'll go to hell for cheating his neighbors. His wife wants pilgrim badges to sew into her hat and show off at church. A poor, ragged villager is convinced his beloved cat is suffering in the fires of purgatory and must be rescued. A mother believes her son's dangerous illness is punishment for her own adultery and seeks forgiveness so he may be cured. A landlord is in trouble with the church after he punched an abbot on the nose. A sexually driven noblewoman seeks a divorce so she can marry her new young beau. These are among a ragtag band of pilgrims that sets off on the tough and dangerous journey from England to Rome, where they hope all their troubles and their prayers will be answered. Some in the group, however, have their own secret reasons for going. Others, while they might aspire to piety, succumb all too often to the sins of the flesh. A riveting, sweeping novel of medieval society and historic Englishness, Pilgrims illuminates the fallibility of humans, the absurdities and consolations of belief, and the very real violence at the heart of religious fervor.

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

No-vo-si-birsk. No-vo-si-birsk. I repeat the word over and over, trying to turn it into something ordinary instead of the name of the strange new place a million miles from home. Our train journey is over at last. The city of Novosibirsk, Siberia, is our final stop. Surely nothing can be worse than life on Train Two, Carriage One? But ... what if it is worse?

Roth tells the tragic story of Mizzi Schinagl, the daughter of a pipemaker, who has fallen in love with a nobleman and cavalry officer - a man of a much higher class. Unfortunately for Mizzi, Baron Taittinger, the object of her affection, has liberally bestowed his charms on too many others. Crushed by the Baron's promiscuities, Mizzi nonetheless finds herself pregnant with his son. Her reputation ruined by the Baron, Mizzi is forced into a bordello after being abandoned by her erstwhile lover. At the same time, the Persian Shah pays a state visit to the Kaiser. Desirous of an affair with an "exotic" Western woman, the Shah conspires with Taittinger to find a consort. When the Shah decides upon a court nobleman's wife, Taittinger must act quickly to deceive his friend from Persia. Mizzi, surreptitiously chosen for this role, soon finds herself enmeshed in an ironic series of calamitous events in which nothing is what it seems.